其實俺一直深信,冥冥之中,始終有神靈看顧著我們。
雀姨是在澎湖一個小小的漁村出生長大的,我們村子有座清水祖師廟,早年名為朱王廟,我們祖師爺爺本是朱府王爺,後來行善積德法力無邊降妖伏魔守護一方百姓,被玉皇大帝爺爺陞官為清水祖師,所有百年來的功勳和歷史,都被村子裡的耆老一一詳盡的記載下來......
俺小時候不瞭解祖師爺的過往,但我們從小就是在廟裡拜拜~在廟埕追逐玩耍,甚至爭相騎廟前的那對古蹟石獅子~~~快樂長大的。
我們的印象中,祖師爺爺和廟裡神尊們就是我們最最崇拜最最敬愛的長輩,也是因為有很多次令我們瞠目結舌的玄妙神蹟,讓我們知道,祂們真的一直在默默庇佑著我們。
舉我們家的例子之一:
我阿娘說,我二姊當年才八個月大時,有一次臉色發青渾身抽搐,病得很嚴重,都已經無法吞嚥喝奶了,她嚇得要命,我二舅舅就陪她抱著小孩搭公車到馬公市看醫生,當時生活困苦,一般百姓家中連機車都沒有,他們是好不容易等到了公車才抵達市區的醫生館,醫生診斷後說我二姊是肺炎,然後打了一針特效藥就叫他們回家。
我阿娘和舅舅抱著孩子在空曠的公車站等車,澎湖的公車在現今這個年代,尚且是接近一個小時才有一班公車,更何況五十年前(糟糕,暴露二姊年齡了XD),他們一直遲遲未能等到公車.......阿娘說那時她心急如焚,因為孩子打完針反而抽搐更嚴重,在公車站的日光燈底下,臉色已經由青變黑了,她哭著跟我二舅舅說,不能再等下去了,我們叫計程車把孩子帶回家吧。
二舅舅也很焦急,雖然早年大家經濟都很拮据,家家戶戶都十分艱苦,但二舅舅還是馬上抱著小孩跟我阿娘去找計程車行,等計程車將他們載回家時,我阿嬤一看到我二姊臉色發黑抽搐的模樣,嚇得打哆嗦,她一看就覺得孩子可能不好了.....
當時俺阿爸出海捕魚去了,澎湖的海上兒郎一出海至少得十天半個月(有時甚至三五個月)以上才能回家,家中支柱不在.......
就在大家徬徨無助的時候,同住在村子裡的外婆趕緊先到村中的神壇婆婆那邊求問,神壇婆婆說,這次孩子情況不妙,得請恩主(清水祖師)援手,所以外婆就趕緊趕到清水祖師廟,也請了當時的文壇開壇請示,結果祖師爺爺說我二姊是遭了飛煞,這是煞氣的一種......外婆就擔心的問我們廟中文壇主,該怎麼處理才好?
文壇主阿伯笑說,知道是飛煞就好化解了,待會兒村裡小學生們要放學了,等他們放學回來,就有小法(澎湖道教中的小法師/實習生)可以來幫忙舉行祭煞儀式。
等小學生回到村子,文壇主一召集小法們進廟裡,外婆抱著我二姊在廟外面等待,我阿娘說,廟裡鑼鼓聲一響,我二姊臉上的黑色瞬間褪去,身體也不抽搐了,然後就哭著要喝奶.....
阿娘說,她親眼所見,忍不住當場喜極而泣,等廟中小法儀式結束,二姊也不藥而癒,回到家中大口大口喝奶奶....
然後,就活蹦亂跳了。
很神奇吧?
俺不是鼓吹迷信,因為神明們一直庇佑著我們,他們宣揚的是善,是希望我們邁向光明,做一個更好的人。
神明們希望我們相信,但不要沉迷,相信三界四海八荒,善念凝聚美好,溫暖聚攏幸福,道心自然,安樂自在。
神明們,也許只是希望在這滾滾紅塵的濁世,我們能夠從一張白紙,變成絢爛美麗的風景明信片,記錄著我們這一生做過的快樂好事,大過於我們經歷過的痛苦憤怒......
希望我們經歷的每一天,都能安心、暖心、好心,乾乾淨淨,快快活活,在照顧好自己之外,行有餘力,還能照顧到身邊的人。
一如廟裡歷屆的文壇武壇、法師、小法、鑼鼓師等等......他們無償的為神祇服務,為百姓服務,希望憑著一己之力,在人們也許已經求助無門的時候,能夠點亮一盞希望與溫暖。
有時候,科學無法解釋的,也許神明正輕輕地微笑呢~
#後來發現更多神明一直在我們身邊
#每一座廟宇每一尊神明每一份眷顧
#所以開始習慣對經過的廟甜甜一笑
#越來越喜歡這種沿途都有靠山感覺
同時也有54部Youtube影片,追蹤數超過12萬的網紅AhJie文王爺,也在其Youtube影片中提到,欢迎观众点击订阅铃铛然后到下面留言给我们宝贵的意见... 加入频道会员:https://www.youtube.com/channel/UC0hgH-nQ8zDnScoUkf6xosg/join 字幕投稿: http://www.youtube.com/timedtext_cs_panel?c=UC...
黑面王爺公 在 Facebook 的精選貼文
「地獄空」攝影集即將在八月中元節前出版,由知名設計師與攝影家黃子欽設計,內附在下二位高徒精美繪製符咒、心經版畫書籤、愣嚴咒牌、尊勝咒語...等,感恩十方大德助印,希望疫情退散,平安喜樂,後記如下:
野放台灣五十餘年,貪狼獨坐,三方四正殺破狼格局,少年多舛,白手起家,隨展覽雲遊四海,如閒雲野鶴常持各類底片機流連廢墟、山川、宮廟忘返,遂設幻影堂自詡堂主,一日三省「凡所有相皆是虛妄」,常宅於暗房沖片放大通宵、鍾情黑白世界之單純,彩色照片俗世繽紛花俏做作甜美甚至比現實更現實故少拍也。知天命之年有餘,了悟人生一瞬、眨眼即逝,雖非仙人,亦無道骨,初聞離垢地生清淨心,但離華嚴「不動地」尚遠,待修持也。
2017年盛暑拍畢《巨神連線》,心律不整差點心肌梗塞向閻羅王報到,意識死神隨伺在側,人生苦短,如何了生脫死、盡斷煩惱、無所罣礙、遠離顛倒……總不得解,蒙釋迦摩尼佛開示飆淚三晝夜,聞佛法數載始知自我渺如塵埃,甚感慚愧。閒暇乃參訪名寺古剎,禮敬焚香佛陀菩薩羅漢諸神天仙王爺媽娘,台灣宮廟千奇百怪、宗派錯綜複雜(佛教、道教、一貫道、天主教、基督教、齋教、回教&大同教、儒教鑾堂、天帝教&天德教、慈惠堂&勝安宮、軒轅教、道院、理教、萬國道德會、會靈山……)、神棍橫行(依人不依法、偶像崇拜、斂財、邪淫),因歷史變遷、社會動盪、政治鬥爭、意識形態等因素導致佛道混雜,但地獄造景稀少,後專注拍攝各殿閻王、判官、陰司、獄卒、七爺、八爺乃至一切罪人,各寺造景巧妙、耐人尋味,意境乖張溢於言表,造型扭曲非常人所能塑也,然匠心獨運、自成一格,專研西方藝術數十載方知真誠樸拙最美,絲毫不輸喬托(Giotto di Bondone,1267~1337)乃至米開朗基羅(Michelangelo Di lodovico Buonarroti Simoni 1475 ~ 1564)矣。
創立於1986年的石門金剛宮風景優美可眺望北濱,雖主祀四面佛,儒釋道眾神尊也不含糊,可過七星橋解厄、繞行五百黝黑羅漢敲鑼印心、跪拜亞洲最大臥佛涅槃像,安太歲自不在話下,甲子太歲爺雙眼長出手掌印象甚深,1994年經閻羅王指示廟公建造一條肚內設極樂世界及陰曹地府之神龍,行走暗黑通道觸動感應機關,只見面容猙獰受刑者呼天搶地喊冤、身邊盡是血肉糢糊殘肢敗屍腦漿塗地,十殿閻羅各司其職、威儀攝人。新北市林口區青嶺湖北文紫祥宮包公廟則以壁面彩塑地獄浮雕獨步全台,粉嫩色彩搭配卡漫風格,尤為造型簡直恐怖到可愛透頂,該廟主祀森羅殿閻羅天子包拯(包青天),陽世冤屈者可至此參拜祭解,求破懸案者眾,逢中元普渡皆以紙紮船渡亡魂至彼岸,全台唯一閻羅天子巨像籌備中,四周環繞墓地,適合修不淨觀也。台灣首尊彰化八卦山大佛旁南天宮(1971)地府則是首座電動地府,規模精小但驚嚇度破表,略顯破敗但五光十色仍蠻凶悍,出自已故台南大道長金登富之作,而電動神明起始可追溯至1960年代北港朝天宮。倒是嘉義水上鄉白人牙膏觀光工廠「戴相府」、「將軍府」設置十殿地府出乎意料之外,乾淨亮麗、ㄧ殿ㄧ間、簡單樸實。由高雄蓮潭龍虎塔龍口入內可見全臺唯一交趾陶地獄牆面,尊尊栩栩如生,續入龍身乃進聞聲救苦白衣觀音大士三十三化身浮雕隧道,造型設色甚為古錐。高雄大岡山超峰寺入口處「西方三聖蓮池海會」(阿彌陀佛、觀世音菩薩、大勢至菩薩巨像)旁設靜態十殿閻羅(1970年代初),雖略為陳舊然韻味猶存,續往上行可抵「證菩提道-釋迦如來應化事迹」雕塑園區,一攬世尊畢生精華。如來年邁時,琉璃國王為報長期被釋迦族輕蔑之傲慢心,世尊雖三次單獨伽跌坐 阻擋大軍進攻之路,但因緣果報無法逆轉,昔日婢女所生王子瞋恨無以復加,還是滅了祖國。自持神通第一目犍連不忍無辜百姓慘遭屠殺,遂以缽盛救度五百族人,最終卻化為血水,佛言神通廣大仍不敵千百劫業力,因緣果報屢試不爽。其母死後墜入餓鬼道飢餓難耐,目犍連遂展神通救渡,但所食尚未入口皆化為赤火,佛陀囑咐農曆七月十五日僧眾解安居自恣日,於盆中設甘露美食供養十方僧眾,因此超度亡母。後世「盂蘭盆法會」乃至「水懺法會」、「瑜珈焰口法會 」皆為消業障、斷塵垢之超渡儀軌,既渡亡魂也自懺悔。
台南麻豆代天府規模宏大、造型豔麗,不但可遊十八層地獄尚可逛天堂(1979年興建,1983年開放),燈光絢爛、聲響駭人,獨自漫步宛如觀落陰、地獄走一回。先過「心頭山」、入「清心池」、進「陰陽界」、抵「交簿廳」、達「鬼門關」、遊「補經所」、探「枉死城」、行「奈何橋」,至ㄧ殿泰廣王照「孽鏡台」現造惡原形,睹抱柱、火床等小地獄。二殿楚江王開「陰查簿 」判案定奪,觀糞尿泥、餓鬼、舞池、寒冰、膿血、鞭韃、舌犁、劍葉、戟腹拋接、砧截……等小地獄。三殿宋帝王刑罰為倒吊、銅鐵刮臉、挖眼、搗樁、倒烤、吸血、穿肋、抽筋、蛆蛀等小地獄……兼遊「四生(胎、卵、濕、化)回魂府」。四殿五官王掌管腰斬、拔舌、沸湯、刺嘴、剝皮、箭樹、車崩、射眼……等十六小地獄。隨五殿森羅王豋「望鄉臺」回眸親人最終眼後觀擊膝、誅心、刀山、飛刀火石……小地獄。六殿卞城王別稱「大叫喚大地獄」,轄火牛、虎啖、噬腎、鉗嘴含鍼、釘喉、磨摧、砍頭……等小地獄。七殿泰山王為「熱惱大地獄」,窺烙手指、抽腸、頂石蹲身、油釜滾烹、割舌穿腮……等十六小地獄。八殿都市王掌管「大熱惱大地獄」兼火狗、鐵汁、鐵蛇、鋸劈斷肢、釘板、灸脊、鐵丸、磅秤……等小地獄。九殿平等王直轄十八層「阿鼻大地獄」,直透地心、內中陰森、不見五指、滿溢地漿,皆為極犯,另轄紫赤毒蛇鑽孔、夾頂、鐵鴉、針雨、蜂蠍……等小地獄。至十殿輪轉王上「觀生臺」、「轉劫所八司」(查驗司 、稽善司 、考過司 、恩怨司 、壽命司 、支配司、掌劫司 、授生司)後至「孟婆亭」飲「醧忘湯」忘盡前塵往事,依前世功德過金、銀、玉、石、木、竹六種橋樑至「轉輪臺(紫河車)」入六道輪迴轉生投胎。據《十八泥犁經》記載,人過世後七七四十九天為「中陰生」,經閻羅王審判善惡業力判定去留或懲罰百千萬劫,犯五逆重罪則墮入「無間地獄(阿鼻地獄)」永劫不復。地藏王乃幽冥教主,統轄十殿閻羅,逢三曹普渡便在各殿設「講道所」超度尚存善根之鬼魂。
人類居於五趣(阿修羅、人、傍生、餓鬼、地獄)雜居地五濁惡世之堪忍世界,犯十惡業(殺生、偷盜、邪淫、妄語、兩舌、惡口、綺語、貪慾、嗔恚、愚痴)者必墮三趣惡道。如何出「三界」(欲界、色界、無色界)二十八天?凡人無此意識,別說能破「十二因緣」(無明、行、識、名色、六入、觸、受、愛、取、有、生、老死)還滅門,更別想斷除「四聖諦」(苦、集、滅、道)集地八十一品見惑與八十八使思惑(五利使-身見、邊見、邪見、見取見、戒禁取見、五鈍使-貪、瞋、癡、慢、疑),了悟「五蘊」(色、受、想、行、識)本空、「十二入」(眼、耳、鼻、舌、意、色、聲、香、味、觸、法)空、「十八界」空,破俱生我執與分別我執、法執甚至空執,生十一處「善心所」(信、精進、慚、愧、無貪、無瞋、無痴、輕安、不放逸、行捨、不害),降二十六處「惡心所」(貪、瞋、癡、慢、疑、惡見、忿、恨、覆、惱、嫉、慳、誑、諂、害、憍、無慚、無愧、掉舉、惛沉、不信、懈怠、放逸、失念、散亂、不正知),須知善根斷盡則陷永劫輪迴、無垠轉世之苦。
地獄可能空滅嗎?若地獄空乏人間多鬼怪,地獄淨空世間何嘗非淨土?若能證空性何處現地獄?
地獄曠古來便廣泛流傳各部族間,老死生滅為自然運行之基礎、宇宙意識之核心,然今文明昌盛如咱城邦並非慾望消弭之所,惡性所及實無可根除,礙於憲法國家法律社會軍隊企業公司學校家庭團體之層層束縛不亞於十八層,乃遁於壓抑、束己情懷,暗埋心底、日久貪嗔痴慢疑怨噌會疊穢。而六塵未熄,心多妄念,妖魔鬼怪魑魅魍魎孤魂閃靈出沒於荒郊乃至人間,會靈於曠野密林以增性靈乃出世高人修煉之舉,我等凡人擅闖宛如迪士尼般之人造地獄,三魂七魄尚不足以出竅,驚邪恐怖淒厲猙獰倒滿足了自以為是的慚愧,豈不謬哉?
病毒肆虐年半有餘,全球確診者逼近一億八千萬,枉死者近四百萬,堪比戰爭規模,望眾生發慈悲心、令往生者安息、善待其他物種、平等有情眾生。地獄本空,唯妄念生起一切羨慕嫉妒恨而地獄現前。盡以此書作為世界新冷戰獨裁者、超限戰者、暗網駭客、陰險狡猾冷嘲熱諷落井下石者之良知備忘錄矣。
姚瑞中寫於2021年端午節
Postscript
I have been living recklessly in Taiwan for more than fifty years. According to Zi Wei Dou Shu (Purple Star Astrology), Tan Lang is the sole star in my house of Self. This star, which represents xxx, forms an equilateral triangle with that star Qi Sha and Po Jun on the square chart and constitutes a Sha Po Lang pattern. The pattern indicates a kind of turbulence and change, a life of wandering with ups and downs and it tells a lot about my life. After my ill-fated youth, I started from scratch and traveled around the world with exhibitions that I participated. Like a flaneur, I wandered around ruins, nature, and temples with every type of film camera obliviously. Thus, I founded the Hall of Illusion and claimed to be the master of the hall. Several times a day, I pondered a quote from the Diamond Sutra, “Everything with form is unreal.” In addition, I usually stayed in the darkroom developing film and enlarging those negatives overnight. However, I treasured the simplicity of the black and white world. The earthly, gaudy, garish, phony and pleasing qualities within colored photos make the images even more realistic than the real world. It is not my cup of tea, so I seldom took colored photos. In Confucian thought, the age of fifty marks the stage knowing the mandate of Heaven. I am now at my fifties and realize how ephemeral human life is. However, I am not an immortal, nor having sagelike characteristics. I just learned that the stage of stainless (the second bhūmi) and develop a pure mind that is free from doubt and defilement. However, I’m still far from the immovable state and need to practice.
In the summer of 2017, after filming the work Incarnation, I experienced a severe heart rhythm problem which almost triggered myocardial infarction and could have killed me. Consequently, I realized that death was waiting for me and the life is too short to figure out how I can liberate myself from the cycle of Birth and Death. I couldn’t comprehend how to be free from all afflictions and worries and how to avoid delusive ideas. I wept for three days and nights after being enlightened by Shakyamuni Buddha. Up to the moment, I felt ashamed that I failed to realize that the self is as insignificant as dust after these years learning and practicing Buddhism. Since then, I have visited famous temples and monasteries in my spare time, worshiping Buddha, Bodhisattvas, arhats, and all the deities and immortals. Taiwan’s temples are myriad with a enormous number of sects, including Buddhism, Taoism, Yiguandao, Catholicism, Christianity, Chinese religions of fasting, Islam& Baháʼí Faith, Confucianism, Tiandiism& Tian-De Teachings, Xiwangmu cult, Yellow Emperor Sect, Precosmic Salvationism, Liism, World Wide Ethical Society, séance cult, etc. Some people even claim that they can mediate communication between the deities or spirits of the dead with human beings, having their believer rely on themselves instead of the orthodox dharma or dogma and pay excessive respect and admiration for the mediums or objects, accumulating wealth through such an unfair means or even harassing their believer sexually. Due to Taiwan’s historical changes, social turbulence, political struggles, and ideological issues, Buddhism and Taoism are somehow mixed. However, there are few emphases on the concept of the hell. As I took photographs of Yama of each court, judges, wardens of the underworld, jailers, General Fan and Hsieh (the ghost escorts) and all sinners, I found few temples cleverly created hellish scenes that are intriguing, exaggerating, and extraordinary. However, the creations are unparalleled unique. I have been studying Western arts for decades and then I came to realize that simplicity makes the most beautiful works of art. These hellish scenes can even compete with works of Giotto di Bondone (1267-1337) and Michelangelo Di lodovico Buonarroti Simoni (1475-1564).
Jingang Temple Shimen District, founded in 1986, overlooks the beautiful North shore. Although the temple is mainly dedicated to Phra Phrom (the Thai representation of Mahabrahma), spirits of Confucianism, Buddhism, and Taoism can also be founded in the temple. The worshipper can go cross the Seven Star bridge to relieve bad luck, walk along the five hundred arhat statues and knock on the gong to affirm one’s Buddha nature. Furthermore, the worshipper can also prostrate themself before Asia’s largest statue of Buddha in Nirvana (the Reclining Buddha statue) and pacify the Taoist Tai Sui deity of the year. I was impressed by the Jia-Zi Tai Sui General that a pair of palms grow out of his eyes. In 1994, the biō-kong (the person taking charge of the temporal affairs of a temple) received a divine inspiration from Yama (the King of Hell) that he had to build a sacred hall in the shape of a divine dragon, with the interior designed according to the World of Ultimate Bliss and the Underworld. When the visitor walks in the dark hallway, they will see the tortured people (dioramas, of course) scrunching their faces and crying bitterly and loudly in excessive grief as the visitor triggers the mechanism. One will even find them in the midst of flesh, body liquid and blood, mutilated limbs, and rotten corpses. While each of the ten Yamas are focusing on their own duties, showing their sacred dignity that collect visitors’ attention. The Baogong Temple in Linkou District, New Taipei City exclusively features colorful depiction of hellish scenes in relief in Taiwan. With its pastel shades and cartoon-like style, the relief is both grotesque and adorable at the same time. This temple is dedicated to Bao Zhen (also known as Justice Bao) representing the incarnation of Yama. Living people who have been treated unjustly can come worshipping Bao Gong and receive exorcism. Therefore, many people come here for seeking to solve unsolved cases. In Zhongyuan Festival (the ghost festival), the temple will burn the Zhizha (paper craft) boat to ferry the ghosts to the other shore, which is the shore of enlightenment. The only giant statue of Yama in Taiwan is still in the making. The temple is surrounded by a cemetery, suitable for meditating on the loathsomeness and impurity. Nantian Temple (1971), located next to the Eight Trigram Mountains Buddha in Changhua, features the first animatronic underworld. Despite the small size, the animatronic underworld is intensely shocking. Though it’s slightly worn, the colorful dioramas are still brutally ferocious. The creator was the late venerable Dao Zhang (Taoist priest) Jing Deng-fu while the origin of animatronic deities can be traced back to the 1960s Beigang Chaotian Temple. On the contrary, the Whiteman Toothpaste Tourism Factory in Shuishang Township, Chiayi, features ten Yamas with individual booth. The place is unexpectedly clean and polished yet keeps a simple and modest tone. Then, the Dragon Pagoda of the Dragon and Tiger Pagodas at Lotus Lake in Zuoying, Kaohsiung, holds the only relief of hellish scenes made of Kochin ceramic. All the figures are vivid and life-like. If one goes further into the pagoda, they will see a relief tunnel of the thirty-three incarnations of the white-robed form of Guanyin (Avalokiteśvara) on a white lotus, with a lovely and interesting design. Another Hall of Yama is built in the 1970s next to the entrance of Dagangshan Chaofeng Temple, located in the Alian District of Kaohsiung. Visitors will also see three statues of the Three Holy Ones of the Western Pureland (Amitābha, Avalokiteśvara, Mahāsthāmaprāpta) which assemble at a lotus pond. Although the hellish scene looks somewhat antiquated, you may still find its previous charm. If one goes further, they will reach the sculptural garden of “Attaining the Bodhi Way: the Incarnation of Sakyamuni Buddha,” where the visitor can see the essence of Bhagavato’s (meaning the Blessed one, one of the common epithets for Buddha) life. When Tathāgata (another epithet for Buddha) was old, the king of Kosala wanted to avenge the arrogance of the tribe of Shakyas who had long despised him, regarding him as a son of a maiden. Although Buddha has sat in lotus position alone three times to stop the army from attacking his tribe. However, one can never reverse the cause and following karma. The prince born of a maiden was so furious that he eventually destroyed his homeland. Maudgalyāyana (one of the Buddha’s closest disciples), who is said to have had supernatural abilities that surpassed the other disciples, could not bear to see the slaughter of innocent people. Thus, he saved five hundred people of his tribe with a pātra (an eating utensil of Buddhist monks). Unfortunately, everything he did was in vain, those who were saved eventually turned into a puddle of blood. The Buddha said that the supernatural abilities cannot surpass the power of karma. The cause and effect work all the time. When Maudgalyāyana’s mother fell into the path of hungry ghost, he used his supernatural abilities to save his mother from hunger. However, all the food turned into fire before being fed to his mother. Later, the Buddha commanded the monks to put nectar and dishes in a basin on the 15th day of the seventh month in the lunar calendar for the monks from all directions to free his mother from reincarnation. In later times, the Ullambana Dharma Service, the Compassionate Samadhi Water Repentance, and the Yoga Collection for Feeding the Searing Mouths Dharma Service are rituals to eliminate karmic hindrance and to cease to worldly delusions. Through such practices, one can free the dead as well as confess their repentance.
Madou Daitian Temple is a magnificent and colorful temple in Tainan. Not only can the worshippers visit the eighteen levels of Hell but also the Heaven (it was built in 1979 and inaugurated in 1983) here. The lighting and sound effects are stunning and frightening. When walking alone in the space, one may feel like taking a Guan Luo Yin trip (a Taoist necromancy which leads people’s spirits to hell and communicate with the dead ones) to visit the underworld prison. Before arriving the first court of the underworld, the visitor will walk through the Mountain of Heart Summit, the Pure Heart Pond, the Frontier between the Living and the Dead Realms, the Soul Registry Hall, the Portico of Demons, the Center for Complementary Teaching of Canonical Books, the Citadel of Premature Death, and the Bridge of Vanity. When one arrives at the first court, they will see King Chin-guang, who is in charge of the court, using the Mirror of Retribution to show the earthly form of evil creatures and also witness the sub-hell of Pillar-Holding and Fire Bed, etc. At the second court, King Chu-jiang collates the register of sins the souls of the dead have committed to impose the punishments. Here, you will see the sub-hell of Excrement and Urine, Hungry Ghost, Burning Dance Floor, Ice, Pus and Blood, Whipping, Tongue-Raking, Sword Blade, Stomach-Piercing, Chopping, etc. Next, the dead at the third court, ruled by King Song-di, will receive the punishments including inversion tortures, face-skinning with steel and copper knife, eye-wrenching, pounding, blood-sucking, rib-piercing, roasting, tendon-taking, being eaten by maggots. The visitor can pay a visit to the Palace of Soul-Resuscitation for the Four Forms of Creatures (birth from an egg, birth from a womb, birth from moisture, and birth by transformation). King Wu-guan is in charge of the fourth court. There are sixteen sub-hells at the fourth court including Waist Chop, Tongue Removal, Boiling Pond, Mouth-stabbing, Skin-peeling, Sword Tree, Burning Wheels and Cart, Eye-shooting, etc. Next, at the fifth court, sinful souls are allowed to ascend the Tower of Hometown-Viewing to take a final look of their family. The visitor will witness sub-hells of Knee-striking, Heart-slicing, Blade Mountain, Flying Swords and Burning Stones, etc. The King of Bian City takes charge of the sixth court, which is also known as the “Great Hell of Screaming,” with sub-hells including Fire Cattle, Tiger-Biting, Kidney-Eating, Mouth-Poking, Throat-Nailing, Iron Mill, Decapitation, etc. The King of Tai-shan is in charge of the seventh court, the “Great Hell of Heat and Fire.” The sixteen sub-hells at this court include Finger-Searing, Bowel-Hauling, Stone-Bearing, Boiling Oil, Tongue-Removal and Cheek-Piercing, etc. Next, the King Du-shi is in charge of the eighth court, the “Great Hell of Intense Fire and Heat,” and the sub-hells including Fire Dogs, Molten Iron, Iron Snakes, Dismemberment, Steel Spikes, Burning-Marrow, Iron Ball, Scale, etc. The ninth court is ruled by the King Ping-deng. It is known as the biggest court, Avici Hell (the Hell of Incessant Suffering), which if the lowest level of the hell realm and the interior is gloomily and terrifyingly dark. Those who committed the most serious evil deed will be sent to the Avici Hell. Sub-hells such as Poisonous Snake, Brain-Removal, Crow-Gnawing, Raining Needles, Wasps and Scorpions are included at this court. After arriving the tenth court, ruled by the Great King of the Reincarnation Palace, one can visit the “Observatory of Life on earth” and the “eight bureaus of the Reincarnation Palace” (including the Bureau of Judicial Control, the Bureau of Good-Actions, the Bureau of Bad-Actions, the Bureau of Debts, Gratitude, and Vengeance, the Bureau of Longevity and Destiny, the Bureau of Familial Ties, the Bureau of the Reincarnated, and the Bureau of Birth). The sinful one will be sent to the Pavilion of Mengpo and made to drink the Soup of Forgetfulness to forget all past affairs. According to the sinful one’s merits of previous life, they will go across one of the six bridges (gold, silver, jade, stone, wood, bamboo) to the “Reincarnation-Wheel (Wheel on the Crimson River).” Finally, one is able to reborn in the six realms. According to the Aṣṭadaśa nāraka sutra ( the Eighteen Hells Sutra), after one passes away, they will enter an intermediate and transitional state between death and rebirth, known as antarābhava in Sanskrit, for forty-nine days. The being will be evaluated by Yama, who will decide if one should get reborn or get punished at the hell. Those who committed the Five Grave Offenses (killing one’s father, killing one’s mother, killing an Arhat, shedding the blood of a Buddha, and creating a schism within the community of Buddhist monks and nun who practice for attaining enlightenment.) will be sent to the Avici Hell and stay there eternally. Kṣitigarbha is the Lord of the Nether World, ruling the ten court of Hell. The lord will set up the “Hall of Teaching” at each court to salvage those sinful ones who still obtain few merits at the offering rituals.
Human beings live the Sahā world (sahāloka in Sanskrit, meaning “endurance of suffering,” a concept of mundane world in Mahāyāna Buddhism) where they share with other reincarnations (including beings of the hells, of the preta, and of malevolent nature spirits) with five turbidities (the Kalpa turbidity, the view turbidity, the affliction turbidity, the living beings turbidity, and the life turbidity). Those who commit the ten evil deeds (killing, stealing, adultery, lying, using immoral language, slandering, equivocating, coveting, anger, and false views) must fall into the three evil paths (animals, preta, and hell). However, how can one escape from the three realms/ twenty-eight heavens (including the six heavens of the desire realm, the eighteen heavens of the form realm, and the four heavens of the formless realm)? Worldly people who don’t have such an awareness cannot leave the cycle of the twelve nidanas (meaning causes or motivations), let alone eliminate the eighty-one afflictions (that have been produced due to misunderstanding regarding reality) and the eighty-eight illusions (including five afflictions of advanced practitioners, also known as five views: view of self, extreme view, evil view, view of attachment to views, and view of morality; and five unintelligent temptations: desire, anger, stupidity, arrogance, and doubt) of thought within the three realms and four Arya satyas (noble truths, including suffering, arising, ending, and path). They cannot realize that the essence of the five skandhas (referring to aggregates of clinging, including the matter of form, sensation, recognition, mental formation, and consciousness) , the twelve ayatana (meaning sense base, including six internal bases: eye, ear, nose, tongue, body, and mind and six external bases: visible objects, sound, odor, taste, touch, and mental objects), and the eighteen dhātavah (meaning compositional elements of human existence, including six consciousness, six faculties, and their objects) are the emptiness and the void. Furthermore, they cannot dispel the two reasons for clinging to the idea of the self and the attachment to elemental constructs and even believe in the two (false) tenets that that karma and nirvana are not real and that the ego and phenomena are real. As a consequence, they fail to develop the eleven wholesome mental factors (faith, energy, conscience, being ashamed, non-attachment, non-aggression, non-delusion, calmness, equanimity, conscientiousness, and non-injuriousness) and cease the sixteen unwholesome mental factors (desire, greed, anger, delusion, arrogance, doubt, wrong view, wrath, enmity, hypocrisy, vexation, jealousy, parsimony, deceit, flattery, harming, ambitiousness, stupidity, lacking of faith, idleness, being unrestrained, forgetting, distraction, non-discernment, ). One must bear in mind that once all our virtuous roots are discontinued, they will be trapped in the never-ending reincarnation and the suffering of infinite continuity.
Is it possible that the hell will be empty one day? If the beings in hell will become extinct while evil spirits inhabit the mundane world, the world could be considered as a pure land. If we could witness the nature of the void, then hell will exist no more.
Since ancient times, the concept of hell has been widely spread among all tribes. Aging, death, beginning, and end are the basis of nature and the core of cosmic consciousness. However, the prosperous civilization as our island is not a place where desire can be eliminated. It’s impossible to eradicate evil nature. Since fetters brought by the constitution, the state, the law, society, the military, corporations, schools, families, and groups are not less than the eighteen levels of hell, the mortals repress themselves, bury their feelings. Day after day, greed, anger, stupidity, arrogance, doubt, and resentment are stacking. However, since the six dust (visible objects, sound, odor, taste, touch, and mental objects) has not yet been extinguished, people in the mundane world are still full of delusions. The demons, devils, evil spirits, and the wondering dead exist in the wilderness, while only advanced practitioners with transcendent would attempt to make contact with the dead in the wasteland and forest. Worldly people like us trespass in Disneyland-like man-made hell. It is absurd and ridiculous that the hellish scenes cannot stop us from perpetrating evil deeds, but the horrific and cruel scenes yet satisfy our self-righteous shame.
The pandemic has been boiling over for more than a year and a half. The number of infected patients worldwide is nearly a hundred and eighty million, and the death toll has risen to four million, which is equivalent to a war crisis. I hope that we can all be compassionate, give peace to the dead, treat all sentient beings well and equally. The hell is innately empty; however, deluded and misleading thoughts would give rise to all jealousy and hatred and then manifest the hell before us. This book merely serves as a memorandum of conscience for dictators of the world’s new cold war, supporters of unrestrained warfare, dark web hackers, and those who are cunning and contemptuous and maltreat others when knowing they have problems.
June 2021,
Yao Jui-chung
黑面王爺公 在 Facebook 的最佳貼文
疫情爆發以來,藝術家能做的事不多,平常就閉關在家其實挺習慣,但是總想為社會做些事、幫上忙,想了半天安撫人心也許還行吧!於是另一本「地獄空」將趕在中元普渡八月初出版上市,由典藏出版社社長發心首肯出版,設計名家黃子欽操刀,附贈很多符咒給大家趨吉避凶。諸惡莫作,眾善奉行,疫情消退,平安喜樂。附上後記給大家解封後參訪這些宮廟,觀照自己的心所。全文如下:
野放台灣五十餘年,貪狼獨坐,三方四正殺破狼格局,少年多舛,白手起家,隨展覽雲遊四海,如閒雲野鶴常持各類底片機流連廢墟、山川、宮廟忘返,遂設幻影堂自詡堂主,一日三省「凡所有相皆是虛妄」,常宅於暗房沖片放大通宵、鐘情黑白世界之單純,彩色照片俗世繽紛花俏做作甜美甚至比現實更現實故少拍也。知天命之年有餘,了悟人生一瞬、眨眼即逝,雖非仙人,亦無道骨,初聞離垢地生清淨心,但離華嚴「不動地」尚遠,待修持也。
2017年盛暑拍畢「巨神連線」,心律不整差點心肌梗塞向閻羅王報到,意識死神隨伺在側,人生苦短,如何了生脫死、盡斷煩惱、無所罣礙、遠離顛倒…總不得解,蒙釋迦摩尼佛開示飆淚三晝夜,聞佛法數載始知自我渺如塵埃,甚感慚愧。閒暇乃參訪名寺古剎,禮敬焚香佛陀菩薩羅漢諸神天仙王爺媽娘,台灣宮廟千奇百怪、宗派錯綜複雜(佛教、道教、一貫道、天主教、基督教、齋教、回教&大同教、儒教鸞堂、天帝教&天德教、慈惠堂&勝安宮、軒轅教、道院、理教、萬國道德會、會靈山…)、神棍橫行(依人不依法、偶像崇拜、斂財、邪淫),因歷史變遷、社會動盪、政治鬥爭、意識形態等因素導致佛道混雜,但地獄造景稀少,後專注拍攝各殿閻王、判官、陰司、獄卒、七爺、八爺乃至一切罪人,各寺造景巧妙、耐人尋味,意境乖張溢於言表,造型扭曲非常人所能塑也,然匠心獨運、自成一格,專研西方藝術數十載方知真誠樸拙最美,絲毫不輸喬托(Giotto di Bondone,1267~1337)乃至米開郎基羅(Michelangelo Di lodovico Buonarroti Simoni 1475 ~ 1564)矣。
創立於1986年的石門金剛宮風景優美可眺望北濱,雖主祀四面佛,儒釋道眾神尊也不含糊,可過七星橋解厄、繞行五百黝黑羅漢敲鑼印心、跪拜亞洲最大臥佛涅槃像,安太歲自不在話下,甲子太歲爺雙眼長出手掌印象甚深,1994年經閻羅王指示廟公建造一條肚內設極樂世界及陰曹地府之神龍,行走暗黑通道觸動感應機關,只見面容猙獰受刑者呼天搶地喊冤、身邊盡是血肉糢糊殘肢敗屍腦漿塗地,十殿閻羅各司其職、威儀攝人。新北市林口區青嶺湖北文紫祥宮包公廟則以壁面彩塑地獄浮雕獨步全台,粉嫩色彩搭配卡漫風格,尤為造型簡直恐怖到可愛透頂,該廟主祀森羅殿閻羅天子包拯(包青天),陽世冤屈者可至此參拜祭解,求破懸案者眾,逢中元普渡皆以紙紮船渡亡魂至彼岸,全台唯一閻羅天子巨像籌備中,四周環繞墓地,適合修不淨觀也。台灣首尊彰化八卦山大佛旁南天宮(1971)地府則是首座電動地府,規模精小但驚嚇度破表,略顯破敗但五光十色仍蠻凶悍,出自已故台南大道長金登富之作,而電動神明起始可追溯至1960年代北港朝天宮。倒是嘉義水上鄉白人牙膏觀光工廠「戴相府」、「將軍府」設置十殿地府出乎意料之外,乾淨亮麗、ㄧ殿ㄧ間、簡單樸實。由高雄蓮潭龍虎塔龍口入內可見全臺唯一交趾陶地獄牆面,尊尊栩栩如生,續入龍身乃進聞聲救苦白衣觀音大士三十三化身浮雕隧道,造型設色甚為古錐。高雄大岡山超峰寺入口處「西方三聖蓮池海會」(阿彌陀佛、觀世音菩薩、大勢至菩薩巨像)旁設靜態十殿閻羅(1970年代初),雖略為陳舊然韻味猶存,續往上行可抵「證菩提道-釋迦如來應化事迹」雕塑園區,一攬世尊畢生精華。如來年邁時,琉璃國王為報長期被釋迦族輕蔑之傲慢心,世尊雖三次單獨伽跌坐阻擋大軍進攻之路,但因緣果報無法逆轉,昔日婢女所生王子瞋恨無以復加,還是滅了祖國。自持神通第一目犍連不忍無辜百姓慘糟屠殺,遂以缽盛救度五百族人,最終卻化為血水,佛言神通廣大仍不敵千百劫業力,因緣果報屢試不爽。其母死後墜入餓鬼道飢餓難耐,目犍連遂展神通救渡,但所食尚未入口皆化為赤火,佛陀囑咐農曆七月十五日僧眾解安居自恣日,於盆中設甘露美食供養十方僧眾,因此超度亡母。後世「盂蘭盆法會」乃至「水懺法會」、「瑜珈焰口法會」皆為消業障、斷塵垢之超渡儀軌,既渡亡魂也自懺悔。
台南麻豆代天府規模宏大、造型豔麗,不但可遊十八層地獄尚可逛天堂(1979年興建,1983年開放),燈光絢爛、聲響駭人,獨自漫步宛如觀落陰、地獄走一回。先過「心頭山」、入「清心池」、進「陰陽界」、抵「交簿廳」、達「鬼門關」、遊「補經所」、探「枉死城」、行「奈何橋」,至ㄧ殿泰廣王照「孽鏡台」現造惡原形,睹抱柱、火床等小地獄。二殿楚江王開「陰查簿」判案定奪,觀糞尿泥、餓鬼、舞池、寒冰、膿血、鞭韃、舌犁、劍葉、戟腹拋接、砧截…等小地獄。三殿宋帝王刑罰為倒吊、銅鐵刮臉、挖眼、搗樁、倒烤、吸血、穿肋、抽筋、蛆蛀等小地獄…兼遊「四生(胎、卵、濕、化)回魂府」。四殿五官王掌管腰斬、拔舌、沸湯、刺嘴、剝皮、箭樹、車崩、射眼…等十六小地獄。隨五殿森羅王豋「望鄉臺」回眸親人最終眼後觀擊膝、誅心、刀山、飛刀火石…小地獄。六殿卞城王別稱「大叫喚大地獄」,轄火牛、虎啖、噬腎、鉗嘴含鍼、釘喉、磨摧、砍頭…等小地獄。七殿泰山王為「熱惱大地獄」,窺烙手指、抽腸、頂石蹲身、油釜滾烹、割舌穿腮…等十六小地獄。八殿都市王掌管「大熱惱大地獄」兼火狗、鐵汁、鐵蛇、鋸劈斷肢、釘板、灸脊、鐵丸、磅秤…等小地獄。九殿平等王直轄十八層「阿鼻大地獄」,直透地心、內中陰森、不見五指、滿溢地漿,皆為極犯,另轄紫赤毒蛇鑽孔、夾頂、鐵鴉、針雨、蜂蠍…等小地獄。至十殿輪轉王上「觀生臺」、「轉劫所八司」(查驗司 、稽善司 、考過司 、恩怨司 、壽命司 、支配司、掌劫司 、授生司)後至「孟婆亭」飲「醧忘湯」忘盡前塵往事,依前世功德過金、銀、玉、石、木、竹六種橋樑至「轉輪臺(紫河車)」入六道輪迴轉生投胎。據「十八泥犁經」記載,人過世後七七四十九天為「中陰生」,經閻羅王審判善惡業力判定去留或懲罰百千萬劫,犯五逆重罪則墮入「無間地獄(阿鼻地獄)」永劫不復。地藏王乃幽冥教主,統轄十殿閻羅,逢三曹普渡便在各殿設「講道所」超度尚存善根之鬼魂。
人類居於五趣(阿修羅、人、傍生、餓鬼、地獄)雜居地五濁惡世之堪忍世界,犯十惡業(殺生、偷盜、邪淫、妄語、兩舌、惡口、綺語、貪慾、嗔恚、愚痴)者必墮三趣惡道。如何出「三界」(欲界、色界、無色界)二十八天?凡人無此意識,別說能破「十二因緣」(無明、行、識、名色、六入、觸、受、愛、取、有、生、老死)還滅門,更別想斷除「四聖諦」(苦、集、滅、道)集地八十一品見惑與八十八使思惑(五利使-身見、邊見、邪見、見取見、戒禁取見、五鈍使-貪、瞋、癡、慢、疑),了悟「五蘊」(色、受、想、行、識)本空、「十二入」(眼、耳、鼻、舌、意、色、聲、香、味、觸、法)空、「十八界」空,破俱生我執與分別我執、法執甚至空執,生十一處「善心所」(信、精進、慚、愧、無貪、無瞋、無痴、輕安、不放逸、行捨、不害),降二十六處「惡心所」(貪、瞋、癡、慢、疑、惡見、忿、恨、覆、惱、嫉、慳、誑、諂、害、憍、無慚、無愧、掉舉、惛沉、不信、懈怠、放逸、失念、散亂、不正知),須知善根斷盡則陷永劫輪迴、無垠轉世之苦。
地獄可能空滅嗎?若地獄空乏人間多鬼怪,地獄淨空世間何嘗非淨土?若能證空性何處現地獄?
地獄曠古來便廣泛流傳各部族間,老死生滅為自然運行之基礎、宇宙意識之核心,然今文明昌盛如咱城邦並非慾望消弭之所,惡性所及實無可根除,礙於憲法國家法律社會軍隊企業公司學校家庭團體之層層束縛不亞於十八層,乃遁於壓抑、束己情懷,暗埋心底、日久貪嗔痴慢疑怨噌會疊穢。而六塵未熄,心多妄念,妖魔鬼怪魑魅魍魎孤魂閃靈出沒於荒郊乃至人間,會靈於曠野密林以增性靈乃出世高人修煉之舉,我等凡人擅闖宛如迪士尼般之人造地獄,三魂七魄尚不足以出竅,驚邪恐怖淒厲猙獰倒滿足了自以為是的慚愧,豈不謬哉?
病毒肆虐年半有餘,全球確診者逼近一億八千萬,枉死者近四百萬,堪比戰爭規模,望眾生發慈悲心、令往生者安息、善待其他物種、平等有情眾生。地獄本空,唯妄念生起一切羨慕嫉妒恨而地獄現前。盡以此書作為世界新冷戰獨裁者、超限戰者、暗網駭客、陰險狡猾冷嘲熱諷落井下石者之良知備忘錄矣。
姚瑞中寫於2021年端午節
黑面王爺公 在 AhJie文王爺 Youtube 的最佳解答
欢迎观众点击订阅铃铛然后到下面留言给我们宝贵的意见...
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——————————————————————————————————————————
0:00 Intro
1:00 瘟神信仰
3:42 燒王船
4:20 曾葵仙公
4:47 現代瘟神
5:48 業配時間
7:15 給不負責任的人
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黑面王爺公 在 AhJie文王爺 Youtube 的精選貼文
欢迎观众点击订阅铃铛然后到下面留言给我们宝贵的意见...
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For Business, please email to wenwang0428@gmail.com
——————————————————————————————————————————
0:00 Intro
1:07 珍尼湖
2:03 馬來傳說的龍
3:11 故事一:老奶奶的拐杖
5:42 故事二:公主與王子
8:16 故事三:沉沒的黃金國
10:00 結尾/感謝觀看
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黑面王爺公 在 AhJie文王爺 Youtube 的最佳貼文
欢迎观众点击订阅铃铛然后到下面留言给我们宝贵的意见...
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黑面王爺公 在 Re: [討論] 各種[咒]的靈感來源?(雷- 看板movie - 批踢踢 ... 的推薦與評價
※ 引述《purue (purue)》之銘言:
: 轉一個業內的分析 應該算目前看到脈絡最清楚的https://reurl.cc/yQVg5M
接力(?
https://m.facebook.com/story.php?story_fbid=3116551648607265&id=1452820444980402
結手印、凝視符號,詛咒,哪有那麼容易?從宗教工作者看電影《#咒》系列part (2/3)
先破題:看這部電影不會被詛咒,別怕。
我作為一個藏傳佛法和密教的實踐者與傳播者,看了《咒》之後有些感想與覺得值得釐
清的東西,分成三篇跟大家分享,這是第二篇:
(第一篇在此:https://reurl.cc/e6KrlQ
先說,有一種論調主張、大黑佛母是一種惡意的力量,如果你跟著電影的做法,複誦咒
語、結手印、凝視符號,就會與這個惡意力量產生連結,受到負面影響。
這種說法基本上是鬼扯+不負責任。
這種說法基本上是鬼扯+不負責任。
這種說法基本上是鬼扯+不負責任。
而且建立在一個完全錯誤的假設,就是你相信了女主角的話、認為這樣會「分散惡意跟
詛咒」。
這種論調還有一個更錯誤、甚至冷漠和傲慢的基礎:如果我們將惡意視為靜態的某種存
在、而不是動態的某種結果,那終究無法了解其事件的本質。
簡單來說,惡意不是本具的、是被養出來的:
我們先是誤會了惡意、再選擇並利用了惡意、再冷漠的對待惡意,最重要的是,最後還
想不負責任的轉移惡意。
這裡的「我們」不是指身為觀眾的我們、而是女主角(她某方面就代表了面對信仰時的
我們)。
所以,這篇文就是要解構惡意、釐清為什麼「我們根本不會受到詛咒」。
一、選擇了惡意:承認吧,你也想要很靈驗的神
你有沒有過這種經驗:
一對男女朋友吵架來找你給意見,你很中肯的給他們建議後、說話不一定好聽
結果過沒多久,他們和好了、然後異口同聲指責你當時給的意見,讓你突然感到自己
裡外不是人???
嗯嗯滿多神明的感受應該是類似這樣的。
我自己建立的度母之家有一面牆、上面可以書寫自己的祈願內容,我有時候會稍微去翻
看、為大家祝禱。
但當你注意去思考,你會發現:大部分人的祈願都是包山包海、越多越好,很少人會適
量、適當、安全。
我就沒看過人寫說:「請度母加持我發大財、但如果太危險就算了。」這種話語。
這還只是一般情況,就像《與神同行》說的:「世界上沒有壞人,只有最壞的情況。」
當我們不幸來到最壞的情況、去求神拜佛時,幾乎都會說出:「只要可以怎樣都好
。」
這類願望不一定是跟什麼慾望有關喔!有可能是類似:
「只要能讓我媽媽好起來,我折壽都好。」
這些例子我看過、聽過也接觸過非常非常多,不要裝了:我們沒有人想要安全基本款的
神明,我們都想要超級靈驗的神明。
靈驗的神明,就是禍福相倚的:他可以強大到滿足你的所有需求,也就能強大到毀了你。
如果認真思考,黑母很壞嗎?其實不一定、看對誰來說:對當初以黑母能力來維生的人
來說,她是她們家的保護者。
甚至對女主角來說,如果深思、會發現黑母幹掉了所有女主跟女兒團圓的力量,不論是
阻擋的社工、謝爸爸、還是心理醫師。
很明顯的,女主角認為「看過隧道影片」就會受到詛咒、這本身就不成立,就像心理醫
師問他的:「為什麼你跟你女兒看過這個影片卻沒事?」
我們人類往往從一個很去脈絡化而靜態的角度去看待鬼神,比如認為某某鬼神就是充滿
了惡意、很壞、會傷害所有人,但很少會想過:
這個鬼神幹嘛這麼做?對他的好處是
什麼?
其實,黑母是一個很沒有野心的鬼神(下文會講到),她很明顯地根本沒有什麼要詛咒
全部人或幹嘛的想法。
她的表現,都是很強硬地在捍衛她自己在意的東西:她的規矩、她的家族(陳家),
這也包括了不願意加入陳家傳統的女主角與其女兒。
當我們覺得黑母很可怕,其實這正是因為我們站在一個與她對立的故事視角:黑母可怕
嗎?可怕,因為你站在一個「她的對手」的視角。
但,如果你站在一個被她保護的視角,故事就截然不同了:你可能會覺得黑母很靈驗、
很讓人安心,更是你家裡的保護神,
當一個神明的力量,強大到可以扭轉定局時,就注定了我們對他會出現兩個不同的故事
描述:
受其保護者會說他很靈驗,不受其保護者會說他很邪門(惡意);靈驗與邪門,本來就
是同一件事,單看你的敘事立場而已。
承認吧,我們都想要靈驗的神、在特定時刻更是如此,正是我們的這份念想與習慣,養
出了各種靈驗之神=各種邪神=惡意之神。
試想這些靈驗之神的視角吧:
欸你很需要我的時候就來找我幫忙,然後我不限手段的幫你達成目標;你還沒好好謝我
,結果外面的人跟你講個幾句,你就改認為我是邪神、還找別的神要來打我
這種感覺跟我一開始舉的例子感受很類似吧?如果是你,你不賭爛嗎?
二、利用了惡意:那隻比特犬
我作為一個宗教工作者,對黑母這類的神其實更有同情之感。
我的經驗告訴我,鬼神幾乎都是很中性、單純的,她們很多時候天生帶有強大的力量
,但他們若沒有受過教育、往往不知道怎麼適當的控制自己的力量。
舉例來說,台灣之前有些新聞,探討咬死咬傷小孩的比特犬,萬幸大家現在關注討論與
檢討的不是狗狗、而是飼主。
大家都能理解,比特犬是無知的、攻擊是他的天性,所以人類應該要負起教育跟照顧
的責任。
問題在於,大家下意識的認為、神明是「智識高於人類的」,是比人類更有智慧的。
但是,我們不曾想過、神明可能也是隻比特犬,他有強大的力量、但也需要教化跟愛。
我認為,「禍福相倚」跟黑母的無底洞之臉,代表著就是「慾望」;但我們往往忽略了
,龐大的慾望跟惡意不是鬼神本有的、是人類餵養出來的。
佛陀告訴我們,大部分的鬼神、其智識不但不如人類,他們的生命很多時候更是充滿了
痛苦,唯獨在某些超能力上勝過人類而已,這不就如上述的比特犬一般嗎?他在力量與
攻擊力上勝過人類、但也僅此而已。
想像一隻比特犬,主人從來不會來抱抱他哄哄他,從小到大來找他的時候,就是給他
各種勾起野性的血肉,然後好言好語地跟他講話、但卻是要他去咬人或鬥犬。
這隻比特犬沒有感受到同理、愛、在意,他接受到的、都是赤裸裸的慾望請託跟攻擊,
也因為他天生攻擊力很強,每次都能打贏別的狗狗。
這隻比特犬最後會變成怎麼樣的一隻狗呢?可想而知,他會感到很孤單、很有敵意、很
憤怒,但這些情感都不會得到教育跟滿足,他只能用慾望來宣洩自己的壓力、然後接收
到別人的慾望,以此維生吧。
黑母、甚至大部分的靈驗鬼神、被稱為「充滿惡意」的鬼神,就跟這隻比特犬一樣;他
們有強大的能力,但是先天條件上的腦力遠不如人類,他們用情緒、感受來解決問題,
沒有機會用理智來處理事情。
這是因為,每個人類來找他們的時候、餵養他們的都是情緒與感受,不是理智與愛。
如果慎思,你會發現其實黑母真的「惡意很強大」嗎?我們可以確定,她不是一個有
野心的神明,她力量如此強大、連一般的王爺跟神明都不是她的對手,他們根本鎮壓不
住她。
但是,她從來沒有要擴張她的地盤(如果他要的話這超簡單)她一直藏在深山,作為
陳家的家神。
她對其他神明尤其溫和,這一點從她反擊其他王爺時,王爺們是嚇到轉身背對而不是
被炸掉等等;或是她的影像被民間神明封印結界、她也沒有要反擊人家、都可以看
得出來。
可見得是,黑母的核心關注,就是她的情緒與憤怒、她沒有擴充自己地盤的那份野心跟
展望;這又能稱為「強大的惡意」嘛?
我覺得這一點從她的臉是無底洞就可看出來,無底洞代表的、除了無限的慾望之外,也
代表著沒有理智跟判斷力。
「慾望與情緒導向」與前第一點的「靈驗=邪門」是相呼應的,正是因為她重視的是
感受與情緒,所以她做事沒規範也沒底線,一旦掌握龐大的能力、就更有殺傷力。
但是,這種「慾望與情緒導向」完全是人類餵養出來的,就像我前面提到的比特犬一樣。
這段我想強調的重點是,
鬼神往往情緒化勝過理智。
鬼神往往情緒化勝過理智。
鬼神往往情緒化勝過理智。
這是很多人不知道的一件事情,其實你不用看鬼神、你看看人類跟其他動物就知道,沒
有被教育過、啟蒙過的人類,大多就是情緒化而野蠻的。
未啟蒙之前、大家都是無知跟情緒化的,人是如此、鬼神也是;問題在於,大家沒意識
到這件事情,特別是喜愛鼓吹通靈的部分身心靈組織更是如此,造成更多後續問題。
不少人以為,只要連接到正面的靈體,就能得到啟發與療癒、但事實往往不是這樣,因
為大部分的靈體也是如上述一般「情緒化而愚昧」。
情緒化的生物能幹嘛?能陪你閒聊、能陪你瞎扯、能吐吐苦水、抱怨抱怨他們對理智
的不滿與反智情節;你去連接它、它也只能跟你如此瞎扯。
如果我們因此深信不疑,變成越來越重視情緒、忽略理智與教育,那不是進化、而是
退化。
我認為,這就是現代人面對靈性、宗教問題時的一個誤區,大家很少意識到「人與鬼神
」的關係中,人類是主動方、鬼神是被動方,這個關係就跟人類跟比特犬、或任何動物
的關係一樣。
一個良好的靈體之養成,他需要得到人類的教育,不是由人類放棄理性直接去跟靈體
連接並言聽計從,這種行為就像是我們放棄自己身而為人的理智能力、然後對一隻比特
犬言聽計從一般。
《聖典》裡面記載了許多類似的故事,大量的鬼神,包括鬼神之王毘沙門天、鬼子母等
等,都會來拜訪佛陀、或是聆聽佛弟子們討論,因為這對他們來說,是一個啟蒙的過程
、讓他們智識得到進展,不再這麼情緒化。
啟蒙你信仰的神靈、不要言聽計從,善用理智、給他愛,這是我認為很重要的家神或屬
神的信仰心態。
三、不負責任的女主角
我講了這麼多,細細地分析了「惡意」何來,但大家最關注的問題一定仍然是:
我照著電影結手印凝視符號唸咒,會不會像女主說的、得到詛咒?
答案是不會。
先吐槽一下,會相信女主角這個完全搞不定黑母的人的說法、本身就很扯淡(不過這種
缺乏理智跟邏輯的確是部分所謂「巫師」的人的特性。)
黑母有想要宣傳惡意嗎?沒有,上文提到了、她沒有野心。
黑母是惡意的力量嗎?是(被養成的)。
但重點就在這裡,他有惡意的能力、但她並沒有宣傳的意願;妳光是看到她的符號也不
會如何,認為「黑母充滿惡意所以看到他的符號會受詛咒」,這是來自女主完全錯誤的
一個判斷。
女主一直認為,他自己就是接觸到了黑母後,才會被詛咒;從她的視角來看、的確如此
:某次跟男友一起回家,結果看到這個神、然後人生就徹底被改變。
女主一直認為自己是個局外人、是個路人,這些不幸降臨到他身上、都是一場意外,這
個意外就是「他看到了黑母的符號」。
這就是最根本的誤解:你從黑母的角度來看,女主才不是什麼局外人,她是自己人。
因為,她是陳家的媳婦、懷有陳家的女兒,這女兒根據陳家的傳統、未來要作為黑母
的代理人。
講白話一點,這就是世代觀念隔閡、類似那種夫妻過年的時候該去誰家圍爐的那種觀
念隔閡:
黑母認為,自己是陳家的家長,女主是陳家媳婦、卻不遵守家規,所以強制要求他
配合、然後痛懲所有女主去找來對付自己的人。
女主認為,黑母是個莫名的邪神、自己只是個路人,莫名被黑母詛咒、所以想找一堆人
對抗這詛咒,結果那些人也有因此死亡、更坐實了黑母的可怕。
我們看看陳家就知道,黑母有對陳家怎樣嗎?沒有吧。這個神在他們家中流傳了這麼久
,她真的發火攻擊他們、就是在他們破壞了祭壇之後。
黑母對女主女兒的負面影響,也是如此:女主帶她去找王爺幫忙時、黑母有阻止她,我
認為這是因為、黑母早就在女主女兒身體中種下了她自己的痕跡,她知道如果讓王爺來
介入,會對女孩產生很負面的反應。
事實是,當她們服從黑母、負面影響也就結束了。
可見、接觸到黑母就會被詛咒而不幸、這種說法並不存在;一切的災禍,來自阻擾黑母
跟破壞黑母的計劃,才會激發黑母「順我者昌逆我者亡」的本能。
可能有些人會說:「雖然如此,但是看到這些符號就會產生連結、可能受到黑母的影
響啊。」
你以為黑母要透過連結才能影響到你嗎?那個志工阿姨、廟公等等,他們也沒有看過
黑母的符號、咒語或手印吧,結果黑母還不是把他們都幹掉了。
可見,符號咒語手印跟黑母是否詛咒你沒半毛錢關係。
黑母要保護自己的家規、痛宰所有不遵守家規的人,然後女主明明是陳家的一份子、卻
漠視這層關係,反而亂洗腦別人(包括我們)說黑母很可怕,靠邀喔。
這大概就是黑母的想法吧。
我覺得有趣的點,就是黑母的立場跟女主的立場「各自表述」,這個點與電影一再強調
「你相信什麼就會看到什麼」的觀念一致。
我下一篇文就想側重這個角度,談談在我眼中、黑母與女主發生的一切、其實就是「婆
媳問題」。
當然,一定也會有人、特別是愛與靈界連結的朋友說「但看了這部電影之後我真的感到
很不舒服啊。」
我想說的是,如果我們很愛窺探靈界、用感覺為主而不是理智分析為主、又不保護自己
,這其實就是等於打開大門、歡迎各種靈體與能量衝進我們的生命中。
事實上,喜愛感應靈界訊息的朋友,可能去某個地方上個廁所、都會因為被干擾而感到
強烈的不舒服,不亞於看完這部電影的不舒服。
惡性循環會是,我們不會認為是自己哪裡做錯了、而是完全交給「感覺」,所以當感
覺不舒服、就去找讓我感到舒服的感覺跟連結,卻不知其背後真正的所以然。
弄不好就會像女主角一樣,一直想解決問題、卻囿於自己的限制,用「感覺」來判斷
、最後讓問題越弄越大。
這往往都是站在「人的本位立場」恣意跟靈界互動時,所會有的結果。
(講白了:會被干擾是你要解決自己讓自己不被干擾,不是一直怪別人干擾你;如果是
你很愛窺探靈界,那根本是自找麻煩。)
這也是我認為佛法厲害之處,佛法從佛陀這個覺者的智識出發、遠遠超越一般的靈界溝
通與連接,超過人的本位、而回歸到眾生平等的最高立場,了解每個生命的心理狀態與
行動意義,並且找出最好的雙贏方案。
就像前一篇文說的,佛陀對獵殺他人嬰兒的女鬼、並非一力鎮壓她,而是透過身教讓
她體會到「將心比心」的道理。
基於這樣的精神,我們最近有一個免費的進修班,訓練上課的同學如何控制自己的
靈性體質並善用它,有興趣的朋友可以看看:
https://bit.ly/3I704b4
另外,如果你是屬於敏感易受干擾的體質,佛陀明確的告訴我們:定期(最好是每週)
持守一次齋戒,能夠「非常有效地」改善這個問題,讓自己不受靈界力量干擾。
如果你想認識齋戒,可以到這個帳號按「佛陀規定的每週齋戒」按鈕,就會看到細節的
說明喔:
https://lin.ee/ufHHCIL
最後,如果你對從正統佛教的知識,認識靈界、信仰界得各種知識,可以加入這個社
團逛逛:
https://reurl.cc/Rj3NNr
-
從正統藏傳佛法密教看電影《咒》系列文章共有三篇,第一篇在這裡:
https://reurl.cc/e6KrlQ
------
以下是個人心得:
我是覺得這個分析讓這部電影變得不可怕了啦……
大概就像京極堂式的除魔吧?
直接否認詛咒可以被擴散的設定。以至於劇情變成若男在不明所以下瞎搞了陳家與佛母
的互動,最後承受佛母之怒。
其他受害的人則是各自惹火佛母,而非只是因為產生聯繫。
當然,不同角度就有不同觀點,每個人都有自己的哈姆雷特。
也許是因為佛教中,諸天本身就只是同樣需要受到佛法照顧的有情眾生,而非民間信仰那
樣信徒崇拜神/神照顧信徒的架構,才能有這種觀點。
然後我必須提醒一點,朵朵看完影片後就發病了。
唯一撐到結尾的只有若男。
還有,雲南大和尚說了,念完咒語你就等於承認把自己交給佛母了喔~
(心中想到也算喔!)
糟糕,我自己講講,自己又開始怕了是怎樣?
期待第三篇。
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