雖說您將離開台灣,但台灣永遠不會離開您!祝福酈英傑處長鵬程萬里!
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轉載 @美國在台協會 AIT 貼文
📝酈英傑處長給台灣人民的道別信
「隨著我擔任美國在台協會處長的日子即將畫下句點,我也即將離開台灣,我想藉這個機會和大家分享,這一番歷練對我來說的意義是什麼。當我說擔任AIT處長其實是我這輩子的榮幸,也讓我得以實現長期職業生涯中的抱負與理想,這麼說一點也不為過。
我19歲時第一次離開家鄉,就是來台灣。對年輕的我來說,從那時起,台灣就成了交流與理解、探索與冒險的同義詞。台灣不僅有著讓人眼花撩亂的異鄉風情,也代表著意想不到的嶄新機會。我在這裡嘗試新奇的食物,像是水餃和臭豆腐,並且學習如何在擠滿單車和機車的大街小巷穿梭自如。一方面,我努力用我粗淺的中文,讓別人聽懂我說的話;但同時我也發現,無論走到哪裡,迎接我的都是滿滿的親切友善與熱情好客。
因此,在成為美國外交官後,能夠以台灣作為我派駐海外的第一站,真是再適合不過了。畢竟,是台灣首先點燃了我對亞洲、尤其是台灣的畢生興趣,也激發了我對跨文化理解和共享目標——也就是外交工作——的終身熱忱。此後,我也曾派駐其他地點,多數是在大中華區域,但我的台灣經歷與回憶始終常存我心。最終我能以美國駐台最高層級外交官的身分回來這裡,可說是我多年職涯的高峰。顯然,我這一生注定與台灣有著深刻的連結,或者也叫作「緣分」吧,才會讓我一次又一次不斷地回到台灣。
常有人問我,為什麼我這麼喜歡台灣。我總覺得:「答案不是很明顯嗎?」不過如果一定要我從個人與專業的角度,解釋我對台灣的喜愛與敬佩之情,我通常會提到以下幾個領域:
首先,台灣兼具活力與穩定、進步與延承、還有創新與傳統。每次回到這裡,我都對台灣社會在各個方面日新月異的進步感到驚艷不已。台灣的民主更臻成熟,經濟益加蓬勃,環境保護更受關注,藝術文化發展也生生不息。
台灣在許多最先進的科技產業上持續為全球創新樹立標竿,但與此同時,台灣的社會穩定和文化傳承依舊令人欽羨佩服。儘管生活充裕且形象良好,台灣人民卻依然謙虛樸實、平易近人。在台灣,最古老的傳統薪火相傳、歷久彌新。文化和歷史古蹟受到妥善的修復與保護;年輕人也可以學習代代相傳的書法技巧,接著再把作品秀在Instagram上。
再者,對美國來說,台灣正是共享利益與共享價值交集的典範。美台夥伴關係的重點在於確保科技發展能夠嘉惠、而非傷害我們雙方的經濟,科技突破則應被用於鞏固、而不是破壞我們的原則。美台之間自由、多元、平等及透明等共享價值,時時激勵我們努力在世界各地打造民主社會的韌性。而我們也持續尋求新的方式,為解決全球問題做出貢獻,這麼做不僅是因為能夠造福我們自己的人民,也是因為我們相信,身為21世紀敦親睦鄰的好夥伴,就是該這麼做。
最後,每當我想到台灣、以及整體美台關係,我總會想到希望、光明和成長。美台的情誼在過去40年來不斷拓展與茁壯。我相信每任處長都會同意,他們離開台灣時的美台夥伴關係,比起他們剛上任時都更上一層樓。同樣的,當我向AIT告別的那一天,我的心中將充滿肯定與成就感,因為我知道,美台夥伴關係比以往都更加深刻和強健,我也對自己能為美台關係今天亮眼的進展小有貢獻,而深感驕傲。
但是,比起這些事情,我想我更難忘的是台灣在我生命中所留下的深刻印記。我永遠會記得我在台灣度過的第一個聖誕節,還有第一個農曆新年。我永遠會記得台灣朋友的真摯與溫暖、教會同伴堅定的信仰、炎炎夏日來一碗芒果冰的沁涼、資源回收車沿街播放《給愛麗絲》的回音,還有巷弄中撲鼻而來的茉莉花香,這些都會是我畢生珍藏的美好回憶之一。我也會記得好友間的餐聚、充滿歡笑和故事的夜晚、以及一路以來我受到過的無數的善意與關懷。我更會永遠記得,是各位台灣朋友們,你們以各種不同的方式,讓我和我家人的生命更加地豐盛美好。對此,我要衷心地謝謝大家。
雖然我將離開台灣,但台灣不會離開我。」
— 美國在台協會處長 酈英傑
✅信件全文亦可至AIT官網查看:https://bit.ly/2TSkLDF
📝A Farewell Letter from AIT Director W. Brent Christensen
"As my time as AIT Director draws to a close and I prepare to leave Taiwan, I want to take this opportunity to tell you what this experience has meant to me. It is not an exaggeration to say that this has been the honor of my life and the fulfillment of a career-long aspiration.
The first time I left my hometown at age 19, it was to come to Taiwan. From that early age, Taiwan became synonymous for me with the ideas of exchange and understanding, exploration and adventure. Taiwan represented both disorienting foreignness and unexpected opportunity, as I tried new food – like shuijiaos and qiu doufu – and learned to navigate my way through streets crowded with bicycles and scooters. And struggled to make myself understood with my rudimentary Mandarin. But all the while discovering the kindness and generosity that welcomed me wherever I went.
It felt appropriate for me to serve my first tour as a U.S. diplomat in the place that first sparked in me a lifelong interest in Asia – and in Taiwan in particular – and in cross-cultural understanding and shared purpose, or in other words, diplomacy. After that, my career took me to other places, but mostly still in the China region. But the memories of my experiences in Taiwan stayed with me. And finally having the opportunity to serve as the top U.S. diplomat to Taiwan was the culmination of all the years that came before. It is clear that I have a lifelong connection to Taiwan, or “yuanfen,” that has led me to return again and again.
People often ask me why I have such a fondness for Taiwan. “Isn’t it obvious?!” I always think. But when forced to explain my affection for and professional fascination with Taiwan, I usually come back to a few themes.
First, dynamism and constancy; progress and preservation; innovation and tradition. Every time I return to Taiwan, I am immediately struck by the many ways Taiwan has advanced as a society. Taiwan’s democracy grows more mature, its economy more prosperous, its environment more cared-for, and its arts and culture more vibrant.
Taiwan’s industry continues to set the benchmark for global innovation in some of the most sophisticated technologies, but at the same time, Taiwan society is remarkable for its stability and cultural continuity. Taiwan’s people, despite their relative wealth and stature, continue to be modest and unassuming. Taiwan’s most ancient traditions are alive and well. Cultural and historic sites are restored and preserved. Young people may learn calligraphy techniques handed down for generations, but then share their work on Instagram.
Second, for the United States, Taiwan exemplifies the intersection of shared interests and shared values. Our partnership is about making sure our economies are beneficiaries rather than casualties of technological development and ensuring that technological development advances rather than undermines our principles. Our shared values of freedom, diversity, equality, and transparency inspire our efforts to build the resilience of democracies around the world. And we continue to find new ways to contribute to global problem solving, both because it benefits our own peoples and because we share the belief that this is what it means to be a good neighbor in the 21st century.
Finally, I associate Taiwan – and the broader U.S.-Taiwan relationship – with hope, promise, and growth. This friendship has expanded and flourished over the past 40 years; I believe every person who has done this job walked away knowing they left this partnership better than they found it. I will similarly leave AIT with a sense of accomplishment and success, knowing that the U.S.-Taiwan partnership is deeper and stronger than ever, and feeling immensely proud of my small role in getting us there.
But more than any of these things, I will remember the ways that Taiwan has touched me personally. I will always remember my first Christmas in Taiwan – and my first Chinese New Year. I will remember the warmth of Taiwan friendship, the faith of my fellow church members, the taste of a mango bing on a hot summer day, the echo of “Fur Elise” from the recycling truck, the fragrance of jasmine blossoms in village alleyways – these are just some of the memories I will treasure. I will remember the long dinners with dear friends, full of laughter and stories. And I will remember their many kindnesses. I will remember all the ways big and small that you, the people of Taiwan, touched my life and the lives of my family. And for that, I thank you.
I may be leaving Taiwan, but Taiwan will never leave me. "
-- AIT Director William Brent Christensen
✅Read the letter: https://bit.ly/3hUrsgw
the development of chinese calligraphy 在 美國在台協會 AIT Facebook 的精選貼文
📝酈英傑處長給台灣人民的道別信
「隨著我擔任美國在台協會處長的日子即將畫下句點,我也即將離開台灣,我想藉這個機會和大家分享,這一番歷練對我來說的意義是什麼。當我說擔任AIT處長其實是我這輩子的榮幸,也讓我得以實現長期職業生涯中的抱負與理想,這麼說一點也不為過。
我19歲時第一次離開家鄉,就是來台灣。對年輕的我來說,從那時起,台灣就成了交流與理解、探索與冒險的同義詞。台灣不僅有著讓人眼花撩亂的異鄉風情,也代表著意想不到的嶄新機會。我在這裡嘗試新奇的食物,像是水餃和臭豆腐,並且學習如何在擠滿單車和機車的大街小巷穿梭自如。一方面,我努力用我粗淺的中文,讓別人聽懂我說的話;但同時我也發現,無論走到哪裡,迎接我的都是滿滿的親切友善與熱情好客。
因此,在成為美國外交官後,能夠以台灣作為我派駐海外的第一站,真是再適合不過了。畢竟,是台灣首先點燃了我對亞洲、尤其是台灣的畢生興趣,也激發了我對跨文化理解和共享目標——也就是外交工作——的終身熱忱。此後,我也曾派駐其他地點,多數是在大中華區域,但我的台灣經歷與回憶始終常存我心。最終我能以美國駐台最高層級外交官的身分回來這裡,可說是我多年職涯的高峰。顯然,我這一生注定與台灣有著深刻的連結,或者也叫作「緣分」吧,才會讓我一次又一次不斷地回到台灣。
常有人問我,為什麼我這麼喜歡台灣。我總覺得:「答案不是很明顯嗎?」不過如果一定要我從個人與專業的角度,解釋我對台灣的喜愛與敬佩之情,我通常會提到以下幾個領域:
首先,台灣兼具活力與穩定、進步與延承、還有創新與傳統。每次回到這裡,我都對台灣社會在各個方面日新月異的進步感到驚艷不已。台灣的民主更臻成熟,經濟益加蓬勃,環境保護更受關注,藝術文化發展也生生不息。
台灣在許多最先進的科技產業上持續為全球創新樹立標竿,但與此同時,台灣的社會穩定和文化傳承依舊令人欽羨佩服。儘管生活充裕且形象良好,台灣人民卻依然謙虛樸實、平易近人。在台灣,最古老的傳統薪火相傳、歷久彌新。文化和歷史古蹟受到妥善的修復與保護;年輕人也可以學習代代相傳的書法技巧,接著再把作品秀在Instagram上。
再者,對美國來說,台灣正是共享利益與共享價值交集的典範。美台夥伴關係的重點在於確保科技發展能夠嘉惠、而非傷害我們雙方的經濟,科技突破則應被用於鞏固、而不是破壞我們的原則。美台之間自由、多元、平等及透明等共享價值,時時激勵我們努力在世界各地打造民主社會的韌性。而我們也持續尋求新的方式,為解決全球問題做出貢獻,這麼做不僅是因為能夠造福我們自己的人民,也是因為我們相信,身為21世紀敦親睦鄰的好夥伴,就是該這麼做。
最後,每當我想到台灣、以及整體美台關係,我總會想到希望、光明和成長。美台的情誼在過去40年來不斷拓展與茁壯。我相信每任處長都會同意,他們離開台灣時的美台夥伴關係,比起他們剛上任時都更上一層樓。同樣的,當我向AIT告別的那一天,我的心中將充滿肯定與成就感,因為我知道,美台夥伴關係比以往都更加深刻和強健,我也對自己能為美台關係今天亮眼的進展小有貢獻,而深感驕傲。
但是,比起這些事情,我想我更難忘的是台灣在我生命中所留下的深刻印記。我永遠會記得我在台灣度過的第一個聖誕節,還有第一個農曆新年。我永遠會記得台灣朋友的真摯與溫暖、教會同伴堅定的信仰、炎炎夏日來一碗芒果冰的沁涼、資源回收車沿街播放《給愛麗絲》的回音,還有巷弄中撲鼻而來的茉莉花香,這些都會是我畢生珍藏的美好回憶之一。我也會記得好友間的餐聚、充滿歡笑和故事的夜晚、以及一路以來我受到過的無數的善意與關懷。我更會永遠記得,是各位台灣朋友們,你們以各種不同的方式,讓我和我家人的生命更加地豐盛美好。對此,我要衷心地謝謝大家。
雖然我將離開台灣,但台灣不會離開我。」
— 美國在台協會處長 酈英傑
✅信件全文亦可至AIT官網查看:https://bit.ly/2TSkLDF
📝A Farewell Letter from AIT Director W. Brent Christensen
"As my time as AIT Director draws to a close and I prepare to leave Taiwan, I want to take this opportunity to tell you what this experience has meant to me. It is not an exaggeration to say that this has been the honor of my life and the fulfillment of a career-long aspiration.
The first time I left my hometown at age 19, it was to come to Taiwan. From that early age, Taiwan became synonymous for me with the ideas of exchange and understanding, exploration and adventure. Taiwan represented both disorienting foreignness and unexpected opportunity, as I tried new food – like shuijiaos and qiu doufu – and learned to navigate my way through streets crowded with bicycles and scooters. And struggled to make myself understood with my rudimentary Mandarin. But all the while discovering the kindness and generosity that welcomed me wherever I went.
It felt appropriate for me to serve my first tour as a U.S. diplomat in the place that first sparked in me a lifelong interest in Asia – and in Taiwan in particular – and in cross-cultural understanding and shared purpose, or in other words, diplomacy. After that, my career took me to other places, but mostly still in the China region. But the memories of my experiences in Taiwan stayed with me. And finally having the opportunity to serve as the top U.S. diplomat to Taiwan was the culmination of all the years that came before. It is clear that I have a lifelong connection to Taiwan, or “yuanfen,” that has led me to return again and again.
People often ask me why I have such a fondness for Taiwan. “Isn’t it obvious?!” I always think. But when forced to explain my affection for and professional fascination with Taiwan, I usually come back to a few themes.
First, dynamism and constancy; progress and preservation; innovation and tradition. Every time I return to Taiwan, I am immediately struck by the many ways Taiwan has advanced as a society. Taiwan’s democracy grows more mature, its economy more prosperous, its environment more cared-for, and its arts and culture more vibrant.
Taiwan’s industry continues to set the benchmark for global innovation in some of the most sophisticated technologies, but at the same time, Taiwan society is remarkable for its stability and cultural continuity. Taiwan’s people, despite their relative wealth and stature, continue to be modest and unassuming. Taiwan’s most ancient traditions are alive and well. Cultural and historic sites are restored and preserved. Young people may learn calligraphy techniques handed down for generations, but then share their work on Instagram.
Second, for the United States, Taiwan exemplifies the intersection of shared interests and shared values. Our partnership is about making sure our economies are beneficiaries rather than casualties of technological development and ensuring that technological development advances rather than undermines our principles. Our shared values of freedom, diversity, equality, and transparency inspire our efforts to build the resilience of democracies around the world. And we continue to find new ways to contribute to global problem solving, both because it benefits our own peoples and because we share the belief that this is what it means to be a good neighbor in the 21st century.
Finally, I associate Taiwan – and the broader U.S.-Taiwan relationship – with hope, promise, and growth. This friendship has expanded and flourished over the past 40 years; I believe every person who has done this job walked away knowing they left this partnership better than they found it. I will similarly leave AIT with a sense of accomplishment and success, knowing that the U.S.-Taiwan partnership is deeper and stronger than ever, and feeling immensely proud of my small role in getting us there.
But more than any of these things, I will remember the ways that Taiwan has touched me personally. I will always remember my first Christmas in Taiwan – and my first Chinese New Year. I will remember the warmth of Taiwan friendship, the faith of my fellow church members, the taste of a mango bing on a hot summer day, the echo of “Fur Elise” from the recycling truck, the fragrance of jasmine blossoms in village alleyways – these are just some of the memories I will treasure. I will remember the long dinners with dear friends, full of laughter and stories. And I will remember their many kindnesses. I will remember all the ways big and small that you, the people of Taiwan, touched my life and the lives of my family. And for that, I thank you.
I may be leaving Taiwan, but Taiwan will never leave me. "
-- AIT Director William Brent Christensen
✅Read the letter: https://bit.ly/3hUrsgw
the development of chinese calligraphy 在 Luyi 盧一辰 Facebook 的最佳解答
徐永進先生是我非常喜歡的當代書藝家
因為非常喜歡他的作品
也買了由他的太太鄭芳和所寫的傳記—墨魂
墨魂一書裡頭提到徐永進先生說
:「寫書法,其實不是我在寫,是神在寫。」
想起了對於創作常常出現的奇妙感覺
曾跟朋友說雖然是我寫的歌
我卻不覺得是我寫的
看到徐永進先生的話
才理解這個感覺從何而來
後來看到書裡接續的敘述後相當興奮
明白為什麼自己被徐先生的作品給深深吸引了
『他覺得自己只是通道,當天上的水,沛然而下
他只是把渠道備好,迎接水源,自然「水道渠成」。』
對此我產生了很大的共鳴
是因為我也覺得寫歌的時候
自己就像是一個通道
備好渠道後迎接從天上流下的音符
通過我來到這個世界上,集結成歌。
看了墨魂之後
對徐永進先生的作品又更加的喜歡了!
這次三個展區的時間不太一樣
時間行程允許的話很希望盡量都能去看看
#Dailyluyi
_三個展覽場域,三種不同演繹_《氤氳·象》徐永進
《氤氳·象》由策展人陳彥璋以香學文化精心導入在三個展覽場域,各自演繹香禪、香爐、與香道,並成為渠道進入徐永進氤氳而象的世界,領略徐永進『當下即是』書藝的箇中美妙,感受香學與書藝所共同演繹的「天地絪縕,萬物化醇」,在爐香氣息與水墨氣韻豐饒中,統攝深邃而幽玄的美感意識。
場域(I)INK NOW 水墨現場台北展博會 | 香禪
2019.1.18(五)~1.21(一)
台北市花博公園爭艷館
台北市玉門街1號(出入口/玉門街及民族西路口)
場域(II)Yesart Gallery 意識畫廊 | 香爐
2019.1.11(五)~2.28
台北市中山北路七段48號
場域(III)Rhythm art 綠境藝廊 | 香道
2108.12.22~2019.2.28
台北市新生南路一段161巷15號
簡介
水墨現場INK NOW | 香禪
除了徐永進作品展場外,特別邀請韓國香齋的孫熙東先生,指導製作五米直徑的圓形香室,以觀爐鼎香的煙象將水墨書藝的抽象思維具體展現為可觀可感的現下氛圍。一場8人,每場十分鐘的體驗請預約排隊入場
意識畫廊 YESART GALLERY | 香爐
於意識畫廊的展出,策展人經由徐永進的水墨書藝「呈理來釋象」,運用爐鼎聖數「詮象來達理」。展出的香爐精選日本百年工藝名家的作品,難得一見。
綠境藝廊Rhythm Art Gallery | 香道
深諳日本香學與文化的策展人陳彥璋,於綠境藝廊策劃為從徐永進書藝入道,照亮自然;從煙雲入理,觀生自在,二者互攝互融!在爐香蘊生氣息,以及水墨展陳氣韻的同時間,統攝著深邃而幽玄的美感意識。
《氤氳·象》徐永進
文/策展人 陳彥璋
省察中國書畫藝術,鑑賞家總會詮解出水墨裡觀照的時空。其中的平衡,從動靜生滅、從形而上下、從主客形式、從源理發展來談者,此起彼落。據此自然循環,得以飛升、得以臨在、得以照見,得以覺知;就是得以堪合「數、象、理、義這四方維度」的水墨書藝,才是本立而道生的內省理據:藝貫通以一,善匯成陰陽,持養自大道。徐永進「當下即是」的書寫創意,不斷成就著文人風骨、實驗美學、以及當代真際的水墨現場。
與此共生的氤氳象,是本展覽的意欲;探求「墨韻律動的種種能與所」,經由顯化「永恆回歸」中抽象與實相的現觀/表象,水墨藝術以冀呼應香爐與其事;莊嚴書墨之神氣於返影至淬煉,旁舉爐臺之隱喻於奧妙至意符!徐先生水墨宛如香韻,共乘書法之無為與香韻之勝理,讓易理之浩然圓成絪縕之自然!
俯仰觀之,徐永進的水墨有其主張。先以「書即藝」來深入藝術性,再以「藝即心」來顯出自立性。前者的藝術性,精拙於老莊,直指後設倫理的空無!後者的自立性,默契於易理,引發心智模型的樸實!一方面,用三教演繹「象數」,說明藝術性就在世道精神;另方面,化三才歸納「義理」,指陳自立性合於超越境界。綜合以上,同步發揮水墨的方法與觀念,勤勉承事水墨書畫的不一不異,融入醒察來勝發當代水墨,這般的不二法門道成徐永進的實證覺活。
本展現場分為三部分:(I)水墨現場、(II)意識畫廊、(III)綠境藝廊,各自演繹香禪、香爐與香道,以此展證成「天地絪縕,萬物化醇」(《易經·繫辭下》)。事實上,經由水墨書藝「呈理來釋象」,運用爐鼎聖數「詮象來達理」。換言之,水墨或香煙的出塵異象,比若絪縕,在「吐納之間」如登無極天元。從書藝入道,照亮自然;從煙雲入理,觀生自在,二者互攝互融!在爐香蘊生氣息,以及水墨展陳氣韻的同時間,統攝著深邃而幽玄的美感意識。
《Flowing Fragrance Upon Calligraphy.》
Artist: Hsu Yung Chin
Curator: Chen Yan Zhang
Considering Chinese artistry on painting and calligraphy, a connoisseur has to interpret the time and space visualized in Ink-art. As a sequence, this Ink-art goes on in-between balancing, such as movement vs stillness, birth vs death, physics or metaphysics, its subjective or objective forms, its theoretical originality or development, and so on. Therefore, corresponding to Nature's circulation, Chinese Ink-art comes to its adventing, descending, foreseeing, witnessing, and after all, its exploring "Tao's four dimensions". That is, number/Shu, image/Xiang, rationality/Li, and dialect/Yi are altogether as well. These four jargons disclose the initiating, authentic ideal goals of Chinese Ink-art: construing artistic unity, converging yin with yang, and cultivating Tao itself. Definitely, Hsu Yung Chin has achieved this "being within becoming," which keeps on identifying a literati style, an experimental aesthetics, and a contemporary nowness through his creativity.
Meanwhile, this exhibition may reach a co-existing desire, namely, a rhythmic harmony for "all kinds of energy and sphere". Through revealing "eternal recurrence," Mr. Hsu fulfills Chinese Ink-art with the craft of incense burner and fragrance. These representations, both abstract and realistic, solemnly reflect the distilled spirits of Ink-art, and also get along with the mystic metaphors on incense furnace and emblem. On the whole, Mr. Hsu's calligraphy unexpectedly reincarnates the awe-inspiring Life from Yi-Ching, and transcendentally manifests the prevailing fragrance from Mother Nature.
Philosophically thinking Chinese Ink-art, Mr. Hsu acts out his own principles. First, "calligraphy is homing in on artistry ". The depth of Ink-art depends on exerting artistic quality. Secondly, "artistry is derived from heart". The awareness of heart brings out self-reliance. Artistry, the former, indicates Lao-Zhuang and depicts its emptiness on meta-ethics. Self-reliance, the latter, displays Yi-Ching and reveals its simplicity on mental-mode. For one thing, imagery numerology /Xiang-Shu means fusing the three Religious Teachings, so artistry presents our time-spirit/Zeitgeist. For another thing, rational dialectics /Yi-li emanates the Three Elements, so self-reliance epiphanies its transcendental realm. On the whole, Hsu Yung Chin simultaneously develops Ink-art concepts and methods. His artistic endeavors integrate both painting and calligraphy heritages. Then he merges empirical sensibilities into contemporary Ink-art. The one and only way for Ink-art leads to Hsu's dramatic, pragmatic commitment.
This exhibition will be divided into three sites: (I) INK NOW, (II) Yesart Gallery, (III) Rhythm Art. Each field provides interpretations of Incense Zen, Incense Burner, and Incense Lore. The justification for this exhibition lies in the great treatise of Yi-Ching: “Heaven and earth are filled with generating, overflowing vigours. Therefore the living beings abundantly transform into various forms and refine themselves as well" (Yi-Ching, Xi-ci section II). Obviously, Ink-art will focus on conceptual art; namely, "rationality elaborating imagery presentation". Relatively, incense burner is used to sacred numbers; namely, "numerous images fulfilling rationality". In other words, Ink-art and incense aroma will construct a metaphysical vision, a plentiful breathing for elevating ourselves to the highest. By means of Ink-art calligraphy, Nature exactly pervades shining lights within. By the fragrant breath of incense mist, people suddenly figure out contemplating at ease. The mutual wisdom combines strongly. While the incense burner breeding fragrant smells, and the Ink-art arising sublime spirit and vitality, the secluded, tranquil profoundness will always be unified as our aesthetic consciousness.
#徐永進HsuYungChin
#東亞書藝先鋒
#日本百年工藝