#Congratulations! Director Hsin-Chien Huang's latest VR works, Samsara and The Starry Sand Beach, were nominated for the 78th Venice International Film Festival!
The 78th Venice International Film Festival (VIFF) announced the shortlisted nominees for the category of VR Film. Taiwanese new media artist, Distinguished Professor of NTNU, Hsin-Chien Huang, winner of the BEST VR Experience in 2017 with his work La Camera Insabbiata, will again contest for the Leone d’oro this year with two of his latest, sci-fi inspired works, Samsara and The Starry Sand Beach. While the Taiwanese athletes are striving for the Gold Medals at the Tokyo Olympics as we speak, director Hsin-Chien Huang dazzles the jury of VIFF with his visually-stunning and thought-provoking works — bringing cutting-edge Taiwanese VR films onto the international stage and letting world-wide audience sees Taiwan!
Before being selected for the 78th Venice International Film Festival, Samsara episode 1. has already grabbed the Jury Award at SXSW and Best VR Story at the Cannes XR Competition. This futuristic VR experience teleports the audience onto a journey that spans millions of years. Samsara is a Sanskrit word meaning “ the world ”. In Buddhism, it means what we perceive as the world is actually an endless cycle of karma (cause and effect), a cycle of life, death and rebirth in the six realms of existence. In this fascinating VR work, the audience is reincarnated into the bodies of different persons and creatures, experiencing the universe in their new bodies and in search for the ultimate spiritual transcendence.
Samsara depicts an apocalyptical story in the near future where human greed has depleted the earth’s resource. Catastrophic wars to fight for resource resulted in global destruction. Finally, the remaining humans had to leave the Earth and go on a search in space for a new place to live.
Nevertheless, their desperate, long quest for a new homeland… could it be just a loop in space and time? The cycle of greedy domination and total destruction that then necessitates the search for a new home…. may have hopelessly repeated itself over and over again? The constant evolutionary process and so-called progress, without transformation in consciousness and spiritual advancement, is nothing more than a Möbius strip that leads nowhere, perhaps…?
Samsara is an experiment based on the theory of Embodied Cognition. Through interactivity and VR, the audience gets to live inside the bodies of different persons and creatures, experiencing their feelings from within. Perhaps It is when we can perceive the world in different bodies that we may truly appreciate the thoughts of others and empathize with them. An experience that will also help us better comprehend our own existence and learn to live in harmony with all.
Samsara explores a complex of deeply interconnected issues of ecology, technology, natural resource and war, etc. It's a story about a journey humans are forced to take on, after having destroyed the earth with nuclear disasters. The survivors seek a new planet, in the boundless, interstellar space, to carry on their lives. Gradually they evolve into a new life form artificially. Yet, many years passed and they’ve come to realize that they would never make it to the new planet they’ve been dreaming of. In fact, they have simply been returning to the Earth, in different life forms, time after time.
Director Huang applies the concepts of embodied cognition, offering a unique way to contemplate about the nature of life. As the audience are transported into different bodies each time, they gain a brand new perspective to experience the world views presented in Samsara.
Samsara was produced under the guidance of Taiwan Creative Content Agency (TAICCA) and Kaohsiung Film Archive VR(VR FILM LAB), it’s a sate-of-the-art VR production made 100% in Taiwan. In the VR experience, viewers are transformed into various kinds of animals to interact with the scenes, including species unique and indigenous to Taiwan, such as Taiwan Blue Magpie and Formosan Black Bear.
Samsara Ep.1 features the latest somatosensory technology, including 4D views shooting techniques by the Industrial Technology Research Institute and TAICCA. A digital shooting system comprised of a high-sensitivity 4 million-pixel, full-color CCD sensor and 48 4DV-EX-Z cameras made it possible for Samsara Ep.1 to be taken from an omnidirectional view and shot without any blind spots, creating the ultimate immersive experience.
THE STARRY SAND BEACH, directed by Hsin-Chien Huang and produced in cooperation with Lucid Reality (France) and Oready 瑞意創科 Oready Innovation Lab (Taiwan), is a scientific fairy tale about a unique ecological wonder in Taiwan and Japan, the shiny starry sand beaches. Foraminifera, from the Latin word “foramen” meaning hole, is a single-celled organism that builds a shell with multiple chambers which intercommunicate with one another through holes. On the Qimei Island, Taiwan and the Yaeyama Islands, Japan, beaches have been formed by a specific species of foraminifera with star-shaped shells made of calcium carbonate. Like the real stars in the legends, grains of the starry sand have also been preserving the earth’s memories for millions of years.
THE STARRY SAND BEACH is a real-time 3D interactive VR adventure into the natural and mythological landscape of the starry sand beaches on Qimei Island in Penghu Archipelago, Xing Sha Wan in Kenting National Park and Taketomi Island in the far south of Japan. The experience is full of aesthetically-amazing elements and enriched with cultural and religious significance like Shintoism in Japan. A beautiful, haunting legend tells the story of the starry sand…
The final winners will be presented at the award ceremony held on Sep11. With great anticipation and hopes, Hsin-Chien Huang is expected to bring home again the grand prize for Taiwan!
https://www.labiennale.org/en/news/selection-complete-works-venice-vr-expanded-0
#黃心健 #HsinChienHuang
#samsara #chalkroom
#LaCameraInsabbiata
#VeniceInternationalFilmFestival #VIFF
#Thestarrysandbeach
#LucidReality
#OreadyInnovationLab
同時也有3部Youtube影片,追蹤數超過6,080的網紅Dao Chi Anh,也在其Youtube影片中提到,Every business faces competition but that should not be a reason for stress or limited growth. Watch to hear my thoughts on competition and how to gro...
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- 關於national art competition 在 Pakar diari hati Facebook 的最佳解答
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- 關於national art competition 在 Red Hongyi Youtube 的最佳貼文
national art competition 在 文茜的世界周報 Sisy's World News Facebook 的最佳貼文
《我的幸福5/2 週末》
*週日下午兩點誠品信義書店「廿世紀典範人物」新書分享會,我下午二時開始演講,離上次在台灣大學公開演説。快半年了!分享會報名一小時預告已額滿,但TVBS電視台慷慨的支持。派出SNG車,屆時TVBS文茜的世界周報YouTube 及世界周報Facebook 都將同步直播。
*新書分享會後我將直奔高雄衛武營,參加劉孟捷(李斯特巡禮之年)鋼琴獨奏會。這是劉孟捷回台,最重要的一場音樂會,我目睹他用盡了一切心力。過去即使21歲時在費城代打缺席大師的音樂會,劉孟捷都未曾如此緊張。他此次回台,手術前為了沒有遺憾,共舉行三場音樂會:其中4/17與5/30皆是與國家交響樂團NSO合作:530那一場指揮是呂紹嘉。但他告訴我,某些曲目對他而言,是Piece of Cake :惟獨衞武營這一場,曲目由他自己決定,現場錄影,並且找了金曲獎錄音師同步錄音。
5/2衛武營-劉孟捷鋼琴獨奏會《李斯特巡禮之年》購票連結
https://www.opentix.life/event/1384752689074294784
劉夢捷明白他即將面對一個大手術,手術風險之外,他的免疫系統疾病,將使他的康復之路更長。
沒有人可以預知未來,為了圓他的夢,醫院每天都要求他早上、晚上量血壓,報告直接傳給院長。振興醫院院長魏崢雖然是亞洲第一把心臟外科醫師,但也不敢大意。
畢竟這個人的生命那麼脆弱,他的心臟主動脈剝離,那是實質的「心碎」了:但他仍有詩,仍有音樂夢。在生命的交接處,在白日與黑夜的交义口,劉孟捷想為他的音樂生涯,留下最美好的紀錄。
他選擇了李斯特。
在這場音樂會前,他甚至以英文寫下了自己與音樂、疾病的半生回顧:如李斯特的巡禮,有仰望,有沉思,有失落,有幽微的疼痛。他以詩篇般的演奏模式,傾訴,詠嘆。他曾得到天賦,也走過死蔭的幽谷。命運是一層又一層的黑影逼近,老天爺隨時想帶走他。
而他已不再流淚,不再沉浸於悲愴告別:因為對他而言活著並不容易,他要讓自己更深刻的抓住每一分時光之美。
如果時間和空間,正如哲人們所形容的
都是不實際存在的東西:那從不感到衰敗的太陽,也不會比我們了不起多少!
他如艾略特的詩句中所形容的:我們為什麼要如此貪心總在祈禱,想活上整整一個世紀?
蝴蝶雖僅活了一天,已經歷了永恆。
當他的身軀如露水還在藤蔓顫抖時,他送給我們一場「完全浪漫又超技的李斯特」。
等音樂會結束了,至少有一張CD,一段YouTube 影像:不論孟捷代表生命的那朵鮮花是否枯萎,他彈奏如天使的音聲不會飛離,它會停留在那夜,繼續釋放芬芳。
這是盡生命之力、之情獨奏的音樂會。劉孟捷説:這樣當他走進手術室時,會少一點悲傷。
或許快樂的日子本來就不多,但讓這場「完全李斯特.完全劉孟捷」的獨奏會放出神聖的光彩吧!
我必將赴會,不會錯過!我知道此刻的獨奏會,很難複製,因為它綜合了太多的情感、愛念,釋放與生命的抒情。
*劉孟捷為此次獨奏會寫下的文字:This past year has seen some unprecedented changes in the world. Many lives have been lost and many have changed. The world has changed while many of us confront the uncertainty of the future.
For most musicians, life has changed. For months, we have been conducting our lessons online, and concerts have mostly stopped or become an online experience as well. More time has been spent learning how to improve the online teaching experience than one could have imagined. While I have felt the duty to continue teaching, the format the pandemic requires for teaching leaves me unwilling to spend more time than I have to.
And truly, I have had other things to deal with. When the pandemic started to worry the American public in March, I was in the middle of a tour with the String Quartet-in-Residence at Curtis, the Vera Quartet. However, our concerts were canceled, and everything came to a sudden halt.
I felt the universe had sent me an unexpected gift, as I had also just received some terrible news concerning my worsening aortic arches and a diagnosis of kidney cancer. The sudden halt in my professional schedule seemed perfect in its timing. I was able to settle into a monastic existence, to simply practice and attempt to heal.
I see many musicians itching to be concertizing again, and many stepped into new territory, performing on the internet. Many took time to develop new podcasts, and to write new materials for their art. Sadly, many have struggled as they have fallen into desperation without any concert incomes. Altogether the music industry seems to be in peril, and many worry about how music and musicians will survive.
However, I had my own survival to think about. Having been through many difficult experiences in my life, I knew this might be the most difficult I would encounter. My Doctors describe me as a walking time bomb. My condition could be lethal at any moment if my blood pressure gets out of control. So while others wrestle with the fate of the music industry, I’ve needed to face my own fate and mortality.
Playing concerts can mean many things to people. At different times throughout my life, I’ve felt the need to express different aspects of myself. When I was young, I wanted to embody the spirit of romanticism, playing lots of Chopin and Schumann. Then there was a period of time when I wanted to challenge myself by showing off pyrotechnics. I had a brooding period where I turned to the pathos of Rachmaninoff, and then felt the need to return to the purity of Schubert and nobility of Brahms. Throughout this pandemic, I wanted to play Bach. Through Bach’s music I found a kind of spiritual sanctuary.
In considering the program for this concert, I felt again the urge to play music that reflects my current feelings and state of mind. The title of today’s recital, “Years of Pilgrimage” seems to fit exactly what I am experiencing.
Liszt wrote several volumes of “Années de pèlerinage” throughout his life to reflect on thoughts he had during his travels. He links his philosophical thoughts to the scenery which inspired them. “Au Bord d’un Source” describes feelings of rejuvenation while standing next to a clear stream of water, a symbol and source of life and energy. It seems to say, when the stream is so pure, life can be so full of joy.
In the Les jeux d'eaux à la Villa d'Este (The Fountains of the Villa d'Este), the water has a magical and supernatural quality, as Liszt himself wrote in the inscription: "But the water that I shall give him shall become in him a well of water springing up into eternal life,"( from the Gospel of John.)
For me, I have never felt more connected to Liszt than when he looked upon the valley of Obermann and questioned the meaning of existence. At this moment in my life, I often find myself reflecting my experiences of what I see and read into philosophical musings. Perhaps many people come to a time when this is so.
In all this I have felt gratitude for the love stories and sonnets that one can romantically indulge in, and for storms so violent that they threaten to destroy one’s spirit, even the hell-bound journey which brings up questions about the purpose of life…
On this journey, I felt full and alive as a human being. Looking back on this journey, I am grateful for everything, whether happy or sad, to have made an impact, found and imparted meaning to this life.
The unusual time of this pandemic has marked a milestone for me. I have journeyed back home, and as it happened, this is the first time I have spent so much time in my hometown Kaohsiung in over 35 years. It’s particularly nostalgic to play these pieces as some of them were significant in my early musical career. Vallée d’Obermann was the piece I played in my first competition at the junior high school level, in which I won first prize on the national level, which allowed me to be qualified to apply for a special permission to study abroad. This meant my dream to be educated as a musician could be continued in an environment where I could develop fully. In the following year when I was 13, I won the first Asia-Pacific Youth PIano Competition with the Dante Sonata. The competition catapulted me into national attention as I was headlined in several newspapers, and especially since it was held in Kaohsiung, I became a local hero as well. During the same event, I had a fateful meeting with one of the important influences in my life, Mr. Gary Graffman, who then mentored me throughout not only the years when I was studying at Curtis, but throughout my illness and recovery as a pianist. Right before I departed to study in Philadelphia, I played my first solo recital throughout Taiwan, and along with the Dante Sonata, I also performed the three sonnets.
It’s perfect that now, back in Kaohsiung, all these memories have flooded back into my head. I feel so lucky to have been born here, and to have met my first teacher, Chin-Li Lee, who inspired me on the path to become a musician. Prof. Alexander Sung filled me with dreams of becoming an artist. I am grateful for his belief in my talent, when he chose to give a 12 year old such philosophical pieces to play.
Having once again spent some months in Kaohsiung, I can freshly appreciate the source of inspiration it once was for me. I have returned to the source to heal. Having already glimpsed hell’s gate several times, battered and weathered by the storms of life, I know there is a reason life is this way, and it all will be alright.
Meng-Chieh Liu
April, 2021
*劉孟捷衛武營《李斯特巡禮之年》演奏會中,包括李斯特以佩脫拉克三首情詩譜寫的鋼琴琴詩:這三首情詩是從大詩人佩脫拉克一百多首情詩挑出來的,詩本身就很優美,依此激發李斯特的浪漫主義創作靈感,成為琴藝上最困難演奏,但也特別細膩溫柔的琴詩。
這三首分別是:
〈佩脫拉克第47號十四行詩〉〈佩脫拉克第104號十四行詩〉及〈佩脫拉克第123號十四行詩〉。
Franz Liszt(1811-1886): Sonetto 47 del Petrarca, Sonetto 104 del Petrarca, Sonetto 123 del Petrarca, from Années de pèlerinage, Deuxième année: Italie
李斯特於1846年先出版藝術歌曲《三首佩脫拉克十四行詩》(Tre sonetti del Petrarca),再改成鋼琴獨奏版。
三首佩脫拉克十四行詩
中譯:焦元溥(元溥也是友情贊助,特別準備音樂資料,周日南下,聆賞劉孟捷的樂曲,並且陪同他盯著錄音共三天)
〈第47〉
祝福每天、每月、每年,
所有片刻與鐘點、時間與季節,
在那美麗的原野,
我為一雙眼眸魂縈夢牽。
祝福初遇時的甜,
與愛同在、受苦不停歇,
如弓箭刺穿令我淌血,
傷口永留感動在我心間。
祝福一切我發出的聲音,
當呼喚著我深愛的女郎,
渴望、嘆息、淚濕滿襟。
祝福我寫下的文字遠揚,
歌頌她的芳名,萬古長新。
我心永屬於她,無人能闖。
〈第104〉
我找不到和平,也無意打仗,
我恐懼、我期望,燃燒又冰透。
我向天飛升,卻躺在地上,
我一無所有,卻又擁抱整個宇宙。
我身陷囹圄,監牢又開敞;
我不受囚禁,卻銬著鎖頭。
愛情不讓我死,也不讓我飛翔;
不要我活,也不准我逃離悲愁。
欲看卻無眼,啞口還在發言,
我甘心殞滅,卻仍高聲呼救,
我痛恨自己,但仍愛著他人。
憂傷滋潤我,淚水伴隨笑臉,
生命不足惜,死亡也不煩憂;
我淪落至此,都是妳啊,我的愛人!
〈第123〉
我在塵世見到仙子的美,
她天堂般優雅無與倫比。
想起她讓我悲傷又歡喜,
所見如幻夢迷霧與幽黑。
妳的可愛眼睛使我落淚,
多少次讓太陽也要妒忌。
我還聽到四周發出嘆息,
移動了山嶽停止了河水。
愛情智慧憐憫憂傷財富,
在淚水中形成甜美聲響,
奇妙和諧世上未曾目睹。
天堂追隨著音樂的流淌,
雖然枝上樹葉並未飛舞,
空氣與風息卻充滿芬芳。
5/2衛武營-劉孟捷鋼琴獨奏會《李斯特巡禮之年》購票連結
https://www.opentix.life/event/1384752689074294784
national art competition 在 Pakar diari hati Facebook 的最佳解答
Anda berbakat? Jom bersama kami semarakkan seni budaya Kita... Pelbagai hadiah lumayan menanti anda semua!
Jabatan Kebudayaan dan Kesenian Negara (JKKN) ingin mempelawa anda semua untuk bersama-sama menyertai pelbagai program dalam bentuk pertandingan dalam talian bagi mengisi waktu-waktu mencabar anda semasa Perintah Kawalan Pergerakan (PKP)
Antara program yang anda boleh sertai adalah :
1. Jom Bercerita Dalam Talian 🗣️
2. Jom Belajar Seni Budaya Online 👩🏻🏫
3. Cabaran Tarian ( Tarian Zapin, Tarian Kipas, Tarian Baratanatyam, Tarian Sabah dan Tarian Sarawak) 💃🏻
4. Pertandingan Monolog Dalam Talian 🧘🏻♀️
5. Cabaran Pantun Duduk Dirumah 💁🏻💁🏻♂️
6. Pertandingan Silat Seni (Solo) 🥋
7. Pertandingan Nyanyian Irama Malaysia 🎤 🎼 🇲🇾
8.Sayembara Puisi Moden (Sajak) Dalam Talian 🌌
9. Pertandingan Cipta Lagu Raya ✒️🎼
📆 Tarikh penyertaan:
14-22 April 2020
📅 Tarikh tutup penyertaan:
23 April 2020
💰 HADIAH LUMAYAN menanti anda semua...
Syarat penyertaan dan keterangan lanjut boleh layari laman sesawang JKKN atau hubungi talian yang tertera di poster.
Are you talented? Let's join us as our cultural art... A variety of gifts await you all!
The National Department of Culture and Arts (JKKN) would like to have you all together join various programs in online competition form to fill your challenging times during the Movement Control Order (PKP)
Among the programs you can join are:
1. Let's Talk Online 🗣️
2. Let's Learn Online Culture Art 👩🏻 🏫
3. Dance Challenge (Zapin Dance, Fan Dance, Baratanatyam Dance, Sabah Dance and Sarawak Dance) 💃🏻
4. Monologist Games Online 🧘🏻 ♀️
5. Poem Challenge Staying At Home 💁🏻💁🏻 ♂️
6. Art Silat (Solo) Competition 🥋
7. Malaysian Rhythm Singing Competition 🎤 🎼 🇲🇾
8. Modern Poetry (Poetry) Online 🌌
9. Contests of Creating Raya Songs ✒️🎼
📆 Date of participation:
14-22 April 2020
📅 Closing date of participation:
23 April 2020
💰 LUMAYAN GIFT awaits you all...
Terms of participation and further details can visit JKKN website or contact the online shown on the poster.Translated
national art competition 在 Dao Chi Anh Youtube 的最佳解答
Every business faces competition but that should not be a reason for stress or limited growth. Watch to hear my thoughts on competition and how to grow your business in your own way.
Credit: All kitchenware are from Kitchen Art Vietnam (http://www.kitchenart.vn)
Editing: Chi Anh
Camera: Chi Anh
Thanks for watching my Vlog! This is where I share with you my daily experiences and journey of an entrepreneur in Vietnam. Be it running my businesses, cooking on TV or at home, everyday is a new adventure that helps me grow and get closer to where I want to be.
Follow me on Facebook: https://www.facebook.com/daochianh
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Dao Chi Anh is an Entrepreneur, Founder and CEO of Kitchen Art - a 6 year old business that sells homeware, kitchenware and produces food content for publication and online media, former CEO of KAfe Group, Publisher of Nếp Magazine and T•pot Collections, TV cooking show host on Vietnamese National TV (VTV3, VTV7) and Cookbook Author of Our Sweet Kitchen (Page One Publishing) and "Chuyen 2 Can Bep" (Nha Nam Publishing).
national art competition 在 Sharmaine K Youtube 的最讚貼文
University of Kent, Fine Art Degree Show,
21st – 31st May –2015
An exhibition of 26 exciting emerging artists in Kent
The University of Kent’s School of Music and Fine Art presents the Fine Art Degree Show 2016 in the extraordinary environment of The Historic Dockyard, Chatham, Kent, featuring the work of 26 graduating BA and MA Fine Art students.
Opening with a preview on Saturday May 21st, 1pm-5pm,
with guest speaker, Patricia Bickers, writer, curator and editor of Art Monthly
and music from artist Benedict Drew.
The exhibition is open to all and is free to attend.
Open to the public (10am-5pm):
Sunday 22nd May
Tuesday 24th May - Tuesday 31st May inclusive.
Continuing a tradition of showcasing bold, exploratory exhibitions curated by the University of Kent’s Fine Art students, framed by the stunning backdrop of one of the country’s most iconic locations, the Historic Dockyard Chatham, our visitors will encounter a broad range of artistic styles and media, an explosion of imagination and a celebration of art’s potential for society.
This exhibition offers the public a fascinating insight into contemporary art’s most recent practices and processes such as a ‘Grand Design’ home evolved by a hoarder, an oozing conversation with the earth, a system of tunnels, angry letters about Gillingham’s Samurai sent to Medway council, a Dockyard worker’s fall down a well as sculpture, personal Facebook data becomes food, a dream-like exploration of the car industry, hand movements translated into Fibonacci sound, an autobiographical feature length film made on a mobile phone and a performance where the rules of tennis are applied to an exam.
The Degree Show’s aim is to encourage audiences to explore the potential of Medway as a dynamic hub for art, with the School of Music and Fine Art as a major conduit for these activities, positively impacting on the community and offering imaginative suggestions and visionary strategies for cultural regeneration.
As well as involving students from Kent, and across the UK, this year’s Degree Show exhibitors include student artists from Iran, Thailand, China, Russia, Italy, Cyprus, Mexico, Hong Kong, Isle of Man and Ghana.
The Fine Art Degree Show exhibition catalogue features texts by academics across a range of University of Kent Schools: Emily Rosamond, Grant Pooke, Simon Smith, Howard Griffin and Rebecca Hobbs.
Degree Show visitors can attend a wide range of exciting educational activities. Young people attending can also participate in workshops with some of the exhibiting artists. On Tuesday 24h May and Wednesday 25th May Education Days will be held for local schools and colleges. Attendees will be able to view the Show and hear talks from the artists; they will also be encouraged to produce their own artwork in response to their experience of the Show. If you would like to bring a school, college or university group to this event (all ages welcome) please email mfaadmissions@kent.ac.uk
Visitors to the Degree Show will also be able to visit the Historic Dockyard's thematic exhibition of international contemporary art works, "Of the Sea," a competition (in collaboration with the School of Music and Fine Art) whose jury panel includes Kathleen Palmer (Head of Art, Imperial War Museum), and Victoria Pomery (Director of Turner Contemporary, Margate).
http://www.thedockyard.co.uk/plan/events/art-dockyard/
The Degree Show Address:
The Historic Dockyard, Chatham, Kent, ME4 4TY
Entry is at The Historic Dockyard Chatham Visitor Entrance, via The Galvanising Shop (next to the Dockyard’s visitors’ car park on the East Road).
http://www.thedockyard.co.uk/plan/how-find-us
Contact Details:
For further press information and images of the works on display please contact School Reception:
MFAReception@kent.ac.uk
or telephone 01634 888 980.
www.kent.ac.uk/smfa
Twitter: @unikentmfa
Twitter: https://twitter.com/UoKDegreeShow
Tumblr http://degreeshow2016.tumblr.com/
Instagram: https://www.instagram.com/degreeshow2016/
Facebook: https://www.facebook.com/Uokdegreeshow/
The School of Music and Fine Art was rated within the top ten of Art university departments in the UK (Guardian League Tables, 2015) an accolade supported by a top 20 University which came 3rd for ‘overall satisfaction’ in the National Student Survey, 2014
All members of the Fine Art academic staff are actively engaged as nationally and internationally exhibiting artists and published writers and include Shona Illingworth, Sarah Turner, Dr Andrew Conio, Emily Rosamund, Adam Chodzko, Tim Meacham and Dr Steve Klee.
We have links with many leading arts organisations including; Whitstable Biennale and Turner Contemporary, Margate. We actively engage with collaborations and participation with our local community in Medway.
The department attracts students from all over the world and from a diverse range of backgrounds and experience.
national art competition 在 Red Hongyi Youtube 的最佳貼文
Artwork done just in time for World Cup 2014!! Painting with a soccer ball - portraits of Ronaldo, Neymar and Messi! Subscribe, share and like...let's go crayzay!
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Directed and edited by:
Jonathon Lim
http://www.jonathonlim.com
Cam Assistant:
Daniel Agha-Rafei
http://www.redstarr.asia
Actors:
Ben Joseph
Baz Robinson http://www.cassia-imports.com
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Thanks to my team Aggie Ye, Bernard Hiew and Cheng Haw for all the help and support!
Bernard:
http://www.instagram.com/bnardhiew
Aggie:
http://www.instagram.com/aggie_ye