關於 123 now its only me ，我們在網路上蒐集到這些相關的討論、資訊與評價

《我的幸福5/2 週末》

*週日下午兩點誠品信義書店「廿世紀典範人物」新書分享會，我下午二時開始演講，離上次在台灣大學公開演説。快半年了！分享會報名一小時預告已額滿，但TVBS電視台慷慨的支持。派出SNG車，屆時TVBS文茜的世界周報YouTube 及世界周報Facebook 都將同步直播。

*新書分享會後我將直奔高雄衛武營，參加劉孟捷（李斯特巡禮之年）鋼琴獨奏會。這是劉孟捷回台，最重要的一場音樂會，我目睹他用盡了一切心力。過去即使21歲時在費城代打缺席大師的音樂會，劉孟捷都未曾如此緊張。他此次回台，手術前為了沒有遺憾，共舉行三場音樂會：其中4/17與5/30皆是與國家交響樂團NSO合作：530那一場指揮是呂紹嘉。但他告訴我，某些曲目對他而言，是Piece of Cake ：惟獨衞武營這一場，曲目由他自己決定，現場錄影，並且找了金曲獎錄音師同步錄音。

5/2衛武營-劉孟捷鋼琴獨奏會《李斯特巡禮之年》購票連結
https://www.opentix.life/event/1384752689074294784

劉夢捷明白他即將面對一個大手術，手術風險之外，他的免疫系統疾病，將使他的康復之路更長。

沒有人可以預知未來，為了圓他的夢，醫院每天都要求他早上、晚上量血壓，報告直接傳給院長。振興醫院院長魏崢雖然是亞洲第一把心臟外科醫師，但也不敢大意。

畢竟這個人的生命那麼脆弱，他的心臟主動脈剝離，那是實質的「心碎」了：但他仍有詩，仍有音樂夢。在生命的交接處，在白日與黑夜的交义口，劉孟捷想為他的音樂生涯，留下最美好的紀錄。

他選擇了李斯特。

在這場音樂會前，他甚至以英文寫下了自己與音樂、疾病的半生回顧：如李斯特的巡禮，有仰望，有沉思，有失落，有幽微的疼痛。他以詩篇般的演奏模式，傾訴，詠嘆。他曾得到天賦，也走過死蔭的幽谷。命運是一層又一層的黑影逼近，老天爺隨時想帶走他。

而他已不再流淚，不再沉浸於悲愴告別：因為對他而言活著並不容易，他要讓自己更深刻的抓住每一分時光之美。

如果時間和空間，正如哲人們所形容的
都是不實際存在的東西：那從不感到衰敗的太陽，也不會比我們了不起多少！

他如艾略特的詩句中所形容的：我們為什麼要如此貪心總在祈禱，想活上整整一個世紀？

蝴蝶雖僅活了一天，已經歷了永恆。

當他的身軀如露水還在藤蔓顫抖時，他送給我們一場「完全浪漫又超技的李斯特」。

等音樂會結束了，至少有一張CD，一段YouTube 影像：不論孟捷代表生命的那朵鮮花是否枯萎，他彈奏如天使的音聲不會飛離，它會停留在那夜，繼續釋放芬芳。

這是盡生命之力、之情獨奏的音樂會。劉孟捷説：這樣當他走進手術室時，會少一點悲傷。

或許快樂的日子本來就不多，但讓這場「完全李斯特．完全劉孟捷」的獨奏會放出神聖的光彩吧！

我必將赴會，不會錯過！我知道此刻的獨奏會，很難複製，因為它綜合了太多的情感、愛念，釋放與生命的抒情。

*劉孟捷為此次獨奏會寫下的文字：This past year has seen some unprecedented changes in the world. Many lives have been lost and many have changed. The world has changed while many of us confront the uncertainty of the future.

For most musicians, life has changed. For months, we have been conducting our lessons online, and concerts have mostly stopped or become an online experience as well. More time has been spent learning how to improve the online teaching experience than one could have imagined. While I have felt the duty to continue teaching, the format the pandemic requires for teaching leaves me unwilling to spend more time than I have to.

And truly, I have had other things to deal with. When the pandemic started to worry the American public in March, I was in the middle of a tour with the String Quartet-in-Residence at Curtis, the Vera Quartet. However, our concerts were canceled, and everything came to a sudden halt.

I felt the universe had sent me an unexpected gift, as I had also just received some terrible news concerning my worsening aortic arches and a diagnosis of kidney cancer. The sudden halt in my professional schedule seemed perfect in its timing. I was able to settle into a monastic existence, to simply practice and attempt to heal.

I see many musicians itching to be concertizing again, and many stepped into new territory, performing on the internet. Many took time to develop new podcasts, and to write new materials for their art. Sadly, many have struggled as they have fallen into desperation without any concert incomes. Altogether the music industry seems to be in peril, and many worry about how music and musicians will survive.

However, I had my own survival to think about. Having been through many difficult experiences in my life, I knew this might be the most difficult I would encounter. My Doctors describe me as a walking time bomb. My condition could be lethal at any moment if my blood pressure gets out of control. So while others wrestle with the fate of the music industry, I’ve needed to face my own fate and mortality.

Playing concerts can mean many things to people. At different times throughout my life, I’ve felt the need to express different aspects of myself. When I was young, I wanted to embody the spirit of romanticism, playing lots of Chopin and Schumann. Then there was a period of time when I wanted to challenge myself by showing off pyrotechnics. I had a brooding period where I turned to the pathos of Rachmaninoff, and then felt the need to return to the purity of Schubert and nobility of Brahms. Throughout this pandemic, I wanted to play Bach. Through Bach’s music I found a kind of spiritual sanctuary.

In considering the program for this concert, I felt again the urge to play music that reflects my current feelings and state of mind. The title of today’s recital, “Years of Pilgrimage” seems to fit exactly what I am experiencing.

Liszt wrote several volumes of “Années de pèlerinage” throughout his life to reflect on thoughts he had during his travels. He links his philosophical thoughts to the scenery which inspired them. “Au Bord d’un Source” describes feelings of rejuvenation while standing next to a clear stream of water, a symbol and source of life and energy. It seems to say, when the stream is so pure, life can be so full of joy.

In the Les jeux d'eaux à la Villa d'Este (The Fountains of the Villa d'Este), the water has a magical and supernatural quality, as Liszt himself wrote in the inscription: "But the water that I shall give him shall become in him a well of water springing up into eternal life,"( from the Gospel of John.)

For me, I have never felt more connected to Liszt than when he looked upon the valley of Obermann and questioned the meaning of existence. At this moment in my life, I often find myself reflecting my experiences of what I see and read into philosophical musings. Perhaps many people come to a time when this is so.

In all this I have felt gratitude for the love stories and sonnets that one can romantically indulge in, and for storms so violent that they threaten to destroy one’s spirit, even the hell-bound journey which brings up questions about the purpose of life…

On this journey, I felt full and alive as a human being. Looking back on this journey, I am grateful for everything, whether happy or sad, to have made an impact, found and imparted meaning to this life.

The unusual time of this pandemic has marked a milestone for me. I have journeyed back home, and as it happened, this is the first time I have spent so much time in my hometown Kaohsiung in over 35 years. It’s particularly nostalgic to play these pieces as some of them were significant in my early musical career. Vallée d’Obermann was the piece I played in my first competition at the junior high school level, in which I won first prize on the national level, which allowed me to be qualified to apply for a special permission to study abroad. This meant my dream to be educated as a musician could be continued in an environment where I could develop fully. In the following year when I was 13, I won the first Asia-Pacific Youth PIano Competition with the Dante Sonata. The competition catapulted me into national attention as I was headlined in several newspapers, and especially since it was held in Kaohsiung, I became a local hero as well. During the same event, I had a fateful meeting with one of the important influences in my life, Mr. Gary Graffman, who then mentored me throughout not only the years when I was studying at Curtis, but throughout my illness and recovery as a pianist. Right before I departed to study in Philadelphia, I played my first solo recital throughout Taiwan, and along with the Dante Sonata, I also performed the three sonnets.

It’s perfect that now, back in Kaohsiung, all these memories have flooded back into my head. I feel so lucky to have been born here, and to have met my first teacher, Chin-Li Lee, who inspired me on the path to become a musician. Prof. Alexander Sung filled me with dreams of becoming an artist. I am grateful for his belief in my talent, when he chose to give a 12 year old such philosophical pieces to play.

Having once again spent some months in Kaohsiung, I can freshly appreciate the source of inspiration it once was for me. I have returned to the source to heal. Having already glimpsed hell’s gate several times, battered and weathered by the storms of life, I know there is a reason life is this way, and it all will be alright.

Meng-Chieh Liu
April, 2021

*劉孟捷衛武營《李斯特巡禮之年》演奏會中，包括李斯特以佩脫拉克三首情詩譜寫的鋼琴琴詩：這三首情詩是從大詩人佩脫拉克一百多首情詩挑出來的，詩本身就很優美，依此激發李斯特的浪漫主義創作靈感，成為琴藝上最困難演奏，但也特別細膩溫柔的琴詩。

這三首分別是：
〈佩脫拉克第47號十四行詩〉〈佩脫拉克第104號十四行詩〉及〈佩脫拉克第123號十四行詩〉。
Franz Liszt（1811-1886）: Sonetto 47 del Petrarca, Sonetto 104 del Petrarca, Sonetto 123 del Petrarca, from Années de pèlerinage, Deuxième année: Italie

李斯特於1846年先出版藝術歌曲《三首佩脫拉克十四行詩》（Tre sonetti del Petrarca），再改成鋼琴獨奏版。

三首佩脫拉克十四行詩
中譯：焦元溥（元溥也是友情贊助，特別準備音樂資料，周日南下，聆賞劉孟捷的樂曲，並且陪同他盯著錄音共三天）

〈第47〉
祝福每天、每月、每年，
所有片刻與鐘點、時間與季節，
在那美麗的原野，

我為一雙眼眸魂縈夢牽。

祝福初遇時的甜，
與愛同在、受苦不停歇，
如弓箭刺穿令我淌血，
傷口永留感動在我心間。

祝福一切我發出的聲音，
當呼喚著我深愛的女郎，
渴望、嘆息、淚濕滿襟。
祝福我寫下的文字遠揚，
歌頌她的芳名，萬古長新。
我心永屬於她，無人能闖。

〈第104〉
我找不到和平，也無意打仗，
我恐懼、我期望，燃燒又冰透。
我向天飛升，卻躺在地上，
我一無所有，卻又擁抱整個宇宙。

我身陷囹圄，監牢又開敞；
我不受囚禁，卻銬著鎖頭。
愛情不讓我死，也不讓我飛翔；
不要我活，也不准我逃離悲愁。

欲看卻無眼，啞口還在發言，
我甘心殞滅，卻仍高聲呼救，
我痛恨自己，但仍愛著他人。

憂傷滋潤我，淚水伴隨笑臉，
生命不足惜，死亡也不煩憂；
我淪落至此，都是妳啊，我的愛人！
〈第123〉

我在塵世見到仙子的美，

她天堂般優雅無與倫比。
想起她讓我悲傷又歡喜，
所見如幻夢迷霧與幽黑。

妳的可愛眼睛使我落淚，
多少次讓太陽也要妒忌。
我還聽到四周發出嘆息，
移動了山嶽停止了河水。

愛情智慧憐憫憂傷財富，
在淚水中形成甜美聲響，
奇妙和諧世上未曾目睹。
天堂追隨著音樂的流淌，
雖然枝上樹葉並未飛舞，
空氣與風息卻充滿芬芳。

5/2衛武營-劉孟捷鋼琴獨奏會《李斯特巡禮之年》購票連結
https://www.opentix.life/event/1384752689074294784

泰晤士報人物專訪【Joshua Wong interview: Xi won’t win this battle, says Hong Kong activist】

Beijing believes punitive prison sentences will put an end to pro-democracy protests. It couldn’t be more wrong, the 23-year-old says.

https://www.thetimes.co.uk/article/joshua-wong-interview-xi-wont-win-this-battle-says-hong-kong-activist-p52wlmd0t

For Joshua Wong, activism began early and in his Hong Kong school canteen. The 13-year-old was so appalled by the bland, oily meals served for lunch at the United Christian College that he organised a petition to lobby for better fare. His precocious behaviour earned him and his parents a summons to the headmaster’s office. His mother played peacemaker, but the episode delivered a valuable message to the teenage rebel.

“It was an important lesson in political activism,” Wong concluded. “You can try as hard as you want, but until you force them to pay attention, those in power won’t listen to you.”

It was also the first stage in a remarkable journey that has transformed the bespectacled, geeky child into the globally recognised face of Hong Kong’s struggle for democracy. Wong is the most prominent international advocate for the protests that have convulsed the former British colony since last summer.

At 23, few people would have the material for a memoir. But that is certainly not a problem for Wong, whose book, #UnfreeSpeech, will be published in Britain this week.

We meet in a cafe in the Admiralty district, amid the skyscrapers of Hong Kong’s waterfront, close to the site of the most famous scenes in his decade of protest. Wong explains that he remains optimistic about his home city’s prospects in its showdown with the might of communist China under President Xi Jinping.

“It’s not enough just to be dissidents or youth activists. We really need to enter politics and make some change inside the institution,” says Wong, hinting at his own ambitions to pursue elected office.

He has been jailed twice for his activism. He could face a third stint as a result of a case now going through the courts, a possibility he treats with equanimity. “Others have been given much longer sentences,” he says. Indeed, 7,000 people have been arrested since the protests broke out some seven months ago; 1,000 of them have been charged, with many facing a sentence of as much as 10 years.

There is a widespread belief that Beijing hopes such sentences will dampen support for future protests. Wong brushes off that argument. “It’s gone too far. Who would imagine that Generation Z and the millennials would be confronting rubber bullets and teargas, and be fully engaged in politics, instead of Instagram or Snapchat? The Hong Kong government may claim the worst is over, but Hong Kong will never be peaceful as long as police violence persists.”

In Unfree Speech, Wong argues that China is not only Hong Kong’s problem (the book’s subtitle is: The Threat to Global Democracy and Why We Must Act, Now). “It is an urgent message that people need to defend their rights, against China and other authoritarians, wherever they live,” he says.

At the heart of the book are Wong’s prison writings from a summer spent behind bars in 2017. Each evening in his cell, “I sat on my hard bed and put pen to paper under dim light” to tell his story.

Wong was born in October 1996, nine months before Britain ceded control of Hong Kong to Beijing. That makes him a fire rat, the same sign of the Chinese zodiac that was celebrated on the first day of the lunar new year yesterday. Fire rats are held to be adventurous, rebellious and garrulous. Wong is a Christian and does not believe in astrology, but those personality traits seem close to the mark.

His parents are Christians — his father quit his job in IT to become a pastor, while his mother works at a community centre that provides counselling — and named their son after the prophet who led the Israelites to the promised land.

Like many young people in Hong Kong, whose housing market has been ranked as the world’s most unaffordable, he still lives at home, in South Horizons, a commuter community on the south side of the main island.

Wong was a dyslexic but talkative child, telling jokes in church groups and bombarding his elders with questions about their faith. “By speaking confidently, I was able to make up for my weaknesses,” he writes. “The microphone loved me and I loved it even more.”

In 2011, he and a group of friends, some of whom are his fellow activists today, launched Scholarism, a student activist group, to oppose the introduction of “moral and national education” to their school curriculum — code for communist brainwashing, critics believed. “I lived the life of Peter Parker,” he says. “Like Spider-Man’s alter-ego, I went to class during the day and rushed out to fight evil after school.”

The next year, the authorities issued a teaching manual that hailed the Chinese Communist Party as an “advanced and selfless regime”. For Wong, “it confirmed all our suspicions and fears about communist propaganda”.

In August 2012, members of Scholarism launched an occupation protest outside the Hong Kong government’s headquarters. Wong told a crowd of 120,000 students and parents: “Tonight we have one message and one message only: withdraw the brainwashing curriculum. We’ve had enough of this government. Hong Kongers will prevail.”

Remarkably, the kids won. Leung Chun-ying, the territory’s chief executive at the time, backed down. Buoyed by their success, the youngsters of Scholarism joined forces with other civil rights groups to protest about the lack of progress towards electing the next chief executive by universal suffrage — laid out as a goal in the Basic Law, Hong Kong’s constitution. Their protests culminated in the “umbrella movement” occupation of central Hong Kong for 79 days in 2014.

Two years later, Wong and other leaders set up a political group, Demosisto. He has always been at pains to emphasise he is not calling for independence — a complete red line for Beijing. Demosisto has even dropped the words “self-determination” from its stated goals — perhaps to ease prospects for its candidates in elections to Legco, the territory’s legislative council, in September.

Wong won’t say whether he will stand himself, but he is emphatically political, making a plea for change from within — not simply for anger on the streets — and for stepping up international pressure: “I am one of the facilitators to let the voices of Hong Kong people be heard in the international community, especially since 2016.”

There are tensions between moderates and radicals. Some of the hardliners on the streets last year considered Wong already to be part of the Establishment, a backer of the failed protests of the past.

So why bother? What’s the point of a city of seven million taking on one of the world’s nastiest authoritarian states, with a population of about 1.4 billion? And in any case, won’t it all be over in 2047, the end of the “one country, two systems” deal agreed between China and Britain, which was supposed to guarantee a high degree of autonomy for another 50 years? Does he fear tanks and a repetition of the Tiananmen Square killings?

Wong acknowledges there are gloomy scenarios but remains a robust optimist. “Freedom and democracy can prevail in the same way that they did in eastern Europe, even though before the Berlin Wall fell, few people believed it would happen.”

He is tired of the predictions of think-tank pundits, journalists and the like. Three decades ago, with the implosion of communism in the Soviet bloc, many were confidently saying that the demise of the people’s republic was only a matter of time. Jump forward 20 years, amid the enthusiasm after the Beijing Olympics, and they were predicting market reforms and a growing middle class would presage liberalisation.

Neither scenario has unfolded, Wong notes. “They are pretending to hold the crystal ball to predict the future, but look at their record and it is clear no one knows what will happen by 2047. Will the Communist Party even still exist?”

https://www.penguin.co.uk/books/111/1119445/unfree-speech

🌟《福星高照》🌟
The Star Of Fortune Shines Upon You
(English version below)

福星即宇宙間，一顆代表著福氣的星宿。祂高高的「掛在」天際，遙遙的加持，賜福、賜吉祥，於「心光發露」的眾生。這是祂的發願，也是祂的職司。福星福星我愛祢，愛祢等同愛自己，願與祢合一，祢的發願就是吾的發願，祢的職司就是吾的職司，願一切眾生具足福氣，願一切眾生無苦安樂。

中華民族喜愛「福」這個字。因我們的祖先有智慧，老早就看出「福」字的玄機。吾，玳瑚師父，終於也看出「福」字內的玄機。有句話說得好，「獨吃難肥」也。在此吾必須得向親愛的女粉絲、女讀者們稍加解釋，以免妳你們將原有，或將來的福氣，拒於千里之外，那日子肯定難過了。「獨吃難肥」的肥字是指，充足而無缺也，並非指肥胖，請勿誤解其真實意，親手推掉眼前的大好形勢啊！再說，玳瑚師父有絕對的把握，讓「不小心」發胖的妳，重獲信心，「再戰江湖」。（請查閱吾網站的見證欄）

福星的「跡象」，顯於每個人的生辰四柱裡。福星的「跡象」，也顯於在每個人的臉上。福星的「跡象」，亦可在每個人的宅地上、骨骼、姓名中，有所發現。越是精明的師父，越能洞悉這一切。當仁不讓，玳瑚師父就是一位有此能力者。若妳你曾給吾「看過命」，妳你肯定知道吾所言不虛。除非妳你的心「弄丟」了，又或者被「什麼給吃了」，那就是無法爲吾「站台」了。哈！哈！哈！跟妳你們開玩笑啦！看不出咩！不要這樣小氣啦！是的，福星入命的人，是快樂的。反之，氣度小的人，福星不臨。

先天若無福星，後天可創造否？是可以的。最怕是妳你不積極努力，又加上沒恆持心。那就回家吃飯吧！妳你老公或老婆在家等妳你，打電話回家查看。哈！哈！哈！現在教大家一個心要口訣，持之以恆有大效應。每天的開始，及每一天的結束，請將貢獻與關愛，印在妳你的心坎裡，然後實踐於日常生活中。漸漸的，漸漸的，妳你已離開憂鬱的日子，迎面而來的，是幸福滿滿四個大字。祇因妳你的貢獻與關懷的心，已和宇宙間的福星相應也。此時此刻，玳瑚師父恭祝妳你：福星高照。

⋯⋯⋯⋯⋯⋯⋯

The Star of Fortune is a star in the Universe's constellation, that signifies good fortunes. It resides high up in the sky, sending auspicious blessings of good fortunes to those whose hearts radiates goodness. This is the aspiration of the Star of Fortune, as well as his duty. Oh, how I love you, dear Star of Fortune! Loving you is akin to loving myself. I wish to be in union with you, for I endeavour to have the same aspiration and duty as you: May all sentient beings enjoy abundant fortunes, live in bliss and be free from all sufferings.

The Chinese culture loves the character "福" (Good Fortune), because our ancestors had the early wisdom to realise the secret behind it. Master Dai Hu too had finally seen through the mystique of it. There is a Chinese saying, that goes "It's hard to get fat by eating alone" (literal translation). I would like to clarify that the word "Fat" does not describe one's physical shape, but that the person is blessed with abundance. Please do not take it literally, only to mistakenly push away the opportune times right in front of you! Moreover, Master Dai Hu is ever confident to trim your real body fats and restore your confidence and esteem! (Read the testimonials on my website)

There are traces of this Star Of Fortune to be discovered in your Bazi, your facial features, your homes, your bone structure, and your name, etc. The higher skilled a master is, the greater level of perception he has on this. Master Dai Hu is one such accomplished master. If you had engaged me to read your Bazi, you would know for sure that my words are true and be able to vouch for me. Unless you had lost your heart, or it got "devoured"! Ha ha ha! Can't you tell I am only joking? Don't get petty on me! Yes, a person with the Star of Fortune is a happy one. On the other hand, a petty soul will never receive blessings from the Star of Fortune.

What if there is no pre-destined Star Of Fortune in your current destiny? Is it possible to manifest one now? The answer is, yes. You only need to strive your best and persevere till the end. If you are not willing to, please go home now. Your spouse is waiting for you, go give a call and check! Ha! Ha! Ha!

Now, let me teach you a closely guarded technique which, if practised diligently every day will surely yield its effect. At the start of each day, place two words, "Contribution" and "Love", right onto your heart and actualize them in your every speech, action and thought. You will realise that, over time, slowly but surely, the days shrouded in depression are soon a thing of the past, and you welcome each day filled with bliss and happiness.

All these becomes possible, when your heart with its genuine intent to contribute and love aligns with that of the Star Of Fortune. When this moment arrives, Master Dai Hu would be the first to congratulate you: The Star Of Fortune Is Shining Upon You!

www.masterdaihu.com/福星高照/

In this episode, we headed down to Carnivore to rampage through a Brazilian AYCE Steakhouse Buffet! Carnivore, located at Chijmes, is a Churrascaria, which is a buffet restaurant that specialises in Churrasco (Spanish/Portuguese-style Grilled Meat). Only offering dinner service, prices range from $59++ to $69++ depending on the day for an all-you-can-eat Brazilian buffet.

Due to the Covid-19, their usual salad bar, where you could pick 15 different hot and cold sides, is now an ala minute service. Sides range from the iconic Brazilian dish, Feijoada, which is a black bean stew cooked with chunks of beef and pork, to salads.

Their meats are still served similar to the standard rodizio style, where meat waiters roam around with skewers of delectable meat, offering portions to tables. However, the carving is done at an isolated table and a designated staff member brings it to your table upon request. Choices range from beef, chicken, lamb, fish and pork, including beef hump, beef short ribs, beef brisket, chicken hearts, butterfish and lamb leg.

Realising that having them serve me their usual way would be too slow, I brought my giant plate along and had them plate a sumptuous meat feast. I got every single one of their grilled meats, rounding it off with their feijoada set. The feijoada set actually stood on its own very well versus the grilled food. The combination of the stew, garlic rice, sautéed kale and toasted cassava flour (farofa) brought many contrasting flavours and textures together in wonderfully pleasant fashion.

The standout meats would be the beef brisket, beef short rib and beef rump. Each were spectacularly tender and rich with a deep meaty flavour. Carnivore also offers a selection of sauces to go along with your meat, with the ideal one being chimichurri, a vinegar-heavy sauce that helps to cut through the fattiness of the meats.

Head down to Carnivore for an excellent Brazilian AYCE Meat Buffet!

Visit Carnivore at:
30 Victoria St
CHIJMES #01-32
Singapore 187996

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《Penny Rain》
April Showers / 靜待五月時節的四月雨
作詞：aimerrhythm
作曲：AlbatoLuce
編曲：玉井健二・百田留衣
歌：Aimer
翻譯：澄野
意譯：CH
English Translation: lyricaljourneys

版權聲明:
本頻道不握有任何音樂所有權，亦無任何營利，一切僅為推廣用途。音樂所有權歸原始創作者所有。請支持正版。

Copyright Info:
Be aware this channel is for promotion purpose only without any illegal profit. All music's ownership belongs to the original creators.
Please support the original creator.

すべての権利は正当な所有者/作成者に帰属します。あなたがこの音楽（または画像）の作成者で、この動画に使用されたくない場合はメッセージまたはこのYoutubeチャンネルの概要のメールアドレスにご連絡ください。私はすぐに削除します。

如果你喜歡我的影片，不妨按下喜歡和訂閱，你的支持就是我創作的最大原動力！
If you like my videos, please click like and subscribe! Thx :)

粉絲團隨時獲得最新訊息！
https://www.facebook.com/chschannel/

Check my Facebook page for more information!
https://www.facebook.com/chschannel/

背景 / Background - 雨上がり - 爽々 :
https://www.pixiv.net/artworks/69232505

中文翻譯 / Chinese Translation :
https://home.gamer.com.tw/creationDetail.php?sn=4682106

英文翻譯 / English Translation :
https://lyricaljourneys.wordpress.com/2019/04/09/april-showers/

日文歌詞 / Japanese Lyrics :
長い雨に遠ざかる声　足を止めて町を眺める
煙る空がどこか奇麗で　懐かしい場所に変わって
いつも傍にいてくれたよね　俄雨に立ち尽くす日も
ふいに浮かぶ過ぎた景色と　木陰の下　雨宿り

小さくて幼い　それはまるで
泣き虫な誰かみたいで

四月の雨　濡れた羽
雲雀はまだ　飛べずにいる
浅い春の冷たさに身をすぼめて　時を待ち続ける

日差しの種　淡い夢
羽ばたくまで　唄を添えて
遠い空の切れ間へと　五月の花の名を　今は知らずに

長い影と呼びかける声　時を止めて星を見た夜
眠る前に交わした言葉　失くしたくないものばかり

小さくて幼い　それはいつも
泣いていた　傍にいたくて

失くせないもの増えるたび
暖かさに沈んでゆく
通り雨の冷たさに身をすぼめて　歩き出せずにいる

ゆずれないもの　ひとつだけ
鞄の中　仕舞い込んで
今でもまだ覚えてる右手のぬくもりと　唄を頼りに

遠く響く雷鳴には　春の嵐の手招きの音
いつか　ここで　同じ景色を見てた

四月の雨　風に揺れ
雲雀は今　空を見上げ
浅い春の冷たさに身をゆだねて　羽を広げてゆく

ゆずれないもの　ひとつだけ
鞄の中　仕舞い込んで
遠い空の切れ間へと　花咲く五月へと
傘もささずに

中文歌詞 / Chinese Lyrics :
在漫雨中漸漸萬籟俱寂沉靜，我歇下前進的步履，盼向熟悉的城鎮
絲縷雲霧迷濛的天穹傾刻變化綺麗，為這景色添上一絲懷愁牽念
「你總是在身旁陪伴著我呢，即便我們曾佇足紛揚驟雨沐淋的那天也不曾分離。」
腦中不經意追憶起過往點滴——樹蔭下的休憩、雨樓下的回憶

如此渺小稚嫩又青澀天真，那就彷彿——
某個膽小懦弱的愛哭鬼似

四月的連綿細雨，浸濕了的羽翼
盼望再度飛翔的雲雀，仍未能展翅翱翔
伴隨淺春的凜冽寒峭而蜷縮身軀，靜待時間流淌逝去

播灑陽光的種子，流露微淡柔和的夢想
待到能夠再度擺動羽翼之時，我將在一旁與天空伴歌
願歌聲得以高聲向遙遠天穹迴響，即使我們至今仍未聞，五月盛開綻放的花名

向細長淡去的身影遞去的輕聲呼喚，僅為那一夜的璀璨星空，忘卻了時間的流淌
即便是入眠前與你交會傾露出的話語，全都是我不欲失去的、珍貴的點滴

正是因為這份稚嫩與青澀，所以才總是——
總是在哭泣，流著淚渴望你陪伴在身邊

倘若，能獲得更多無法失去的事物
便令人更加無法自拔地沉浸在它的和煦溫暖中
僅因短暫降雨的寒意便蜷縮身軀，動彈不得、更沒有勇氣邁出步伐

無法退讓、畏懼失去的，僅此唯一
緊緊收起、深深地埋藏在，所背負的行囊之中
至今仍舊得以憶起，右手曾包裹住的柔和與溫暖，正藉著奏響的春頌煦煦傳來

遠處嘹亮迴響的雷鳴，宛若在春天的暴風中招手的聲響
曾幾何時，也曾在此處，看見同樣的景色

四月的連綿細雨，隨著清風搖曳紛飛
雲雀現在已能，昂首仰望天空
接受淺春的凜冽寒峭，而任憑身軀，張開翅膀翱翔離去

無法退讓、畏懼失去的，僅此唯一
緊緊收起、深深地埋藏在，所背負的行囊之中
靜待真摯的情感抵達那片天際的盡頭；抵達錦簇繁花盛開綻放的五月時節
也可從此收起，這把度過春雨的傘了

英文歌詞 / English Lyrics :
Upon hearing the fading voice in the middle of the rain
I stopped walking to gaze upon the city
The hazy sky is turning into
somewhere beautiful and nostalgic

You have always stayed by my side, you even
stood still on days when the rain pours unceasingly
even as scenery floated past unexpectedly
under the shelter of the trees

The small and young something is just like
someone who cries easily

The lark is still unable to fly
as its wings were drenched by the April Showers
In the cold of early spring
it furls its body, awaiting the passing of time

Just as this dream with subdued colours
is adorned by seeds of sunlight,
I will adorn the lark with poems until its wings could flap again
and it can fly to the distant skies
without knowing the name of the flower in May

A long shadow and a voice calling out to me,
the night I stopped time and saw the stars,
words exchanged before going to sleep,
these are all the things I do not want to lose

The small and young something
is always crying, wanting to stay by my side

When the things you can’t afford to lose ever increases
submerge everything in warmth
In the coldness of the passing rain
it furls its body, and stayed still

The one thing I can’t afford to lose
is buried inside my bag
Even now, as I depend on a song
I can still remember the warmth of your right hand

The distant echo of booming thunder
is the sound of the beckoning spring storm
I will see the same scenery here someday

The April Shower is swayed by the wind
The lark is now looking at the sky
In the cold of early spring
It spreads its wings in abandon

The one thing I can’t afford to lose
is buried inside my bag
I head on to the distant skies and
I head on into the month of May, where flowers bloom
without opening my umbrella