A小編的新上市香水情報
|Olibere Parfums全系列評測(上) |
上週A小編收到一個神祕的包裹,一打開發現是香邑公司的新上市香水,來自法國巴黎的Olibere Parfums#奧麗蓓爾,設計靈感以創辦人Marjorie Olibere遊歷不同城市的氛圍與氣味、記憶以及電影作為靈感發想,讓調香師調配出Olibere本人所感受到的香氛,目前香水有三個系列共14支香水。
A小編今天會先介紹第一個系列Les EssentiElles經典系列的六款香水,這六款淡香精與創辦人Marjorie Olibere她生活經驗與旅行體驗有關,是自傳型的香氛經典。
我的秘密Il Mio Segreto
|香水靈感來自在羅馬拍攝的電影《甜蜜生活》|
香甜的桂花,紫羅蘭酮的綠葉脂粉感,襯托著輕盈的茉莉,像是夏天夜晚微風吹撫過臉龐,順帶著的那股清甜的茉莉花香。
午夜情迷MIDNIGHT SPIRIT
|香水靈感來自於電影《醉後大丈夫》|
開頭帶著藥草感的酒香猛烈的衝出,非常的震撼,漸漸的柑橘果香出來後柔順了許多,接著會發現這柑橘是帶著綠葉,而到最後轉變成了煙燻感的香根草,整個香水的層次豐富,三調變化之大,就像是一個人喝酒前跟喝醉後的差別。
緣定峇里島BALINESQUE
|香水靈感來自峇厘島風情的電影《享受吧!一個人的旅行》|
禪意的綠竹,鹹濕的海水,熱帶島嶼的氣息,構成了這支香水的開場畫面,而後調的玫瑰脂粉感則像是當度假完後,終究還是要去面對都市的忙碌生活。
天堂秘境PARADIS LOINTAINS
|香水靈感來自在印度拍攝的電影《享受吧!一個人的旅行》|
辛香料混合著熱帶水果香氣,等到中間的梔子花晚香玉的味道浮現,又變成了白花辛香料的氣味,還帶著丁香的綠感,十分有著印度風情的一支香水。
陶醉拜占庭ESCAPADE À BYZANCE
|香水的靈感來自於摩洛哥拍攝的電影《遮蔽的天空》|
典型的東方調架構,營造出了一種中東神秘感,香水一噴出來後就像置身在中東的香料市集裡,各種辛香料的爭奇鬥豔,接著勞丹脂、安息香、琥珀構架出一種粉香脂感,帶點淡淡的煙燻,給人溫暖安心的感覺,而整支香水的開頭到結尾,就像是在摩洛哥的一天。
黯夜之星L'ÉTOILENOIRE
|香水靈感來自於洛杉磯拍攝的電影《穆荷蘭大道》|
開場的柑橘水生調就像在夜晚的洛杉磯海灘上,黑色的海面上映著點點星光,乾燥的雪松加焚香則像篝火一樣熊熊燃燒著,點燃手中的煙草,躺在沙灘上,享受著一個人的寧靜荒蕪。
下周A小編將會介紹另外兩個系列共八款香水,如果對Olibere Parfums香水有興趣的可以私訊香氛殿堂‧香之邑 Antonia Fragrance Paradise
,它們將會為各位香友服務。
#OLIBERE#香邑有限公司#台灣總代理#香水#香氛
同時也有4部Youtube影片,追蹤數超過185萬的網紅70cleam,也在其Youtube影片中提到,メルちゃんと秘密の手帳のおもちゃで遊びました。海外おもちゃです。 サプライズトイのようにカギを開けるといろいろな物が出てきます。 シールや鉛筆やクリップやテープなどかわいい文房具がたくさんありました。 楽しく遊べました。 チャンネル登録お願いします。 Please subscribe Other...
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segreto 在 2how Facebook 的最佳解答
DIMPY BHALOTIA
Poche, pochissime erano le foto in casa di Henri Cartier-Bresson; una, forse due. Una, per cui il grande fotografo aveva una vera e propria ammirazione, era “Three Boys at Lake Tanganika” di Martin Munkácsi. Tre ragazzini immortalati di spalle che sprigionano un’incontenibile vitalità mentre corrono verso le acque del lago. Perché Cartier-Bresson amava quella fotografia? Perché, come ha detto lui stesso: “Ho capito improvvisamente che la fotografia può fissare l’eternità in un momento”. Osservando la fotografia “Flying Boys” di Dimpy Bhalotia, e con la quale si è aggiudicato il Female in Focus Award 2020 del British Journal of Photography, sembra che i tre ragazzini di Munkácsi siano tornati dopo un viaggio lungo novant’anni. Di più, pare che siano tornati per spiccare il volo e catturati nel preciso momento in cui occhio, cuore e mente del fotografo sono perfettamente allineati come una costellazione lontana. C’è, nelle fotografie della giovane indiana di Londra, qualcosa che arriva da una precisa tradizione fotografica e che àncora saldamente la composizione a quelle tre fondamentali componenti cui si faceva cenno, orientandola verso la ricerca del momento in cui un episodio umano – e non solo – ha la capacità di espletare il suo senso. Irripetibilmente. I riferimenti non mancano, e sono segno di una solida cultura visiva. Quanto guardiamo nelle fotografie di Dimpy Bhalotia sembra fuoriuscire da un racconto riscritto con nuove parole, nuovi cenni ma fermamente determinato a essere interpretato attraverso un lessico che costringe a sostare nello spazio citazionista giusto il tempo che occorre prima di assumere una vita propria. E questa sottile e aggraziata visione delle cose che plana sugli avvenimenti, ha quel respiro che sta dentro in una visione poetica della vita, perché per scattare fotografie che sappiano restituire la bellezza d’un gesto occorre amare la vita e i suoi interpreti. Ecco che uomini e animali, colti singolarmente o al crocevia della reciproca interazione, ci appaiono come soggetti appena involontariamente dialoganti ma che, a ben guardare, sono catturati nell’esatto momento di un dialogo segreto. La forza delle fotografie di Dimpy Bhalotia viene da lontano e dunque è ben strutturata. E si vede soprattutto nell’azzardo di forme, nella scommessa formale giocata sul corpo dei soggetti animali, da cui, in altre circostanze, cogliamo una felice traccia surrealista, un terreno ideale nel quale risolvere talune spericolatezze compositive. Il lavoro di Dimpy Bhalotia sosta alla confluenza di due differenti correnti fotografiche: l’umanesimo e il surrealismo (lo stesso Cartier-Bresson sperimentò un delicatissimo surrealismo prima di fondare la Magnum), maneggiati entrambi con disinvoltura e sicurezza. La sua è una voce limpidissima, minimale. Le composizioni obbediscono al comandamento d’essere rigidamente impostate su un registro essenziale, al limite del calligrafico, ma la sobrietà ci convince del risultato. Il solco della tradizione è tracciato, ma seguirne il percorso senza aggiungere le proprie impronte è come non averci camminato. La fotografia è un libro che non finisce mai di essere scritto, a patto d’avere qualcosa da dire. Come in questo caso.
Giuseppe Cicozzetti
foto Dimpy Bhalotia
https://www.dimpybhalotia.com/
DIMPY BHALOTIA
Few, very few were the photos in Henri Cartier-Bresson's house; one, maybe two. One, for which the great photographer had a real admiration, was Martin Munkácsi's “Three Boys at Lake Tanganika”. Three kids immortalized from behind who release an irrepressible vitality as they run towards the waters of the lake. Why did Cartier-Bresson love that photograph? Because, as he himself said: "I suddenly understood that photography can fix eternity in a moment". Looking at Dimpy Bhalotia's “Flying Boys” photograph, and with which she won the British Journal of Photography's Female in Focus Award 2020, it seems that the three kids from Munkácsi are back after a 90-year journey. What's more, they seem to have returned to take flight and captured at the precise moment when the photographer's eye, heart and mind are perfectly aligned like a distant constellation. There is, in the photographs of the young Indian woman based in London, something that comes from a precise photographic tradition and that firmly anchors the composition to those three fundamental components mentioned, orienting it towards the search for the moment in which a human episode - and not alone - has the ability to carry out its meaning. Unrepeatable. There’s no shortage of references, and they are a sign of a solid visual culture. What we look at in Dimpy Bhalotia's photographs seems to come out of a story rewritten with new words, new hints but firmly determined to be interpreted through a lexicon that forces us to pause in the quotationist space just the time it takes before taking on a life of its own. And this subtle and graceful vision of things that hovers over events, has that breath that lies within a poetic vision of life, because to take photographs that are able to restore the beauty of a gesture, you need to love life and its interpreters. Here men and animals, caught individually or at the crossroads of mutual interaction, appear to us as subjects that are barely involuntary in dialogue but who, on closer inspection, are captured in the exact moment of a secret dialogue. The strength of Dimpy Bhalotia's photographs comes from afar and therefore is well structured. And it is seen above all in the balancing of forms, in the formal bet played on the body of animal subjects, from which, in other circumstances, we grasp a happy surrealist trace, an ideal terrain in which to resolve certain compositional recklessness. Dimpy Bhalotia's work stops at the confluence of two different photographic currents: humanism and surrealism (Cartier-Bresson himself experienced a very delicate surrealism before founding Magnum), both handled with ease and confidence. Her is a very clear, minimal voice. The compositions obey the commandment to be rigidly set on an essential register, bordering on calligraphic, but the sobriety convinces us of the result. The groove of tradition is traced, but following its path without adding one's footprints is like not having walked through it. Photography is a book that never stops being written, as long as you have something to say. As in this case.
Giuseppe Cicozzetti
ph. Dimpy Bhalotia
https://www.dimpybhalotia.com/
segreto 在 Iris 星儿 Facebook 的最佳貼文
我宣布我们的友情到此结束了,
因为我们要进入爱情了❤️
.
.
.
弄了发际线头发终于看起来不会秃秃了😍😍小姐姐提供个性化的设计服务,依照个人的问题来设计适合的纹法😍好自然❤手工也好好😍️ BROWS Segreto Studio & Academy 半永久培训机构
segreto 在 70cleam Youtube 的最佳貼文
メルちゃんと秘密の手帳のおもちゃで遊びました。海外おもちゃです。
サプライズトイのようにカギを開けるといろいろな物が出てきます。
シールや鉛筆やクリップやテープなどかわいい文房具がたくさんありました。
楽しく遊べました。
チャンネル登録お願いします。
Please subscribe
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メルちゃん 学校ごっこ ふでばこ紹介 キッズテント 先生 ぽぽちゃん / 3D Playscape School Playset , What's In My Pencil Case?
https://youtu.be/QY4LbOd87bI
メルちゃんママ ショッピングカートでお買い物 おかし屋さん 駄菓子クジ / Mell-chan Shopping Cart Toy | Grocery Shopping
https://youtu.be/bZJBqRlA-Do
カラフルかき氷 発掘おもちゃ お人形さがし 海外おもちゃ / Num Noms Snackables Snow Cones
https://youtu.be/KufAsWbVzZ0
メルちゃん メイクぬりえ お化粧えほん / Mell-chan Makeup Coloring with Cosmetics
https://youtu.be/KQ0MN9j-RfU
カバンの中身紹介 抜き打ちチェック!! / What's In My Backpack
https://youtu.be/Bik7uXvzF2k
Translation and subtitling welcome!
#メルちゃん #秘密の手帳 #FunLockets
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segreto 在 #ミニマリストライフ Youtube 的最佳解答
新城でセグレートしてきました。愛知県新城に出来たイタリアンレストランです。気軽に本格的なイタリアンを楽しめる店です。量は多めなので多めに食べたい人にもうれしい店ですね。落ち着いた空間です。
場所
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タヴェルナ セグレート
taverna segreto
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Instagramやっています
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Podcastもやっています
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チャンネル登録よろしくお願いします
誰も考えない切り口でシンプルな生き方を提案します。物を軽く少なくする「ミニマリスト」「シンプルライフ」の知恵を応用した動画を公開中。
This movie has Japanese caption for learn Japanese.
機材
・iPhone SEのアウターカメラで撮影しています
グラスジャパン福 買いました
https://www.youtube.com/watch?list=UURwqTcUh7jMWqFjSYH3JHow&v=Pz0AOZGNPNI
https://www.youtube.com/watch?list=UURwqTcUh7jMWqFjSYH3JHow&v=ufaczKBR5tg
#ミニマリストライフ #タヴェルナセグレート
新城でセグレートしてきました。愛知県新城に出来たイタリアンレストランです。気軽に本格的なイタリアンを楽しめる店です。量は多めなので多めに食べたい人にもうれしい店ですね。落ち着いた空間です。
segreto 在 浮子UKIKO Youtube 的最讚貼文
気になる方はチェック
https://segreto-cc.com/ (もしくは、セグレート パンツ で検索)
簡単な自己紹介
1991/1/5 午前3時58分 3580g で誕生
香水、メモリーオイル、アロマ大好き!!香りオタクです♪
哲学者と名乗ってます。物事の根本をすぐ知りたがるので。
家族は娘と15歳上の夫の三人です。
ブログ(タイムリーな情報や日々の出来事、美女的思考をアップしてるよ!!) https://ameblo.jp/goasami358
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ツイッターASAMIGO1
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The official nonstop playlist of " SEGRETO " album by Ric Segreto.Fil-Am good looks and a sweet singing voice, Ric Segreto was the ... ... <看更多>
segreto 在 segreto jewelry - Home | Facebook 的推薦與評價
segreto jewelry. 455 likes. Segreto款式精緻、風格突出的鑽飾設計,讓您體驗千變萬化、截然不同的時尚饗宴! www.segreto-jewelry.com. ... <看更多>