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Q: new york photographers 1950sJeremy C. Photography 在Facebook 的評價

May you rest in peace, Mr. Frank 🙏🏼//Born in Switzerland, Mr. Frank went to New York at the age of 23 as an artistic refugee from what he considered to be the small-minded values of his own country. He was best known for his groundbreaking book, “The Americans,” a masterwork of black and white photographs drawn from his cross-country road trips in the mid-1950s and published in 1959.“The Americans” challenged the presiding midcentury formula for photojournalism, defined by sharp, well-lighted, classically composed pictures, whether of the battlefront, the homespun American heartland or movie stars at leisure. Mr. Frank’s photographs — of lone individuals, teenage couples, groups at funerals and odd spoors of cultural life — were cinematic, immediate, off-kilter and grainy, like early television transmissions of the period.//https://www.nytimes.com/2019/09/10/arts/robert-frank-dead-americans-photography.html

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By Jeremy C. Photography

2019-09-10 23:27:07 有 20 人按讚

May you rest in peace, Mr. Frank 🙏🏼

//
Born in Switzerland, Mr. Frank went to New York at the age of 23 as an artistic refugee from what he considered to be the small-minded values of his own country. He was best known for his groundbreaking book, “The Americans,” a masterwork of black and white photographs drawn from his cross-country road trips in the mid-1950s and published in 1959.

“The Americans” challenged the presiding midcentury formula for photojournalism, defined by sharp, well-lighted, classically composed pictures, whether of the battlefront, the homespun American heartland or movie stars at leisure. Mr. Frank’s photographs — of lone individuals, teenage couples, groups at funerals and odd spoors of cultural life — were cinematic, immediate, off-kilter and grainy, like early television transmissions of the period.
//

https://www.nytimes.com/2019/09/10/arts/robert-frank-dead-americans-photography.html

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Jeremy C. Photography

About author

/ snapshots in continuum / - capturing the brevity of moments that link to the continuum of their past, present, and future.

Hong Kong based Freelance photographer Film & Digital Urban || Landscape || Travel || Art Instagram

new york photographers 1950s 在 PAhparn Sirima Facebook 的精選貼文

By PAhparn Sirima

2016-04-04 12:19:33 有 333 人按讚

S. Leiter

Saul Leiter , 1923 - 2013

"I never thought of the urban environment as isolating. I leave these speculations to others. It’s quite possible that my work represents a search for beauty in the most prosaic and ordinary places. One doesn’t have to be in some faraway dreamland in order to find beauty. I realize that the search for beauty is not highly popular these days. Agony, misery and wretchedness, now these are worth perusing." - Saul Leiter

Saul Leiter’s ground-breaking work in photography and painting is only now receiving the international recognition it deserves. Born in Pittsburgh in 1923, Saul Leiter was the son of a distinguished Talmudic rabbi. Leiter’s interest in art began in his late teens, and in 1946, when he was 23, he left Cleveland and moved to New York City to pursue painting. That year he met the Abstract Expressionist painter Richard Pousette-Dart, who was also experimenting with photography. Leiter’s friendship with Pousette-Dart, and soon after with W. Eugene Smith, and the photography exhibitions he saw in New York, particularly that of Henri Cartier-Bresson at the Museum of Modern Art in 1947, inspired his growing interest in photography.

Leiter’s earliest black and white photographs show an extraordinary affinity for the medium, and by 1948 he began to experiment in colour. Edward Steichen included Leiter’s black and white photographs in the exhibition 'Always the Young Stranger' at the Museum of Modern Art in 1953. In the late 1950s the art director Henry Wolf published Leiter’s colour fashion work in Esquire and later in Harper’s Bazaar. Leiter continued to work as a fashion photographer for the next 20 years and was published in Show, Elle, British Vogue, Queen, and Nova.

Leiter made an enormous and unique contribution to street photography. His abstracted forms and radically innovative compositions had a painterly quality that stands out among the work of his New York School contemporaries. Perhaps this is because Leiter continued through the years to work as both a photographer and painter. His painterly sensibility reaches its fruition in his painted photographs of nudes on which he has actually applied layers of gouache, casein and watercolour in a whimsical and sensuous way. His masterful use of the two media is apparent in these remarkable pieces.

Martin Harrison, editor and author of Saul Leiter : Early Color, writes, “Leiter’s sensibility…placed him outside the visceral confrontations with urban anxiety associated with photographers such as Robert Frank or William Klein. Instead, for him the camera provided an alternate way of seeing, of framing events and interpreting reality. He sought out moments of quiet humanity in the Manhattan maelstrom, forging a unique urban pastoral from the most unlikely of circumstances.” - Max Kozloff

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PAhparn Sirima

About author

Pahparn - Sirima Chaipreechawit was born in Bangkok, Thailand in 1988 Her photography has been originally created from her passion in black and white. She has been fascinated by the path through the streets and alleys that allowed herself to be fully expressed. She always travels and tells stories of what she saw through the nature of her photography. In each of her expeditions, she would be lost among her emotional self, places and people she met along the way. In the midst of that moment, her profound creativity would be created and produced a powerful identity in her photography, in the way that has always been described by her faithful audience as darkness and loneliness. For Sirima, photography is a reflected explanation of her own self; her view and her thought, at the best she could possibly express. And life, for her, is always a trip to eternity.

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