【《金融時報》深度長訪】
今年做過數百外媒訪問,若要說最能反映我思緒和想法的訪問,必然是《金融時報》的這一個,沒有之一。
在排山倒海的訪問裡,這位記者能在短短個半小時裡,刻畫得如此傳神,值得睇。
Joshua Wong plonks himself down on a plastic stool across from me. He is there for barely 10 seconds before he leaps up to greet two former high school classmates in the lunchtime tea house melee. He says hi and bye and then bounds back. Once again I am facing the young man in a black Chinese collared shirt and tan shorts who is proving such a headache for the authorities in Beijing.
So far, it’s been a fairly standard week for Wong. On a break from a globe-trotting, pro-democracy lobbying tour, he was grabbed off the streets of Hong Kong and bundled into a minivan. After being arrested, he appeared on the front pages of the world’s newspapers and was labelled a “traitor” by China’s foreign ministry.
He is very apologetic about being late for lunch.
Little about Wong, the face of Hong Kong’s democracy movement, can be described as ordinary: neither his Nobel Peace Prize nomination, nor his three stints in prison. Five years ago, his face was plastered on the cover of Time magazine; in 2017, he was the subject of a hit Netflix documentary, Joshua: Teenager vs Superpower. And he’s only 23.
We’re sitting inside a Cantonese teahouse in the narrow back streets near Hong Kong’s parliament, where he works for a pro-democracy lawmaker. It’s one of the most socially diverse parts of the city and has been at the heart of five months of unrest, which has turned into a battle for Hong Kong’s future. A few weekends earlier I covered clashes nearby as protesters threw Molotov cocktails at police, who fired back tear gas. Drunk expats looked on, as tourists rushed by dragging suitcases.
The lunch crowd pours into the fast-food joint, milling around as staff set up collapsible tables on the pavement. Construction workers sit side-by-side with men sweating in suits, chopsticks in one hand, phones in the other. I scan the menu: instant noodles with fried egg and luncheon meat, deep fried pork chops, beef brisket with radish. Wong barely glances at it before selecting the hometown fried rice and milk tea, a Hong Kong speciality with British colonial roots, made with black tea and evaporated or condensed milk.
“I always order this,” he beams, “I love this place, it’s the only Cantonese teahouse in the area that does cheap, high-quality milk tea.” I take my cue and settle for the veggie and egg fried rice and a lemon iced tea as the man sitting on the next table reaches over to shake Wong’s hand. Another pats him on the shoulder as he brushes by to pay the bill.
Wong has been a recognisable face in this city since he was 14, when he fought against a proposal from the Hong Kong government to introduce a national education curriculum that would teach that Chinese Communist party rule was “superior” to western-style democracy. The government eventually backed down after more than 100,000 people took to the streets. Two years later, Wong rose to global prominence when he became the poster boy for the Umbrella Movement, in which tens of thousands of students occupied central Hong Kong for 79 days to demand genuine universal suffrage.
That movement ended in failure. Many of its leaders were sent to jail, among them Wong. But the seeds of activism were planted in the generation of Hong Kongers who are now back on the streets, fighting for democracy against the world’s most powerful authoritarian state. The latest turmoil was sparked by a controversial extradition bill but has evolved into demands for true suffrage and a showdown with Beijing over the future of Hong Kong. The unrest in the former British colony, which was handed over to China in 1997, represents the biggest uprising on Chinese soil since the 1989 pro-democracy movement in Beijing. Its climax, of course, was the Tiananmen Square massacre, when hundreds, perhaps thousands, of people were killed.
“We learnt a lot of lessons from the Umbrella Movement: how to deal with conflict between the more moderate and progressive camps, how to be more organic, how to be less hesitant,” says Wong. “Five years ago the pro-democracy camp was far more cautious about seeking international support because they were afraid of pissing off Beijing.”
Wong doesn’t appear to be afraid of irking China. Over the past few months, he has lobbied on behalf of the Hong Kong protesters to governments around the world. In the US, he testified before Congress and urged lawmakers to pass an act in support of the Hong Kong protesters — subsequently approved by the House of Representatives with strong bipartisan support. In Germany, he made headlines when he suggested two baby pandas in the Berlin Zoo be named “Democracy” and “Freedom.” He has been previously barred from entering Malaysia and Thailand due to pressure from Beijing, and a Singaporean social worker was recently convicted and fined for organising an event at which Wong spoke via Skype.
The food arrives almost immediately. I struggle to tell our orders apart. Two mouthfuls into my egg and cabbage fried rice, I regret not ordering the instant noodles with luncheon meat.
In August, a Hong Kong newspaper controlled by the Chinese Communist party published a photo of Julie Eadeh, an American diplomat, meeting pro-democracy student leaders including Wong. The headline accused “foreign forces” of igniting a revolution in Hong Kong. “Beijing says I was trained by the CIA and the US marines and I am a CIA agent. [I find it] quite boring because they have made up these kinds of rumours for seven years [now],” he says, ignoring his incessantly pinging phone.
Another thing that bores him? The media. Although Wong’s messaging is always on point, his appraisal of journalists in response to my questions is piercing and cheeky. “In 15-minute interviews I know journalists just need soundbites that I’ve repeated lots of times before. So I’ll say things like ‘I have no hope [as regards] the regime but I have hope towards the people.’ Then the journalists will say ‘oh that’s so impressive!’ And I’ll say ‘yes, I’m a poet.’ ”
And what about this choice of restaurant? “Well, I knew I couldn’t pick a five-star hotel, even though the Financial Times is paying and I know you can afford it,” he says grinning. “It’s better to do this kind of interview in a Hong Kong-style restaurant. This is the place that I conducted my first interview after I left prison.” Wong has spent around 120 days in prison in total, including on charges of unlawful assembly.
“My fellow prisoners would tell me about how they joined the Umbrella Movement and how they agreed with our beliefs. I think prisoners are more aware of the importance of human rights,” he says, adding that even the prison wardens would share with him how they had joined protests.
“Even the triad members in prison support democracy. They complain how the tax on cigarettes is extremely high and the tax on red wine is extremely low; it just shows how the upper-class elite lives here,” he says, as a waiter strains to hear our conversation. Wong was most recently released from jail in June, the day after the largest protests in the history of Hong Kong, when an estimated 2m people — more than a quarter of the territory’s 7.5m population — took to the streets.
Raised in a deeply religious family, he used to travel to mainland China every two years with his family and church literally to spread the gospel. As with many Hong Kong Chinese who trace their roots to the mainland, he doesn’t know where his ancestral village is. His lasting memory of his trips across the border is of dirty toilets, he tells me, mid-bite. He turned to activism when he realised praying didn’t help much.
“The gift from God is to have independence of mind and critical thinking; to have our own will and to make our own personal judgments. I don’t link my religious beliefs with my political judgments. Even Carrie Lam is Catholic,” he trails off, in a reference to Hong Kong’s leader. Lam has the lowest approval rating of any chief executive in the history of the city, thanks to her botched handling of the crisis.
I ask whether Wong’s father, who is also involved in social activism, has been a big influence. Wrong question.
“The western media loves to frame Joshua Wong joining the fight because of reading the books of Nelson Mandela or Martin Luther King or because of how my parents raised me. In reality, I joined street activism not because of anyone book I read. Why do journalists always assume anyone who strives for a better society has a role model?” He glances down at his pinging phone and draws a breath, before continuing. “Can you really describe my dad as an activist? I support LGBTQ rights,” he says, with a fist pump. His father, Roger Wong, is a well-known anti-gay rights campaigner in Hong Kong.
I notice he has put down his spoon, with half a plate of fried rice untouched. I decide it would be a good idea to redirect our conversation by bonding over phone addictions. Wong, renowned for his laser focus and determination, replies to my emails and messages at all hours and has been described by his friends as “a robot.”
He scrolls through his Gmail, his inbox filled with unread emails, showing me how he categorises interview requests with country tags. His life is almost solely dedicated to activism. “My friends and I used to go to watch movies and play laser tag but now of course we don’t have time to play any more: we face real bullets every weekend.”
The protests — which have seen more than 3,300 people arrested — have been largely leaderless. “Do you ever question your relevance to the movement?” I venture, mid-spoonful of congealed fried rice.
“Never,” he replies with his mouth full. “We have a lot of facilitators in this movement and I’m one of them . . . it’s just like Wikipedia. You don’t know who the contributors are behind a Wikipedia page but you know there’s a lot of collaboration and crowdsourcing. Instead of just having a top-down command, we now have a bottom-up command hub which has allowed the movement to last far longer than Umbrella.
“With greater power comes greater responsibility, so the question is how, through my role, can I express the voices of the frontliners, of the street activism? For example, I defended the action of storming into the Legislative Council on July 1. I know I didn’t storm in myself . . . ” His phone pings twice. Finally he succumbs.
After tapping away for about 30 seconds, Wong launches back into our conversation, sounding genuinely sorry that he wasn’t there on the night when protesters destroyed symbols of the Chinese Communist party and briefly occupied the chamber.
“My job is to be the middleman to express, evaluate and reveal what is going on in the Hong Kong protests when the movement is about being faceless,” he says, adding that his Twitter storm of 29 tweets explaining the July 1 occupation reached at least four million people. I admit that I am overcome with exhaustion just scanning his Twitter account, which has more than 400,000 followers. “Well, that thread was actually written by Jeffrey Ngo from Demosisto,” he say, referring to the political activism group that he heads.
A network of Hong Kong activists studying abroad helps fuel his relentless public persona on social media and in the opinion pages of international newspapers. Within a week of his most recent arrest, he had published op-eds in The Economist, The New York Times, Quartz and the Apple Daily.
I wonder out loud if he ever feels overwhelmed at taking on the Chinese Communist party, a task daunting even for some of the world’s most formidable governments and companies. He peers at me over his wire-framed glasses. “It’s our responsibility; if we don’t do it, who will? At least we are not in Xinjiang or Tibet; we are in Hong Kong,” he says, referring to two regions on Chinese soil on the frontline of Beijing’s drive to develop a high-tech surveillance state. In Xinjiang, at least one million people are being held in internment camps. “Even though we’re directly under the rule of Beijing, we have a layer of protection because we’re recognised as a global city so [Beijing] is more hesitant to act.”
I hear the sound of the wok firing up in the kitchen and ask him the question on everyone’s minds in Hong Kong: what happens next? Like many people who are closely following the extraordinary situation in Hong Kong, he is hesitant to make firm predictions.
“Lots of think-tanks around the world say ‘Oh, we’re China experts. We’re born in western countries but we know how to read Chinese so we’re familiar with Chinese politics.’ They predicted the Communist party would collapse after the Tiananmen Square massacre and they’ve kept predicting this over the past three decades but hey, now it’s 2019 and we’re still under the rule of Beijing, ha ha,” he grins.
While we are prophesying, does Wong ever think he might become chief executive one day? “No local journalist in Hong Kong would really ask this question,” he admonishes. As our lunch has progressed, he has become bolder in dissecting my interview technique. The territory’s chief executive is currently selected by a group of 1,200, mostly Beijing loyalists, and he doubts the Chinese Communist party would ever allow him to run. A few weeks after we meet he announces his candidacy in the upcoming district council elections. He was eventually the only candidate disqualified from running — an order that, after our lunch, he tweeted had come from Beijing and was “clearly politically driven”.
We turn to the more ordinary stuff of 23-year-olds’ lives, as Wong slurps the remainder of his milk tea. “Before being jailed, the thing I was most worried about was that I wouldn’t be able to watch Avengers: Endgame,” he says.
“Luckily, it came out around early May so I watched it two weeks before I was locked up in prison.” He has already quoted Spider-Man twice during our lunch. I am unsurprised when Wong picks him as his favourite character.
“I think he’s more . . . ” He pauses, one of the few times in the interview. “Compared to having an unlimited superpower or unlimited power or unlimited talent just like Superman, I think Spider-Man is more human.” With that, our friendly neighbourhood activist dashes off to his next interview.
international companies in berlin 在 Hứa Vĩ Văn Facebook 的最讚貼文
Gặp Gỡ Mùa Thu 2016
AUTUMN MEETING 2016 ACTIVITIES
#AutumnMeeting #Gapgomuathu2016
Organized by: DNY Productions – In Co-operation with VUS (Vietnam – USA Society English Center)
Organizers: Director Phan Dang Di, Producer Tran Thi Bich Ngoc.
Media Sponsor: Thanh Nien News.
Main Partners: People’s Committee of Da Nang; Kaohsiung Film Archive (Taiwan), Red Ruby entertainment, Hoa Sen University
Main sponsors: CGV, CJ E&M, SIFS, VNG Corporation, Vingroup
Date: from November 8th to November 16th , 2016.
Other related programs by AM 2016 will take place beginning 05/2016.
Main Location: Da Nang City and Hoi An Ancient Town.
Some AM 2016 courses will also take place in Ho Chi Minh City.
Other Media Partners: VNExpress News, Vietnamnet, Tuoi Tre News, The Thao & Van Hoa. Lao Dong News, Dep, Elle, The Thao & Van Hoa Men, Da Nang Newspaper. Culture – Events – People Program by VTV3. Young Cinema by VTV6, Cinema Program by VTV2. VTV4 channel, VTV Da Nang, DRT Da Nang.
PROGRAM SUMMARY:
Autumn Meeting 2016 is organized by DNY Productions in cooperation with local and international organizations. Since the first Autumn Meeting in 11/2013, the program has been on its way to become an annual cinema event in late autumn in Da Nang beach city and Hoi An ancient town.
Autumn Meeting 2016 continues to be the converging spot for the most familiar and successful faces in Vietnamese cinema through its professional exchange activities, Gala screenings, awards, and fundraising programs. Furthermore, since 2014, Autumn Meeting has welcomed important international guests from Korean Academy of Film Arts, Motion Picture Association of America as well as members of Cannes and Venice International Film Festivals. This year, apart from the familiar faces above, AM will for the first time welcome filmmakers from South East and East Asia and other delegates from Berlin International film festival, Hong Kong International Film Festivals, Kaohsiung Film Archive and Kaohsiung International Film Festival, Fukuoka Asian Film Festival…
Retaining the same guiding principle of discovering and providing support for new cinema talents, Autumn Meeting 2016 will select and invite young filmmakers in the country with promising short projects to present and complete their works in workshops guided by established local and international filmmakers. Additionally, since 2015, AM courses have also begun to welcome young filmmakers from South East Asian and East Asian countries. As the workshops conclude, the best projects selected by a jury of leading movie professionals will be awarded valuable prizes to help propel these projects into future films.
Autumn Meeting 2016 will continue to welcome the world acclaimed Vietnamese director Tran Anh Hung as the instructor for the Directing Workshop. Mister Tran Anh Hung will also be the Jury President for the “Short Film of the Future” Award. French editor Julie Beziau will be in charge of the Editing Workshop. French Colorist Yov Moor will be in charge of Color-grading Workshop, Indonesian filmmaker Joko Anwar and Tia Hasibuan will be in charge of Specialized Workshop “Making movies with a super low budget”. The first ever Acting Workshop by AM will be led by Korean professor Lydia Park, with a special appearance by acclaimed actress Moon So-ri.
Well known Vietnamese actors/actresses and directors will take part in various Autumn Meeting 2016 activities as the event’s official guests.
With the mission of unifying and developing Vietnamese cinema as well as stimulating cinematic discourses with other countries in the region (South East Asia and Asia-Pacific), Autumn Meeting 2016 is a non-profit cultural event that aims to assist young cinema talents. The three AMs so far in 2013, 2014, and 2015 have received enormous support from Vietnamese media outlets and adoration from both Vietnamese and international artists. Most importantly, AM is at the receiving end of the immense support from the people and governmental bodies of the cities it resides. As it grows, AM strives to become a significant International Film Festival in the near future.
AUTUMN MEETING 2016 ACTIVITIES
I. Workshops with well-known filmmakers.
AM 2016 filmmaking courses will be divided into 5 workshops.
Directing Workshop will still be under the guidance of director Tran Anh Hung. 12 young Vietnamese and international filmmakers with exciting short film projects will be chosen to attend the 7-day workshop.
English will be the official language in this workshop.
Editing Workshop, 20 young directors and editors will take part in an 8-day course in Ho Chi Minh City taught by veteran French editor Julie Beziau. Besides editing theories, the course will focus on practice. Attendants will be instructed on how to re-edit and renovate their previous projects.
This workshop will take place from May 10 to May 18 in Ho Chi Minh City.
Color-grading Workshop, 20 young directors and colorists will take part in an 8-day course in Ho Chi Minh City taught by veteran French Colorist Yov Moor. Besides color-grading theories, the course will focus on practice. Attendants will be instructed on how to do color-grading and renovate their previous projects.
This workshop will take place from October 5th to October 13th in Ho Chi Minh City
Acting Workshop: AM will orchestrate a 20 student course with Vietnamese young talents. Attendants will learn under renowned acting coach, Ms. Lydia Park. After completion, Acting Workshop attendants will have the chance to perform alongside movie stars in selected short projects that will be screened in AM 2016 Closing Gala. Attendants can also find acting prospects from other film projects participating in AM program. In November 15th, attendants will join the Panel Discussion with the acclaimed actress Moon So-ri (South Korean) on a subject of: “The co-operation between director and actor/actress in filming”.
Specialized Workshop – Making movies with a super low budget. AM has designed this special course for 12 young Vietnamese and International filmmakers who had taken part in AM before along with other filmmakers in the region who are getting ready to make their first feature. Guest lecturers are director Joko Anwar, producer Tia Hasibuan (Indonesia) – who have made successful movies with very low budget (under 50,000 USD) but are still invited to the most prestigious film festivals in the world.
II. Feature Project Market
This is the third year this format is adapted into AM program. During Feature Project Market, commercial and art-house film projects will be presented in search of investors or buyers.
Art-house Film Corner is reserved for art-house film projects. 6 to 8 projects from Vietnam and Asia will be selected for presentation before a panel of judges including respected Vietnamese and international art film directors and curators film prestigious film festivals like Hong Kong, Venice, Berlin. The judges will pick the best project for the Autumn Meeting Grand Prix. Additionally, projects competing at Art-house Film Corner will have the chance to be invited to other film project markets at notable film festivals or receive sponsorship from international movie funds depending on the ingenuity and potential of each project.
In the third year of Art-house Film Corner, AM organizers expect to welcome Mr. Paolo Bertolin, curator for Venice Film Festival in South East Asia, Mr. John Badalu, curator for Berlin Film Festival, director Tran Anh Hung, director Joko Anwar, and a respected Vietnamese producer as the judges for Autumn Meeting Grand Prix.
The counterpart of Art-house Film Corner for commercial projects is Entertainment Film World.
At Entertainment Film World, 8 high quality Vietnamese commercial projects will be presented through pitching sessions and personal interactions with producers from various production companies in the country.
After getting to know the projects, producers will be invited to sit on a judging panel headed by director Victor Vu. The judges will select the best project in Entertainment Film World to give the Producers’ Choice Award.
III. In Focus: Short film collection from Kaohsiung.
“Short film collection from Kaohsiung” is a collaboration between Autumn Meeting and Kaohsiung Film Archive. This program showcases 8 short films made by young Taiwanese filmmakers and funded by Kaohsiung Film Archive. Four representatives from Kaohsiung Film Archive and 4 young Taiwanese film directors will be invited to Ho Chi Minh City and Da Nang to present their films. They also join the panel discussion with other young Vietnamese filmmakers in the subject of “Establishing a filmmaker’s identity through short films”. The filmmakers are also invited to join Autumn Meeting’s activities and closing ceremony on November 16 in Da Nang.
IV. “Voices of Vietnamese Filmmakers” forums and convention.
“Voices of Producers” forum gathers well-regarded producers from Vietnam (see list in appendix) to discuss issues relating to their works. The anticipated topic for the forum this year is: “How to produce a high quality film with a low budget”.
“Voices of Directors” forum also welcomes the best Vietnamese directors (see list in appendix) to talk about the most essential aspects of their careers. Expected topic: “Establishing the Directors Guild of Vietnam”.
Convention –“Establishing a Da Nang – Hoi An International Film Festival – from the experience of professional film festival organizers around the world.”
AM and People Committee of Hoi An this year invites representatives, organizers, and managers from reputable Asian film festivals such as: Hong Kong Film Festival, Busan Film Festival, Fukuoka Film Festival as well as representatives of top international film festivals in the world: Cannes Film Festival, Berlin Film Festival, and Venice Film Festival to a convention with Da Nang, Hoi An government committee, travel agencies, and event organizers. This convention will focus on getting idea and creating a model for an international film festival in the area in the near future.
V. Autumn Meeting 2016 Awards.
One of the most important feature of AM is aiding young movie talents through awards. They are:
1. Autumn Meeting Grand Prix Award.
For the best project at Art-house Film Corner. The winner will receive a cash prize of $5,000 and an AM Grand Prix certificate. The winning director will use this money to continue developing their project until it becomes a feature film.
2. Producers’ Choice Award.
For the best project at Entertainment Film World. The winner will receive a cash prize of $3,000 and an AM Producers’ Choice certificate.
3. Short Film of the Future Award.
For the best project at the Directing Workshop. Young filmmakers will pitch the projects they’ve developed after the 6-day course before a judging panel led by director Tran Anh Hung. The winning entry will receive a cash prize, certificate, and an equipment package at AM Gala Screening and closing ceremony.
4. Emerging Star Awards.
For the best attendants in the Acting Workshop. There are:
- Best Actor Award (selected by judges).
- Best Actress Award (selected by judges).
- Best Actor Award (selected by audience).
- Best Actress Award (selected by audience).
Expected value of each award is $1,000.
VI. Gala Screening and Closing Ceremony.
A red carpet event will commence AM 2016 Closing Gala. Movie stars and valuable guests from within and outside of Vietnam will appear before the fans and audience. Here selected short films by previous Autumn Meetings attendants, exclusive works by 2016 Acting Workshop students and guest stars will be screened. The Closing Ceremony will see the awards (Autumn Meeting Grand Prix, Producers’ Choice, Short Film of the Future, Stars’ Choice, and Emerging Star Award) given to the best new faces of cinema. Last but certainly not least, this night will also be devoted in gratitude of the sponsors whose tremendous contribution has built and strengthened Autumn Meeting.
international companies in berlin 在 Scholarship for Vietnamese students Facebook 的精選貼文
[Germany]_Apply now until April 30: Master in Optics & Photonics in Germany | Karlsruhe School of Optics & Photonics
At the Karlsruhe School of Optics & Photonics (KSOP), the first Graduate School of the Karlsruhe Institute of Technology (KIT) the 2-years Master Program in optical technologies program qualifies you for a career in industry as well as in research. The program is taught in English and graduates with a Bachelor degree in Natural or Engineering Sciences are highly welcome to apply.
Program structure
During the two years of the program, students specialize in one of the five Research Areas of KSOP: Photonic Materials & Devices, Advanced Spectroscopy, Biomedical Photonics, Optical System or Solar Energy.
Scholarships
Each year 40 students start their studies at KSOP. For outstanding students (among the best 10% students of your class), KSOP provides a limited number of scholarships. Besides a scholarship by KSOP, there are various other possibilities for scholarships which you will have to check yourself. Have a look at a list of scholarship providers here.
Industry Network
Part of the concept of KSOP is the preparation for the labour market of the German optical industry. The close cooperation to industry partners is of high value for KSOP students. By gaining experiences in well-known international companies, like Carl Zeiss, Osram or others, via internships or master´s thesis projects, students prepare themselves for their professional path and get in contact with future employers. KSOP offers a lot of events and trainings to open possibilities for students in the German labour market.
Karlsruhe - Hidden Jewel in the Heart of Germany
Karlsruhe is a small city in the south of Germany and has much to offer for an active student life. It is also one of the most dynamic high-tech areas in Europe – several companies such as Bosch, Siemens, Daimler, ABB and Michelin have their production facilities in the so called Technology Region Karlsruhe. The Frankfurt International Airport can be reached within one hour by train. There is also a smaller airport nearby Karlsruhe with airplanes heading to London, Rome or Berlin. You can get an insight into studying at KSOP by watching the movies in our YouTube channel.
Application procedure
The application period is from January until April 30 each year. The earlier you apply, the earlier you will receive a response.
Please check the admission requirements and specific directions regarding the application on our website.
Keyfacts
- 2 years Master Program (MSc degree)
- Specializations: Photonic Materials & Devices, Advanced Spectroscopy,
Biomedical Photonics, Optical Systems, Solar Energy
- Taught in English
- Scholarships available for outstanding applicants
- Industry internship program & networking
- Language courses & Business Knigge training
- Start: Winter term (October) each year
- Application deadline: April 30
If you feel like the KSOP MSc program could be of interest for you, please visit the KSOP website for more information. If you have any further questions, please do not hesitate to contact the MSc Program Manager Miriam Sonnenbichler ([email protected]).
http://ksop.idschools.kit.edu/scholarship_applicants.php