根據計算,100萬人遊行隊伍要從維多利亞公園排到廣東;200萬人遊行則要排到泰國。
順道一提香港15~30歲人口約莫100出頭萬人。以照片人群幾乎都是此年齡帶來看,兩個數字都是明顯誇大太多了。
另一個可以參考的是1969年的Woodstock Music & Art Fair,幾天內湧進40萬人次,照片看起來也是滿山滿谷的人。(http://sites.psu.edu/…/upl…/sites/851/2013/01/Woodstock3.jpg)
當年40萬人次引發驚人的大塞車,幾乎花十幾個小時才逐漸清場。
而香港遊行清場速度明顯快得多。
順道一提,因此運動而認定「你的父母不愛你」的白痴論述也如同文化大革命時的「爹親娘親不如毛主席親」般開始出現:
https://www.facebook.com/SaluteToHKPolice/videos/350606498983830/UzpfSTUyNzM2NjA3MzoxMDE1NjMyMTM4NjY3MTA3NA/
EVERY MAJOR NEWS outlet in the world is reporting that two million people, well over a quarter of our population, joined a single protest.
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It’s an astonishing thought that filled an enthusiastic old marcher like me with pride. Unfortunately, it’s almost certainly not true.
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A march of two million people would fill a street that was 58 kilometers long, starting at Victoria Park in Hong Kong and ending in Tanglangshan Country Park in Guangdong, according to one standard crowd estimation technique.
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If the two million of us stood in a queue, we’d stretch 914 kilometers (568 miles), from Victoria Park to Thailand. Even if all of us marched in a regiment 25 people abreast, our troop would stretch towards the Chinese border.
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Yes, there was a very large number of us there. But getting key facts wrong helps nobody. Indeed, it could hurt the protesters more than anyone.
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For math geeks only, here’s a discussion of the actual numbers that I hope will interest you whatever your political views.
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DO NUMBERS MATTER?
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People have repeatedly asked me to find out “the real number” of people at the recent mass rallies in Hong Kong.
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I declined for an obvious reason: There was a huge number of us. What does it matter whether it was hundreds of thousands or a million? That’s not important.
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But my critics pointed out that the word “million” is right at the top of almost every report about the marches. Clearly it IS important.
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FIRST, THE SCIENCE
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In the west, drone photography is analyzed to estimate crowd sizes.
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This reporter apologizes for not having found a comprehensive database of drone images of the Hong Kong protests.
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But we can still use related methods, such as density checks, crowd-flow data and impact assessments. Universities which have gathered Hong Kong protest march data using scientific methods include Hong Kong Polytechnic University, Hong Kong University of Science and Technology, University of Hong Kong, and Hong Kong Baptist University.
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DENSITY CHECKS
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Figures gathered in the past by Hong Kong Polytechnic specialists using satellite photo analysis found a density level of one square meter per marcher. Modern analysis suggests this remains roughly accurate.
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I know from experience that Hong Kong marches feature long periods of normal spacing (one square meter or one and half per person, walking) and shorter periods of tight spacing (half a square meter or less per person, mostly standing).
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JOINERS AND SPEED
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We need to include people who join halfway. In the past, a Hong Kong University analysis using visual counting methods cross-referenced with one-on-one interviews indicated that estimates should be boosted by 12% to accurately reflect late joiners. These days, we’re much more generous in estimating joiners.
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As for speed, a Hong Kong Baptist University survey once found a passing rate of 4,000 marchers every ten minutes.
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Videos of the recent rallies indicates that joiner numbers and stop-start progress were highly erratic and difficult to calculate with any degree of certainty.
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DISTANCE MULTIPLIED BY DENSITY
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But scientists have other tools. We know the walking distance between Victoria Park and Tamar Park is 2.9 kilometers. Although there was overspill, the bulk of the marchers went along Hennessy Road in Wan Chai, which is about 25 meters (or 82 feet) wide, and similar connected roads, some wider, some narrower.
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Steve Doig, a specialist in crowd analysis approached by the Columbia Journalism Review (CJR), analyzed an image of Hong Kong marchers to find a density level of 7,000 people in a 210-meter space. Although he emphasizes that crowd estimates are never an exact science, that figure means one million Hong Kong marchers would need a street 18.6 miles long – which is 29 kilometers.
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Extrapolating these figures for the June 16 claim of two million marchers, you’d need a street 58 kilometers long.
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Could this problem be explained away by the turnover rate of Hong Kong marchers, which likely allowed the main (three kilometer) route to be filled more than once?
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The answer is yes, to some extent. But the crowd would have to be moving very fast to refill the space a great many times over in a single afternoon and evening. It wasn’t. While I can walk the distance from Victoria Park to Tamar in 41 minutes on a quiet holiday afternoon, doing the same thing during a march takes many hours.
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More believable: There was a huge number of us, but not a million, and certainly not two million.
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IMPACT MEASUREMENTS
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A second, parallel way of analyzing the size of the crowd is to seek evidence of the effects of the marchers’ absence from their normal roles in society.
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If we extract two million people out of a population of 7.4 million, many basic services would be severely affected while many others would grind to a complete halt.
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Manpower-intensive sectors of society, such as transport, would be badly affected by mass absenteeism. Industries which do their main business on the weekends, such as retail, restaurants, hotels, tourism, coffee shops and so on would be hard hit. Round-the-clock operations such as hospitals and emergency services would be severely troubled, as would under-the-radar jobs such as infrastructure and utility maintenance.
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There seems to be no evidence that any of that happened in Hong Kong.
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HOW DID WE GET INTO THIS MESS?
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To understand that, a bit of historical context is necessary.
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In 2003, a very large number of us walked from Victoria Park to Central. The next day, newspapers gave several estimates of crowd size.
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The differences were small. Academics said it was 350,000 plus. The police counted 466,000. The organizers, a group called the Civil Rights Front, rounded it up to 500,000.
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No controversy there. But there was trouble ahead.
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THINGS FALL APART
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At a repeat march the following year, it was obvious to all of us that our numbers were far lower that the previous year. The people counting agreed: the academics said 194,000 and the police said 200,000.
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But the Civil Rights Front insisted that there were MORE than the previous year’s march: 530,000 people.
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The organizers lost credibility even with us, their own supporters. To this day, we all quote the 2003 figure as the high point of that period, ignoring their 2004 invention.
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THE TRUTH COUNTS
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The organizers had embarrassed the marchers. The following year several organizations decided to serve us better, with detailed, scientific counts.
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After the 2005 march, the academics said the headcount was between 60,000 and 80,000 and the police said 63,000. Separate accounts by other independent groups agreed that it was below 100,000.
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But the organizers? The Civil Rights Front came out with the awkward claim that it was a quarter of a million. Ouch. (This data is easily confirmed from multiple sources in newspaper archives.)
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AN UNEXPECTED TWIST
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But then came a twist. Some in the Western media chose to present ONLY the organizer’s “outlier” claim.
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“Dressed in black and chanting ‘one man, one vote’, a quarter of a million people marched through Hong Kong yesterday,” said the Times of London in 2005.
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“A quarter of a million protesters marched through Hong Kong yesterday to demand full democracy from their rulers in Beijing,” reported the UK Independent.
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It became obvious that international media outlets were committed to emphasizing whichever claim made the Hong Kong government (and by extension, China) look as bad as possible. Accuracy was nowhere in the equation.
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STRATEGICALLY CHOSEN
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At universities in Hong Kong, there were passionate discussions about the apparent decision to pump up the numbers as a strategy, with the international media in mind. Activists saw two likely positive outcomes.
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First, anyone who actually wanted the truth would choose a middle point as the “real” number: thus it was worth making the organizers’ number as high as possible. (The police could be presented as corrupt puppets of Beijing.)
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Second, international reporters always favored the largest number, since it implicitly criticized China. Once the inflated figure was established in the Western media, it would become the generally accepted figure in all publications.
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Both of the activists’ predictions turned out to be bang on target. In the following years, headcounts by social scientists and police were close or even impressively confirmed the other—but were ignored by the agenda-driven international media, who usually printed only the organizers’ claims.
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SKIP THIS SECTION
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Skip this section unless you want additional examples to reinforce the point.
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In 2011, researchers and police said that between 63,000 and 95,000 of us marched. Our delightfully imaginative organizers multiplied by four to claim there were 400,000 of us.
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In 2012, researchers and police produced headcounts similar to the previous year: between 66,000 and 97,000. But the organizers claimed that it was 430,000. (These data can also be easily confirmed in any newspaper archive.)
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SKIP THIS SECTION TOO
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Unless you’re interested in the police angle. Why are police figures seen as lower than others? On reviewing data, two points emerge.
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First, police estimates rise and fall with those of independent researchers, suggesting that they function correctly: they are not invented. Many are slightly lower, but some match closely and others are slightly higher. This suggests that the police simply have a different counting method.
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Second, police sources explain that live estimates of attendance are used for “effective deployment” of staff. The number of police assigned to work on the scene is a direct reflection of the number of marchers counted. Thus officers have strong motivation to avoid deliberately under-estimating numbers.
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RECENT MASS RALLIES
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Now back to the present: this hot, uncomfortable summer.
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Academics put the 2019 June 9 rally at 199,500, and police at 240,000. Some people said the numbers should be raised or even doubled to reflect late joiners or people walking on parallel roads. Taking the most generous view, this gave us total estimates of 400,000 to 480,000.
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But the organizers, God bless them, claimed that 1.03 million marched: this was four times the researchers’ conservative view and more than double the generous view.
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The addition of the “.03m” caused a bit of mirth among social scientists. Even an academic writing in the rabidly pro-activist Hong Kong Free Press struggled to accept it. “Undoubtedly, the anti-amendment group added the extra .03 onto the exact one million figure in order to give their estimate a veneer of accuracy,” wrote Paul Stapleton.
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MIND-BOGGLING ESTIMATE
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But the vast majority of international media and social media printed ONLY the organizers’ eyebrow-raising claim of a million plus—and their version soon fed back into the system and because the “accepted” number. (Some mentioned other estimates in early reports and then dropped them.)
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The same process was repeated for the following Sunday, June 16, when the organizers’ frankly unbelievable claim of “about two million” was taken as gospel in the majority of international media.
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“Two million people in Hong Kong protest China's growing influence,” reported Fox News.
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“A record two million people – over a quarter of the city’s population” joined the protest, said the Guardian this morning.
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“Hong Kong leader apologizes as TWO MILLION take to the streets,” said the Sun newspaper in the UK.
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Friends, colleagues, fellow journalists—what happened to fact-checking? What happened to healthy skepticism? What happened to attempts at balance?
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CONCLUSIONS?
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I offer none. I prefer that you do your own research and draw your own conclusions. This is just a rough overview of the scientific and historical data by a single old-school citizen-journalist working in a university coffee shop.
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I may well have made errors on individual data points, although the overall message, I hope, is clear.
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Hong Kong people like to march.
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We deserve better data.
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We need better journalism. Easily debunked claims like “more than a quarter of the population hit the streets” help nobody.
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International media, your hostile agendas are showing. Raise your game.
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Organizers, stop working against the scientists and start working with them.
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Hong Kong people value truth.
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We’re not stupid. (And we’re not scared of math!)
同時也有2部Youtube影片,追蹤數超過3萬的網紅業輝馮,也在其Youtube影片中提到,大家好,我來自馬來西亞 在艱難的2020年,我透過留學的方式來到了紐西蘭拍攝 為了完成這組作品,記錄下最原始純凈的中土世界自然風光 我花了10個月時間實現新西蘭南北島自駕大縱走,超過32000公里的旅程 Hello everyone, I am Yap Hui Phong from Mala...
「impact of technology on photography」的推薦目錄:
impact of technology on photography 在 業輝馮 Youtube 的最讚貼文
大家好,我來自馬來西亞
在艱難的2020年,我透過留學的方式來到了紐西蘭拍攝
為了完成這組作品,記錄下最原始純凈的中土世界自然風光
我花了10個月時間實現新西蘭南北島自駕大縱走,超過32000公里的旅程
Hello everyone, I am Yap Hui Phong from Malaysia.
In 2020, I filmed a video by studying abroad in New Zealand.
In order to complete these works, I recorded the most primitive and pure nature of New Zealand.
It took me 10 months to realize a self-driving trip across the North and South Islands of New Zealand. The total mileage exceeds 32,000 kilometers.
從北島的塔拉那基山,到南阿爾卑斯山的最高峰庫克山
從東海岸廣袤無垠的坎特伯雷平原,到西海岸郁郁蔥蔥的冰川雨林
我背著30公斤的器材上到高山之巔等待日出的到來
也在同一地點蹲守數日,只為等待落霞與孤鶩齊飛的一刻
我迷戀於波瀾壯闊的太平洋,也驚嘆世界上最大的星空保護區下的萬點繁星
我曾在38℃的炎熱高溫下熱淚盈眶,也在-12℃的刺骨寒風中瑟瑟发抖
From Mount Taranaki on the North Island to Mount Cook, the highest peak of the Southern Alps.
From the vast Canterbury Plain on the east coast to the lush and glacier rainforest on the west coast.
I carried 30 kilograms of equipment to the top of the mountains to wait for the sunrise.
Staying at the same place for a few days, just to wait for the moment when the sunset and the lonely bird fly together.
I am obsessed with the magnificent Pacific Ocean. And also marvel at the view of stars under the world's largest International Dark Sky Reserve.
I used to have tears in my eyes under the hot temperature of 38℃, and also shivered in the freezing wind of -12℃.
奔山赴海,只為心中的熱愛
無所畏懼,只因那不屈的執念
忘了有多少個夜晚,我癡癡地守候在三腳架前,等著將滿眼的星河燦爛一點點寫入相機裡
拍攝照片超過20萬張,不斷購買硬碟用以儲存檔案,經過1000多個小時的後期制作,最終精簡成這12TB的素材
也忘了有多少個夜晚,我伏案電腦前,一次次調整修改照片的每一個細節,常常不知不覺中发現窗外天色已微亮
I can go over the mountain and across the sea, just because I love and enjoying in filming.
I am fearless, just because of the unyielding obsession.
Forgot how many nights there were. I was waiting in front of the tripod to write the entire galaxy into the camera bit by bit.
I keep buying hard drives to store the files. I have took more than 200,000 photos and post-production more than 1,000 hours.
Finally reduced to this 12TB material.
I also forgot how many nights there were. I seat in front of my computer adjusting every details of the photo again and again. And often unconsciously find that the sky outside the window is slightly bright.
為了新西蘭最能代表春天的魯冰花,拍攝到完整的四季
我再一次申請延長留在新西蘭的簽證,守候蒂卡波湖畔半個月,只為捕捉到魯冰花盛開的那一刻
為了捕捉螢火蟲的美,我深入與世隔絕的深山洞穴,雙腳浸泡在溪流中三天才拍出想要的畫面,在這三天里都與螢火蟲為伴
In order to be able to capture the Lupins which represent the spring of New Zealand, and also to film the complete four seasons of New Zealand.
I applied for an extension of my visa once again to stay in New Zealand. And waiting by the Lake Tekapo for half a month, just to capture the moment when the Lupins bloom.
In order to capture the beauty of Glowworm, I went deep into the cave in the isolated mountain. My feet were soaked in the stream for three days before I took the picture I wanted.
而這部作品也成功獲得了8KRAW攝影大賽 第一名
在全世界最頂尖的團隊所辦的比賽,我很幸運拿到了夢寐以求的獎項
還要感謝精研國際 呂文元導演一直大力支持我的計劃
得到精研國際的支持讓我設備,技術大幅升級得以製作出高規格的作品
這也讓我更加堅定追求心中的熱愛,繼續去追逐我的夢想與創作
Fortunately, the film also successfully won the first place in the 8KRAW photography contest.
In the competitions held by the best teams in the world, I was lucky to have won the coveted award.
I also want to thank Director Wen-yuan, Lu of HD.CLUB CO., LTD for supporting my plan.
With the support of HD.CLUB CO., LTD, my equipment and technology have been greatly upgraded to produce high-standard works.
This also makes me more determined to pursue what I love and continue to work hard on my dreams and creations.
器材方面/Gear:
製作8K 的設備 Production 8K Equipment:ASUS ZenBook Pro Duo 15 UX581GV
Higrace 投入式漸層濾鏡系統:ZERO R0.6 | R0.9 | S0.9 | NDCPL32 | ND1000
YC 洋蔥熱狗滑軌 l 飛宇Qing l Vixen Polarie
Sony A7R4 | A7R3 | A7R2(MOD)
-Canon 16-35 F2.8 L ii
-Sigma 24-70 F2.8 Art
-Sony 100-400 F4.5-5.6 GM
-Sigma 14 F1.8 Art
-Sony 24 F1.4 GM
-Sigma 40 F1.4 Art
軟體Software:
LRTimelapse | Adobe Lightroom | Premeire l DaVinci Resolve 17 | After Effects | Media Encoder | Photoshop
若有縮時專案或8K縮時素材授權需求
If there is a time-lapse project or 8K time-lapse material authorization needs,Manufacturers are welcome to cooperate
LINE:yaphui96 Mr.Phong,馮先生
Email : yaphui01111740800@gmail.com
關於我的故事:https://www.youtube.com/watch?v=gFtcGnjyIEQ
臉書FaceBook : https://www.facebook.com/yaphui1996
INSTAGRAM : https://www.instagram.com/yh.1102/
音樂Music:Cassiopea - FullMix-15297
Maximum Impact Aurora 3149 - Look To The Stars 3149/7
影片歡迎個人非營利 FB 分享
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impact of technology on photography 在 Amazing Jiro Youtube 的最佳解答
"No Strings"
As a global community, we have the power to discover and connect with one another more than ever before through the convenience of technology. But instead, truths, personal empowerment, and freedom are harder than ever to attain, and we often find ourselves in an echo chamber for violence, injustice, and the pitfalls of capitalism.
Amazing JIRO, special effects and body paint artist teams up with Jon Boogz, director and choreographer for NO STRINGS to share a compelling and striking visual narrative about emancipating ourselves to incite social change.
<Artists Bio>
Amazing JIRO - After graduating Tokyo University of the Arts and entering the world of special effect makeup, JIRO established JUR Co., Ltd.
Currently, JIRO works not only as special effects makeup artist but also as a creative director in film, drama, TVCM, and other fields. His power of expression and solid techniques are highly praised by people in and out of Japan. JIRO is attracting attention as a reformer of face paint, SFX makeup, and art.
After winning 2 championships at TV TOKYO TV Champion – Special Effect Makeup Artists Championship, JIRO became a certified champion. He was also introduced as one of the “Make-up Around the World: the Global Family of Artists on Make-Up Magazine,” which is read in more than 70 countries.
He creates artwork with advanced painting techniques and is attracting the world with his powerful ideas and quality works.
Jon Boogz is a movement artist, choreographer, and director who seeks to push the evolution of what dance can be – sharing with audiences of all backgrounds an appreciation of the melding of art forms while inspiring and bringing awareness to social issues.
Originally motivated to dance by the work of Michael Jackson, Boogz has choreographed for notable icons including Mikhail Baryshnikov, Naomi Campbell, Gloria Estefan; for Pharrell’s Adidas Originals HU Campaign to creative direct, choreography, and perform in Standing Rock at ComplexCon; and as creative consultant for ads launching campaigns for Apple and Lexus. Boogz’s collaborators include TriBeCa Film Festival, DAIS, Lil Buck, and Flying Lotus; his choreography is used in FOX’s “So You Think You Can Dance”; Cirque du Soleil’s MJ ONE; he was featured at the Geffen Playhouse’s “Backstage at the Geffen” with his dance company Control Freakz, Lil Buck, and spoken word artist Robin Sanders; and at TED Vancouver’s TED Prize session.
Boogz wrote, choreographed, directed and danced in Color of Reality, a short film in collaboration with visual artist Alexa Meade. The work continues to receive coverage internationally and won Great Big Story’s Art as Impact Award; Best Experimental at Toronto International Short Film Festival; and Concept Video of the Year from World of Dance, among others. His forthcoming projects seek to merge movement with fine art, film, technology, and the stage.
Choreography & Performance : Jon Boogz
Face & Body paint: Amazing JIRO
Director of Photography : Cameron McKinlay
Costume Technician : Castille Ritter
Music : Chizzy & Jason Yang
Produced by Sozo Artists & Jon Boogz
Amazing JIRO - https://www.instagram.com/amazing_jiro/
Jon Boogz - https://www.instagram.com/jonboogz/
Sozo Artists - https://www.instagram.com/sozoartists/
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