關於 soprano voice ，我們在網路上蒐集到這些相關的討論、資訊與評價

【Rainbow Connection 彩虹連結】
Acapella mini-cover 美聲簡短翻唱
Feat. 薛詒丹 Dan Hsueh

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今天超級超級超級興奮能跟大家分享最近在偷偷做的一個小東西，是跟我超級超級超級愛的歌手！薛詒丹！一起玩的作品！

Very excited to be sharing this collaboration cover today featuring one of my favorite vocalists, Dan Hsueh!

聽說這首歌在美國是大家都很熟悉的，但是我是前幾週在IG上面看到一個廚師po文裡面有這首的配樂才得知。我聽到的是才女Laufey自己寫的版本，而我聽到的當下腦中馬上浮現阿丹的聲音，然後就有衝動想要自己做一個能跟她合唱的編曲。

I first came across this song by accident on Instagram when a chef I follow posted a Laufey cover. When I heard her version, I immediately heard Dan's voice in my head, and wanted to write my own arrangement to sing with her.

很令人興奮的是：她竟然願意！！所以我在這雀躍地向大家推出這個我編曲的女生四重唱，由阿丹唱女高音2跟女中音1、由我來唱女高音1跟女中音2。

Amazingly, she accepted when I pitched it to her, and I’m pleased to present this all female barbershop quartet version with Dan on Soprano II and Alto I, and myself on Soprano I and Alto II.

大家別忘了去追蹤阿丹然後去聽聽她所有超級酷的作品！在這裡祝各位週末愉快！

Please go give Dan a follow and check out all of her amazing stuff, and I hope you all have a happy weekend, everyone!

#MyVoiceAndI #lockdowndiaries #throwbackthursdays

When I say I miss the stage, I’m not only referring to the two hours of live performance that you all see. I miss myself. I miss who I am during the process: learning new repertoire, spending endless hours in solitude learning all the notes at the piano, reading and looking up each word in the dictionary, trying to get the pronunciation and colouring of the text as authentic as possible. It’s the time spent observing, imitating, and drawing inspiration from all the great artists through dvds and videos. It’s the process of igniting my imagination, and gradually getting into the shoes of a new role, and finding new things about an old piece or a character along the way of rehearsing with other musicians. It’s the incomparable satisfaction of hearing my voice resonate and project into a big space with no artificial amplification. It’s the exchange of energy with people around me. It’s feeling that I want to pour my heart and soul out to the world through music without expecting anything in return. Everything in this process, including the really scary moments in which I doubt everything I do, to the exciting feeling of overcoming those obstacles and making little breakthroughs and connecting with the music and the people around… I miss them all. Right now I’m learning something which is a bit of a foreign concept: patience. I need patience to be at peace with the uncertainty of everything. 2020 is the first time in years that I’m forced (or given space and time) to sit down and listen to my inner voice, instead of singing with my soprano voice.

#laboheme #musicaviva #classicalmusicinhongkong #2020 #pandemic

2020 10/24 ：義大利作曲家盧恰諾·貝里奧（Luciano Berio，1925年10月24日－2003年5月27日）誕辰95週年紀念日。

貝里奧一系列的序列 ”Sequenza”作品中，第一首是為長笛而做，寫作於1958；最後一首(no.14)是為大提琴而寫，寫於2002年。這些作品挑戰出每個樂器的可能性，通常被稱為”延伸技巧”。其中以為女高音作的Sequenza III，為雙簧管作的Sequenza VII和長號的Sequenza V 等三首作品最具有代表性。

這一系列的作品可說是Berio三十幾年創作生涯中，關於創作手法的濃縮以及精華呈現。不僅僅是考驗演奏者對於許多新穎技巧的演奏實力，每一首皆體現了樂器最大的可能性，透過這樣的方式，建立了令人印象深刻的聲響。

Sequenza I for flute (1958);
Sequenza II for harp (1963);
Sequenza III for woman's voice (1965);
Sequenza IV for piano (1966);
Sequenza V for trombone (1965);
Sequenza VI for viola (1967);
Sequenza VII for oboe (1969) (rev. by Jacqueline Leclair and renamed "Sequenza VIIa" in 2000);
Sequenza VIIb for soprano saxophone (adaptation by Claude Delangle in 1993);
Sequenza VIII for violin (1976);
Sequenza IXa for clarinet (1980);
Sequenza IXb for alto saxophone (1981);
Sequenza IXc for bass clarinet (adaptation by Rocco Parisi in 1998);
Sequenza X for trumpet in C and piano resonance (1984);
Sequenza XI for guitar (1987–88);
Sequenza XII for bassoon (1995);
Sequenza XIII for accordion "Chanson" (1995);
Sequenza XIVa for violoncello (2002);
Sequenza XIVb for double bass (adaptation by Stefano Scodanibbio in 2004).

📹 Sequenza III
為聲樂家Cathy Berberian而寫。Berio 在此作品中尋找文字以及其配置的關係。從破壞他的語意去創造音樂。

（文字擷取自：https://jannysmusic.pixnet.net/blog/post/176617717）

「此影片為三級警戒前拍攝」

Bruno Mars膾炙人口的R&B歌曲《That's What I Like》，以全人聲的重新詮釋，再融合極具台灣傳統特色的MV取景，就是你現在看到的闊樂集全新力作！
什麼？你說炫富的歌詞配上菜市場的MV場景很突兀嗎？Nah, THAT is what we like!

Bruno Mars' popular R&B song "That's What I Like" is reinterpreted entirely using the human voice!
Incorporating elements of traditional Taiwanese culture, this music video is BroadBand’s newest project. What? Did we shoot it in a traditional market to contrast the lyrics which boast of wealth? Nah, THAT is what we like!

追闊樂集的IG ⏩ https://bit.ly/2SurLGl
追闊樂集的FB ⏩ https://bit.ly/3w572qs

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導演 / Director：黃宇謙
拍攝 / Cameraman：Yawi Yungay（亞崴尤奈）
攝影助理 / Camera Assistant：Jigoku（阿麒）
剪輯 / Video Editor：黃宇謙
錄音 / Recording：孫諾 @聲諾音樂SoundNold
混音製作 / Audio Editor：孫諾 @聲諾音樂SoundNold
演藝經紀 / Agency：歐普思音樂藝術OPUS MUSIC ARTS

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男高音（主唱）/ Tenor (lead vocals)：賴浩軒
女高音 / Soprano：崔璀璨
男高音 / Tenor：張維麟
男低音 / Bass：黃宇謙
人聲打擊 / Vocal Percussionist：鄧愷威

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詞、曲 / Lyrics and Song：Bruno Mars、Philip Lawrence、Christopher Brody Brown、James Fauntleroy、Johnathan Yip、Ray Romulus、Jeremy Reeves、Ray McCullough II
饒舌歌詞 / Rap Lyrics：張維麟
阿卡貝拉編曲 / Arrangement：Cameron Golinsky


#火星人布魯諾 #BrunoMars #ThatsWhatILike

YOASOBI「ハルジオン」Cover
Vocal,Recording,Mixing,Videographer,Postproduction:Takeshi Saito

SNARECOVER斎藤洸カバー第20弾
YOASOBIの「ハルジオン」をカバー致しました。

YOASOBI「ハルジオン」
https://youtu.be/kzdJkT4kp-A


この曲は、個人的にYOASOBIの中で1番好きな曲です！YOASOBIの曲って爽快でスピード感のあるトラックが特徴だけど、今回は弾き語り的なアレンジでカバーしてみました。歌詞はこの雰囲気でも味が出るな…って思います。
以前、「夜に駆ける」もカバーしてるので、そちらも是非見てみて下さい↓↓
https://youtu.be/BnYYcHebsqI


斎藤　洸

I am Takeshi Saito.
I’m from Hokkaido in Japan.
I’ve been singing for long time.
I’ve gotten ticket to sing on the wonderful stage ”EMERGENZA” in Germany
Thankfully, I received an award for “Best singer” amazing!!

I’ve joined anime “Made in abyss “ as singer.
https://www.youtube.com/watch?v=KPxSS1zHWwQ

SNARE COVER「Birth」
MADE IN ABYSS:Wandering Twilight-Ending Song「reBirth」（Interpretations）
https://www.youtube.com/watch?v=Abu3ahCRx1E

Instagram
https://www.instagram.com/snare_saitou/?hl=ja

twitter
https://twitter.com/snare_saitou?ref_src=twsrc%5Egoogle%7Ctwcamp%5Eserp%7Ctwgr%5Eauthor

#ハルジオン #YOASOBI #cover #ikura

#宋讚養

Arranged by:
@min_kursitis

Instagram: @himmsong
Donation: https://www.paypal.me/himmsong

[English lyrics]
Love Poem
I think someone
Is praying for someone
I think I can softly hear
A love poem that was silently written
It clearly flies over to you
I hope it reaches you before it’s too late

I’ll be there, behind you when you walk alone
Singing till the end, this song that won’t end
Open your ears for just a moment
I’ll sing for you, who is walking through an especially long night

Once again, in your world
A star is falling
The silently shed tears
Are flowing here
In my silent heart that has lost all words
I hear a voice like hearing a memory

I’ll be there, behind you when you walk alone
Singing till the end, this song that won’t end
Take a deep breath
I’ll sing for you, who forgot how to cry out loud

(So you can walk again)
I’ll sing
(So you can love again)

Here I am, watch over me
Singing till the end, I won’t ever stop singing this song
On the day your long night is over
When you lift your head, I’ll be right there

[Korean lyrics]
누구를 위해 누군가 기도하고 있나 봐
숨죽여 쓴 사랑시가 낮게 들리는 듯해

너에게로 선명히 날아가
늦지 않게 자리에 닿기를

I'll be there 홀로 걷는 너의 뒤에
Singing till the end 그치지 않을 이 노래
아주 잠시만 귀 기울여 봐
유난히 긴 밤을 걷는 널 위해 부를게

또 한 번 너의 세상에 별이 지고 있나 봐
숨죽여 삼킨 눈물이 여기 흐르는 듯해

할 말을 잃어 고요한 마음에
기억처럼 들려오는 목소리

I'll be there 홀로 걷는 너의 뒤에
Singing till the end 그치지 않을 이 노래
아주 커다란 숨을 쉬어 봐
소리 내 우는 법을 잊은 널 위해 부를게

부를게
(다시 사랑할 수 있도록)

Here I am 지켜봐 나를, 난 절대
Singing till the end 멈추지 않아 이 노래
너의 긴 밤이 끝나는 그날
고개를 들어 바라본 그곳에 있을게