#Congratulations! Director Hsin-Chien Huang's latest VR works, Samsara and The Starry Sand Beach, were nominated for the 78th Venice International Film Festival!
The 78th Venice International Film Festival (VIFF) announced the shortlisted nominees for the category of VR Film. Taiwanese new media artist, Distinguished Professor of NTNU, Hsin-Chien Huang, winner of the BEST VR Experience in 2017 with his work La Camera Insabbiata, will again contest for the Leone d’oro this year with two of his latest, sci-fi inspired works, Samsara and The Starry Sand Beach. While the Taiwanese athletes are striving for the Gold Medals at the Tokyo Olympics as we speak, director Hsin-Chien Huang dazzles the jury of VIFF with his visually-stunning and thought-provoking works — bringing cutting-edge Taiwanese VR films onto the international stage and letting world-wide audience sees Taiwan!
Before being selected for the 78th Venice International Film Festival, Samsara episode 1. has already grabbed the Jury Award at SXSW and Best VR Story at the Cannes XR Competition. This futuristic VR experience teleports the audience onto a journey that spans millions of years. Samsara is a Sanskrit word meaning “ the world ”. In Buddhism, it means what we perceive as the world is actually an endless cycle of karma (cause and effect), a cycle of life, death and rebirth in the six realms of existence. In this fascinating VR work, the audience is reincarnated into the bodies of different persons and creatures, experiencing the universe in their new bodies and in search for the ultimate spiritual transcendence.
Samsara depicts an apocalyptical story in the near future where human greed has depleted the earth’s resource. Catastrophic wars to fight for resource resulted in global destruction. Finally, the remaining humans had to leave the Earth and go on a search in space for a new place to live.
Nevertheless, their desperate, long quest for a new homeland… could it be just a loop in space and time? The cycle of greedy domination and total destruction that then necessitates the search for a new home…. may have hopelessly repeated itself over and over again? The constant evolutionary process and so-called progress, without transformation in consciousness and spiritual advancement, is nothing more than a Möbius strip that leads nowhere, perhaps…?
Samsara is an experiment based on the theory of Embodied Cognition. Through interactivity and VR, the audience gets to live inside the bodies of different persons and creatures, experiencing their feelings from within. Perhaps It is when we can perceive the world in different bodies that we may truly appreciate the thoughts of others and empathize with them. An experience that will also help us better comprehend our own existence and learn to live in harmony with all.
Samsara explores a complex of deeply interconnected issues of ecology, technology, natural resource and war, etc. It's a story about a journey humans are forced to take on, after having destroyed the earth with nuclear disasters. The survivors seek a new planet, in the boundless, interstellar space, to carry on their lives. Gradually they evolve into a new life form artificially. Yet, many years passed and they’ve come to realize that they would never make it to the new planet they’ve been dreaming of. In fact, they have simply been returning to the Earth, in different life forms, time after time.
Director Huang applies the concepts of embodied cognition, offering a unique way to contemplate about the nature of life. As the audience are transported into different bodies each time, they gain a brand new perspective to experience the world views presented in Samsara.
Samsara was produced under the guidance of Taiwan Creative Content Agency (TAICCA) and Kaohsiung Film Archive VR(VR FILM LAB), it’s a sate-of-the-art VR production made 100% in Taiwan. In the VR experience, viewers are transformed into various kinds of animals to interact with the scenes, including species unique and indigenous to Taiwan, such as Taiwan Blue Magpie and Formosan Black Bear.
Samsara Ep.1 features the latest somatosensory technology, including 4D views shooting techniques by the Industrial Technology Research Institute and TAICCA. A digital shooting system comprised of a high-sensitivity 4 million-pixel, full-color CCD sensor and 48 4DV-EX-Z cameras made it possible for Samsara Ep.1 to be taken from an omnidirectional view and shot without any blind spots, creating the ultimate immersive experience.
THE STARRY SAND BEACH, directed by Hsin-Chien Huang and produced in cooperation with Lucid Reality (France) and Oready 瑞意創科 Oready Innovation Lab (Taiwan), is a scientific fairy tale about a unique ecological wonder in Taiwan and Japan, the shiny starry sand beaches. Foraminifera, from the Latin word “foramen” meaning hole, is a single-celled organism that builds a shell with multiple chambers which intercommunicate with one another through holes. On the Qimei Island, Taiwan and the Yaeyama Islands, Japan, beaches have been formed by a specific species of foraminifera with star-shaped shells made of calcium carbonate. Like the real stars in the legends, grains of the starry sand have also been preserving the earth’s memories for millions of years.
THE STARRY SAND BEACH is a real-time 3D interactive VR adventure into the natural and mythological landscape of the starry sand beaches on Qimei Island in Penghu Archipelago, Xing Sha Wan in Kenting National Park and Taketomi Island in the far south of Japan. The experience is full of aesthetically-amazing elements and enriched with cultural and religious significance like Shintoism in Japan. A beautiful, haunting legend tells the story of the starry sand…
The final winners will be presented at the award ceremony held on Sep11. With great anticipation and hopes, Hsin-Chien Huang is expected to bring home again the grand prize for Taiwan!
https://www.labiennale.org/en/news/selection-complete-works-venice-vr-expanded-0
#黃心健 #HsinChienHuang
#samsara #chalkroom
#LaCameraInsabbiata
#VeniceInternationalFilmFestival #VIFF
#Thestarrysandbeach
#LucidReality
#OreadyInnovationLab
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閱讀筆記: PANDEMIC!
Perhaps an epidemic which threatens to decimate humanity should be treated as Well’s story turned around: the “Martian invaders” ruthlessly exploiting and destroying life on earth are we, humanity, ourselves; and after all devices of highly developed primates to defend themselves from us have failed, we are now threatened “by the humblest thing that God, in his wisdom, has put upon this earth,” stupid virus which just blindly reproduce themselves – and mutate (13).
The really difficult thing to accept is the fact that the ongoing epidemic is a result of natural contingency at its purest, that is just happened and hides no deeper meaning. In the larger order of things, we are just a species with no special importance (14).
In the last days, we hear repeatedly that each of us is personally responsible and has to follow the new rules. Media are full of stories about people who misbehaved and put themselves and others in danger, an infected man enters a store and coughs on everyone, that sort of thing. The problem with this is the same as the journalism dealing with the environmental crisis: the media over-emphasize our personal responsibility for the problem, demanding that we pay more attention to recycling and other behavioral issues. Such a focus on individual responsibility, necessary as it is to some degree, functions as ideology the moment it serves to obfuscate the bigger questions of how to change our entire economic and social system. The struggle against coronavirus can only be fought together with the struggle against ideological mystification, and as part of a general ecological struggle (88-89).
There is a key difference between the coronavirus epidemic and the ecological crisis. In the health crisis, it may be true that humans as a whole are “fighting” against – even if they have no interest in us and go their way from throat to throat killing us without meaning to it (111-112).
Materiality, usually conceived as inert substance, should be rethought as a plethora of things that from assemblages of human and nonhuman actors (actants)-humans are but one force in a potentially unbounded network of forces (113).
★ The coronavirus epidemic can be seen as an assemblage of a (potentially) pathogenic viral mechanism, industrialized, agriculture, fast global economic development, cultural habits, exploding internal communication, and so on. The epidemic is a mixture in which natural, economic, and cultural processes are inextricably bound together . . . as humans, we are one among the actants in a complex assemblage; however, it is only and precisely as subjects that we are able to adopt the “inhuman view” from which we are (partially, at least) grasp the assemblage of which we are part” 117).
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Gong Xi Gong Xi... Happy Chinese New Year 🥰🥰🥰
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Thank you Taste Australia - Malaysia for this beautiful basket of summer fruits! I love how it is very suitable for festive gifting because of its auspicious colour and meaning.
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These nectarines, peaches, plums and apricots also have cultural significance for Chinese New Year as the fruits symbolise long life and prosperity.
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I'm going to be snacking on them and gifting them to my family and friends this CNY. Wishing everyone a prosperous celebration and stay safe!
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#TasteAustralia
#SummerFruits
#Peach
#Nectarine
#Apricot
#Plum
#FreshFruit
#Foodie
cultural meaning 在 志祺七七 X 圖文不符 Youtube 的最佳貼文
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#七宗罪 #貪吃 #大餓
各節重點:
00:00 前導
00:49「志祺七七徵企劃夥伴」廣告段落
01:49 人類可以多貪吃?
03:36 中世紀時的貪食之惡
05:11 其他宗教與文化對貪食的看法
06:24 貪吃會受到懲罰?
07:59 貪食是生物本能
09:19「貪吃罪」的沒落
10:20 我們的觀點
11:58 提問
12:19 結尾
【 製作團隊 】
|企劃:蛋糕說話時屑屑請閉嘴
|腳本:蛋糕說話時屑屑請閉嘴
|編輯:土龍
|剪輯後製:Pookie
|剪輯助理:歆雅
|演出:志祺
——
【 本集參考資料 】
→Florent Quellier,《饞:貪吃的歷史》。台北,馬可孛羅,2015。
→The English Standard Version Bible: Containing the Old and New Testaments with Apocrypha. (2009). Oxford University Press.
→Prose F. Gluttony. Oxford University Press. 2003.
→Hill, S. E. (2011). Eating to Excess: The Meaning of Gluttony and the Fat Body in the Ancient World: The Meaning of Gluttony and the Fat Body in the Ancient World. abc-clio.
→Hull, E. M. (2011). Sex, drugs and gluttony: how the brain controls motivated behaviors. Physiology & behavior, 104(1), 173-177.
→The Evolution of Human Gluttony:hhttps://bit.ly/3f8G7VV
→Mythbusting Ancient Rome – the truth about the vomitorium:https://bit.ly/2Pb66kd
→Gluttony: rise, fall, and resurgence of a capital sin”:https://bit.ly/3r0NQaJ
→Gluttony, Gastronomy, and the Origins of ‘French’ Food:https://bit.ly/3s36XSR
→Our gigantic problem with portions: why are we all eating too much?:https://bit.ly/30Uv4qO
→Cargill, K. (2015). The psychology of overeating: food and the culture of consumerism. Bloomsbury Publishing.
→《史記.五帝本紀》:https://bit.ly/3cMAZnn
→Hill, S. E. (2011). Eating to Excess: The Meaning of Gluttony and the Fat Body in the Ancient World: The Meaning of Gluttony and the Fat Body in the Ancient World. abc-clio.
→Schwartz, H. (1986). Never satisfied: A cultural history of diets, fantasies, and fat. New York: Free Press.
→Smith T. (2013) Gluttony. In: Thompson P., Kaplan D. (eds) Encyclopedia of Food and Agricultural Ethics. Springer, Dordrecht. https://bit.ly/3cIkDw4
→破紀錄!28歲男改名「愛台灣鮑鮪鮭魚松葉蟹干貝龍蝦...」36字全台最長 :https://bit.ly/3cMWW5F
→《大餓》正式預告╱11.15 自然就素美!:https://bit.ly/310Fd5g
→「105公斤就該死嗎?」《大餓》血淋淋呈現胖女孩的辛酸減肥史引起熱烈共鳴!5大重點道出社會「微霸凌」:https://bit.ly/2P8L8T4
【 延伸閱讀 】
→饕餮書 蔡珠兒 聯合文學 2006:https://bit.ly/3tAHO23
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cultural meaning 在 A- KING Youtube 的精選貼文
🎬🎬🎬作品介紹🎬🎬🎬
😎[團隊介紹]─
《台灣之光─萌戰隊》是張益彰A-King老師帶領台灣高雄「Monsda萌世代兒童舞蹈學苑」和「KDC金門流行舞蹈團」兩大街舞團所完成的「金門戰地文化街舞作品」。秉持著「愛,舞所不在」的精神,舞動和平旌旗、歌頌前人英雄。🙌🙌🙌
🌈[取景地點]─
金門擁有壯麗自然景觀及豐富戰爭遺址,飽受槍砲攻擊卻又仍屹立不搖,是臺灣最有故事的小島。「金門馬祖是防衛台澎的前哨,亦為自由世界鞏固西太平洋的生命線。」金門對於世界局勢的發展極為重要,且在種種戰役中,若當時金門沒守住,就不會有現在的台灣了!🌵🌵🌵
💗[核心理念]─
強調舞動金門生命力,讓世界看見台灣之美!全企劃以人道主義出發,包含五大核心:品格教育、文化傳承、軍隊故事、正能量、愛與關懷。使用創意舞蹈和電影特效,以潮流創新的方式,呈現「街舞融合軍事」的影像視覺饗宴。☀☀☀
🎈[舞作意象]─
一場戰爭,即為一個時代的濃縮。一支舞蹈,代表一個世代的和平。此舞作將金門飽受砲彈洗禮的累累傷疤轉換為美麗的印記,將過去戰爭中的砲彈轉換為藝術;除了象徵戰爭遠離,亦有邁向和平宣示之意涵;同時也讚頌與實踐和平價值之力量;重新闡揚並帶領大家共同探索和平的真諦。😇😇😇
💃[舞作內容]─
舞者們以高爆發力與節奏快速的舞步,呈現軍人訓練和作戰時的百樣風貌。動作上融合格鬥昇龍拳、如砲彈般的空翻、具有爆點的各式大招與組合技,以及各種創意動畫特效。在流行電子音樂與《黃埔軍魂》兩首新舊歌曲交融下,重新以這個世代的視角演繹「親愛精誠」此精神理念。舞者們精湛的舞技,不僅舞動金門進而舞動奇蹟,把金門「堅持到底」的作戰精神表現得淋漓盡致!💦💦💦
👼[目標起許]─
期待以歷史故事、創新話題、精湛舞技,來以舞會友、促進金門觀光、推動國軍招募、鼓勵民眾建立良好運動習慣;以及促使保存戰役史蹟、爭取申請世界遺址;回顧戰爭歷史,帶領民眾品味和思考戰爭背後和結果所帶來的價值與意義,進而反思和平的可貴,展現台灣人民希冀和平之善良美德。也有望更多國家政府單位、民間企業、新聞媒體,一同參與我們更多未來推廣夢想之企劃,一起讓「愛,舞所不在」!!❤❤❤
● [教室連結]─
1.Monsda萌世代兒童舞蹈學苑:https://goo.gl/LKmZja
2.KDC金門流行舞蹈團:https://goo.gl/caEAmY
●想了解更多秘辛「作品內幕」、賺人熱淚的「金門動人歷史故事」、和實地走訪的「觀光旅遊資訊」嗎?請點閱「金門故事觀光旅遊連結」:https://goo.gl/S91UzU
● [編創導演]─
A-King張益彰 : https://goo.gl/8rqN5T
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●The Glory of Taiwan – Team Sweet Warriors, a break dance performance celebrating Kinmen battlefield culture, has been released by Monsda and Kinmen Dance Crew.
●The production team for Dance Love Everywhere presents the performance with the humanitarian spirit of Taiwanese culture, which includes character education, cultural heritage, military story, positive energy, love and care.
●A-King, the director of the performance, celebrates past heroes with an innovative presentation through creative dancing and special effects. By gloriously implementing the warrior spirit, it transforms Kinmen’s war scars into beautiful marks, turning cannonballs into art – “fight ‘til the end!”
●Through historical stories, we wish to promote tourism in Kinmen, military recruitment, preservation of war sites and application for World Heritage. The review shows the virtue Taiwanese people anticipate and leads our audience to ponder what value and meaning wars create, reflecting how precious peace is.
●We hope there will be more public institutions, private enterprises and news media joining us to popularize our dream project – DANCE LOVE EVERYWHERE!
[Links]─
1. Kinmen County Government: https://goo.gl/llGziu
2. Monsda: https://goo.gl/LKmZja
3. Kinmen Dance Crew: https://goo.gl/caEAmY
cultural meaning 在 Cultural Meaning - YouTube 的推薦與評價
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