關於 please let me know your choice ，我們在網路上蒐集到這些相關的討論、資訊與評價

[tạm ngưng duyệt info các shop để chống dịch cho đến khi shipper giao bth 3 miền] 4.9.

[English below] [Vẫn vậy, all free, nhưng dì sẽ có thêm những hạn mục mới cho phù hợp thời cuộc và đối tượng hỗ trợ là newbie mới tập kinh doanh thương mại điện tử]

Năm qua là năm biến động nhưng trong chúng ta đã có ít nhiều bài học làm vốn vào đời :))) , dì đã chứng kiến nhiều buồn vui của các cháu gửi về. Có những nỗi buồn khó nói về chuyện thất nghiệp dài hạn, rã team start-up vì miss Rona… và cũng có những câu chuyện tìm thấy hướng phát triển mới trên thương mại điện tử, nhờ mọi người ở nhà và mua hàng nhiều hơn nhờ những chính sách bình thường mới, “work from home” “study at home”. Vui hơn nữa là dì chứng kiến những chủ doanh nghiệp trước đây nhất quyết chỉ bán hàng tại store nay lại tập tành bán trên sàn thương mại điện tử, dần dà 1 đơn, 10 đơn rồi hàng trăm đơn, riết ghiền, dẹp store mặt tiền vào hẻm lên lầu mở store bán phụ, chuyển qua bán online là chính luôn.

Vì vậy, trong năm 2021, dì sẽ dùng cộng đồng của mình để chia sẻ đến những thương gia, những chủ doanh nghiệp đăng tải thông tin miễn phí, giới thiệu câu chuyên thương hiệu và mặt hàng đang bán,
qua đó có thể dựa vào đó làm bệ phóng đầu sự nghiệp nhắm tiếp cận người tiêu dùng, đỡ phần nào nỗi lo chi phí chạy truyền thông, trong khi sản phẩm mình bán okla

quý doanh nghiệp nhỏ lẻ, những thương gia trẻ có thể tham gia bằng cách hoàn thành form ứng cử sau:

🥰 Dành cho seller xốpi mới biết đến vụ này
(hoặc mới biết dì) ko yêu cầu chi phí nào, chỉ cần điền form
mảng fashion https://forms.gle/S34cx2SYvD8zyWmy7
mảng Bách hóa/ mẹ bé https://forms.gle/LK9qSVzdBj1ivZh79
mảng SKINCARE/BODYCARE/MAKEUP/ BEAUTY/ HEALTHCARE https://forms.gle/RFPx3XNfd5CY3iZK8
mảng Điện tử/ gia dụng phụ kiện phone https://forms.gle/bS9jeNt95RypVzdg8
mảng văn phòng phẩm, nhà cửa đời sống thú cưng
https://forms.gle/y8w48AE7gHwv5nDZA
🥰Dành cho những shop đã lên sóng nhưng muốn tính chuyện lâu dài cùng dì: https://forms.gle/yru4y4zybTuCXxWo6
🥰Dành cho seller xốp pi đã từng được lên sóng và muốn tiếp tục thông báo chương trình sale nhanh, khỏi viết nhiều.
mảng bách hóa, nhà cửa đời sống, văn phòng phẩm https://forms.gle/e31edEjRYmXPutBe9
mảng fashion nam nữ https://forms.gle/8qpaDqghdWo4sCFKA
mảng skincare bodycare https://forms.gle/b6kc1B1yngei1yuR7

* tham khảo đợt rồi 4.4 mấy seller dì duyệt cũng cho cho exclusive sale chấn động nè https://www.facebook.com/badinulo/photos/2847393805575631

------- Dành cho các cháu- độc giả của dì -----------
Có thể yêu cầu review sản phẩm, các shop trên shopee, hoặc mở thảo luận, tại đây: https://forms.gle/HwDoboPpbcXvCnaC9
Review sách đã đọc đến với mọi người: https://forms.gle/cyAQgwHi3z4joJUJ6

>>>> Dành cho các start-up, doanh nghiệp, agency <<<

For startup, Enterprises, Agencies https://www.facebook.com/badinulo/posts/2296898197291864

Full post English below (July. 2019)
GIVE BACK + HOẠT ĐỘNG TƯƠNG LAI CỦA BÀ DÌ NULO
GIVE BACK and future operation of the page (very long post, but your time is highly appreciated)
P/s: Đây là một bài viết rất dài nhưng mong các cháu có thể bỏ ra chút thời gian để nghe lời tâm sự mỏng của dì nhé.
Vào ngày 30/5, dì có thông báo cắt quảng cáo. Quyết định đấy được kha khá các cháu ủng hộ nhưng cũng có vài cháu đặt câu hỏi tại sao dì lại đưa ra quyết định đấy, thì trong post này dì sẽ giải thích cho các cháu một phần lí do dẫn tới lựa chọn của dì.
Tuy dì không phụ thuộc quá nhiều nhưng dì không thể phủ nhận nguồn tiền quảng cáo thu được từ page Dì không phải là một nguồn thu nhỏ, và việc một fanpage khi có một số lượng theo dõi nhất định thì việc bán quảng cáo là một điều rất phổ biến. Hơn nữa, nhằm thu hút các doanh nghiệp quảng cáo tới với mình thì ta phải có những content có lượt tương tác cao để họ đổ đến mình nhiều hơn. Dẫn tới việc trong một thời gian dài dì chạy đua theo điều đấy.
Đến tầm tháng 9/2018, dì bỗng cảm thấy chán page của mình. Khi trong thời gian đó tất cả những gì dì làm là đăng vài post vui vui vô thưởng vô phạt, may mắn thì đột nhiên post đấy được nhiều tương tác cao, rồi bỗng một ai đó liên hệ quảng cáo xong chỉ chỉnh sửa một vài câu rồi đăng lên và nhận tiền. Dì tự hỏi bản thân, thế đây là những gì mình sẽ làm mãi mãi sao? Rồi 5 năm nữa, page này sẽ như thế nào? Sau khi câu hỏi 5 năm hiện lên trong đầu dì, dì mới giật mình nhận ra rằng mình hoàn toàn không biết sẽ làm gì tiếp với page trong 2 năm tới huống chi là 5 năm. Dì đã từng chứng kiến số phận của một số page lớn vụt lên nhanh trong thời gian ngắn và sau đó lụi tàn thành những page cứ tiếng là đăng link một bài báo. “Thế Nhung ơi, mày có muốn page của mày cũng thành như thế không?” Câu trả lời tất nhiên là không. Và thế là trong thời gian đó, dì chỉ có một lựa chọn duy nhất là khi nào mình thật sự chán chịu không nổi nữa thì mình sẽ dừng hoạt động hoàn toàn. Hoặc, dì nghĩ ra thêm một mảng mới gì đó để làm và tìm hiểu.
Đó là lúc dì nghĩ tới về mảng nhân sự việc làm khi nhận thấy chưa có nhiều group kiếm việc làm cho mọi người mà hoạt động theo kiểu dì muốn. Nhưng lúc đó dì vẫn chưa làm ngay, có điều gì đấy cứ giữ chân dì lại khiến dì chẳng muốn triển khai cái gì cả. Và rồi dì tiếp tục những hoạt động thường ngày trên page và sự chán nản của dì ngày càng cao lên.
Tháng 10/2018, page dì bị hack. Đó là một cú tát vào mặt dì. Thành thật với các cháu, đấy chính là cú tát cảnh tỉnh mà dì cần bấy lâu nay.
Vì sao ư? Vì lúc đấy dì mới nhận ra fanpage facebook nó mong manh tới như thế nào. Mặc kệ cho page của dì có bao nhiêu like, hoạt động bao lâu, chỉ cần nó mất một cái, và cũng chỉ cần một thời gian thôi, mọi người sẽ quên hẳn cái page này và dì tồn tại. Dì không muốn tất cả những gì mọi người chỉ nhớ là “Page Bà Dì cuối cùng cũng chỉ suốt ngày quảng cáo.” Không, dì muốn sau này lỡ page có bị gì thì ít nhất dì đã làm được những điều có ích nào đó, dù chỉ một chút thôi cũng được.
Có lẽ dì cũng được ông trời thương và cũng nhờ một người bạn tốt mà dì lấy lại được page. Dì nghỉ ngơi một thời gian để thật sự định hướng lại về cách hoạt động cũng như số phận của page. Dì sẽ thẳng thắn luôn, đúng là khi mở lại page dì vẫn nhận quảng cáo nhưng đó là để tích góp lại thêm một chút lông cánh để cho page chuẩn bị kĩ càng cho tương lai sau này. Cũng trong thời gian đấy dì bắt đầu triển khai group việc làm của dì, vì dì không muốn lãng phí bất kì thời gian nào nữa.
(link group việc làm của dì: https://www.facebook.com/groups/UnemploymentTherapy/
Linkedin của dì: https://www.linkedin.com/.../b%C3%A0-d%C3%AC-nulo-nhung.../)
Vào ngày 30/5/2019, dì quyết định thông báo cắt quảng cáo. Sau một thời gian, dì nghĩ đó là quyết định đúng đắn nhất trước giờ của mình. Dì cảm giác như vừa bỏ khỏi vai mình một tảng đá nặng vậy, khi dì không còn phải quan tâm tới sự hài lòng của các bên quảng cáo và lo lắng về phản ứng của member trong page. Không phải canh cánh nghĩ content, schedule bài, rồi phải lo canh xem có cmt nào làm đối tác pùn, v.v… Và nhất là, không còn cảm giác mình đang lợi dụng lòng tin của member khi giới thiệu sản phẩm cũng như có thêm thời gian cho cuộc sống cá nhân của mình. Dù trước đó dì từng từ chối một vài bên vì nội dung của họ không hợp với page, nhưng hiện giờ dì được thoải mái hơn về việc chọn những bên mình thật sự muốn hợp tác mà không bị nhiều trách nhiệm đè giữa hai bên. Dì cảm thấy được tự do và cảm giác page chính là của mình chứ không còn phải phụ thuộc vào ai nữa.

GIVE BACK LÀ GÌ?
Để page đạt được ngày hôm nay cũng nhờ phần lớn do chính các cháu và các member của page. Tuy đây không phải là page có lượng like lớn nhất, nhưng nó vẫn có một phần phủ sóng khá rộng với nhiều người. Nếu các cháu để ý, trong thời gian gần đây có một số post dì hỏi thăm về các startup ở Việt Nam cũng như làm khá nhiều về topic công việc. Ngạc nhiên thay, có rất nhiều cháu trong page đã hoặc đang startup hoặc đang kinh doanh, làm việc ở mảng nào đó. Page của dì bắt đầu hoạt động vào năm 2017, tính đến nay cũng hẳn có nhiều cháu đang bắt đầu hành trang vào đời. Có từng là học sinh cấp 3 thì giờ cũng đã vào đại học, có từng là sinh viên đại học thì giờ cũng đã đi làm ở công ty nào đó. Dì còn đang giữ một cái inbox của một bạn hồi còn hỏi dì thích idol nào cho tới lúc hỏi dì có muốn hợp tác công việc không nữa đấy.
Thế nên để cùng các cháu bước tiếp qua trang mới của đời, dì bỏ việc bán quảng cáo mà thay vào đó là Hỗ Trợ Truyền Thông.
“Hỗ trợ truyền thông” hiểu đơn giản là nếu có ai liên hệ với dì với mong muốn sản phẩm của mình được nhiều người biết đến hơn, dì sẽ yêu cầu họ gửi các tài liệu, thông tin liên quan đến sản phẩm đó. Nếu dì nhận thấy sản phẩm đó thực sự tốt và có chất lượng (và đáp ứng các điều kiện riêng khác), dì sẽ hỗ trợ truyền thông cho sản phẩm đó. Dì sẽ không nhận tiền, nhưng có thể sẽ yêu cầu một số benefit, tùy vào điều kiện và khả năng của đôi bên vì dì sẽ dùng uy tín của mình để đảm bảo chất lượng của sản phẩm đấy. Công việc này sẽ mang tính chất lâu dài. Nghe qua thì có vẻ không nhẹ nhàng với đôi bên lắm nhưng đây là điều dì muốn làm để hỗ trợ các doanh nghiệp, đặc biệt là các startup, để phổ biến những sản phẩm chất lượng của mọi người đến với cộng đồng. Ở đây dì sẽ gọi những bạn đang có kinh doanh riêng là “quý doanh nghiệp” nhé.
Tạm thời có hai cách để dì hỗ trợ truyền thông:
1. Đối với các mặt hàng tiêu dùng nhanh (như ăn uống, quần áo, phim ảnh,…) muốn được dì hỗ trợ truyền thông, doanh nghiệp có thể để dì dùng thử sản phẩm của mình. Sau đó, dì sẽ viết review chân thật và không chỉnh sửa theo ý của doanh nghiệp (trừ khi là fact). Tất nhiên, trước khi đăng bài, dì sẽ hỏi lại doanh nghiệp có muốn đăng review này không, nếu quý doanh nghiệp không muốn đăng thì dì sẽ không đăng.
Tuy nhiên dù review hoặc phần cmt phản hồi có phê bình nhiều hơn là khen thì mong quý doanh nghiệp đừng để điều đấy làm chùn bước, hãy chọn những ý có mang tính đóng góp để cải thiện sản phẩm của mình. Thậm chí dù sau khi đã hỗ trợ truyền thông một lần, thi thoảng dì sẽ inbox hỏi để kiểm tra tình hình đấy.
Vì dì chủ yếu ở TP HCM nên ưu tiên các doanh nghiệp ở đây trước nhé.
2. Đối với các startup, để được dì hỗ trợ truyền thông thì quý doanh nghiệp gửi email cho dì bao gồm: kế hoạch truyền thông, giới thiệu về doanh nghiệp, định hướng và nhiệm vụ của doanh nghiệp. Có thể dì sẽ yêu cầu thêm các thông tin khác để làm rõ hơn, và trao đổi với nhau để cùng nghĩ ra cách truyền thông tốt nhất.
Dì sẽ không yêu cầu bất kỳ một khoản tiền nào.
Lí do dì đưa ra quyết định đấy là để cho tất cả các doanh nghiệp dù lớn hay nhỏ đều được công bằng và có cơ hội như nhau. Tất cả sẽ dựa vào chất lượng và độ yêu thích của dì. Không còn chuyện dì phải từ chối bên này chỉ vì họ không có khả năng tài chính như bên khác. Không còn cảm giác áp lực vì tiền bạc. Nếu sản phẩm đấy xứng đáng để được biết tới rộng hơn thì dì sẽ hỗ trợ cho sản phẩm đấy.
Và cái yêu cầu lớn nhất mà dì muốn, là dì mong những doanh nghiệp lớn hay bé nếu đã tin tưởng và lựa chọn dì hỗ trợ truyền thông rồi thì sẽ làm tốt hết sức có thể của mình.
Đây là bước đi thứ 2 trong hoạt động mới của dì, group việc làm là bước đầu tiên.
Thế thì, nếu có cháu nào tự hỏi làm sao để ủng hộ cho dì, thì các cháu có thể làm những điều sau:
- Ủng hộ những sản phẩm trong tương lai tới của dì vì dì có nhiều dự án trong tương lai lắm.
- Ủng hộ những business nhất là của chính các cháu của dì mà sau này được hỗ trợ trên page.
- Ủng hộ những sản phẩm hoặc page/group hiện tại của dì.
Cái page này và các cháu đã hỗ trợ dì rất nhiều trong thời gian gần qua. Bây giờ thì page này không còn nuôi dì nữa, mà dì sẽ nuôi lại nó và tri ân lại cho mọi người.
Thật ra bây giờ có hỏi dì 5 năm tới dì sẽ làm gì với page thì dì vẫn chưa biết đâu. Nhưng dì biết sẽ làm gì trong 3 năm tới, và tạm thời thế là ổn.
__________
Email của dì là: badinulo@gmail.com, (xin miễn phản hồi booking agency xợ lắm xợ lắm)
tiêu đề email nhớ có tên công ty để dì tìm cho dễ nhé.
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ENGLISH VERSION
On May 30, I announced a cut of advertisement placement on the page. That decision was well supported by some of you but there were some who questioned why I made that decision, so in this post I will explain to you part of the reason for my choice.
Although I did not depend too much, I can not deny that the advertising money collected from this page was not a small source of revenue, and as common sense, “the page when there is a certain number of followers, the placement of advertising is a very common thing. Moreover, in order to attract advertising businesses to the page, we must have high-interactive content for them to pour more to us”. This put me on a race for a long time.
By September 2018, I suddenly got bored with my page. During that time, all I did was post some funny and innocuous posts, luckily suddenly the post got a lot of interaction, then immediately someone contacted me to place the ad and just edited a few caption, then post and receive money. I ask myself, is this what I will do forever? Then 5 years from now, what will this page look like? After the 5-year question popped up in my head, I was startled, to realize that I had absolutely no idea what to do with the page in the next 2 years, let alone 5 years. I have witnessed the fate of a number of large pages quickly flashed up in a short time and then faded into pages that were known to post links to an article. "So Nhung, do you want your page to become the same?" The answer is of course not. And so, during that time, my only choice was when I was really frustrated and I would stop working altogether. Or, I think of something new to do and find out.
It was at that time that I thought about the human resources field when I realized that there were not many groups looking for jobs for people that operated the way I wanted. But at that time, I still didn't do it right away. And then I continued my daily activities on the page and my tiredness got worse.
In October 2018, this page was hacked. It was a slap in the face to me.To be honest with you, it was a wake-up slap that I needed all this time.
Why is that? Because at that time, I realized how fragile Facebook fanpage is. No matter how many likes I have on my page, how long it works, if it takes only one, and it only takes a while, people will forget this page and my identity exists. I don't want all that people can remember is, "Nulo Auntie” page finally ends up advertising the whole day.
No, I want to see if anything bad happened with the page in the future. I can at least do some useful things, even if it just a little.
Perhaps I was lucky enough, and also thanks to a dearest friend that she got the page back. I rested for a while to really reorient the way it works and the fate of the page. I will be totally honest, it's true that when I reopened the page, I still received the ad, but it was to accumulate a little more feathers to make the page carefully prepared for the future. At the same time, I started deploying my employment group, because I didn't want to waste any more time.
(The group names Unemployment therapy:
https://www.facebook.com/groups/UnemploymentTherapy/
Group for sharing shopping deals, offers, events and mini reviews
https://www.facebook.com/groups/NhungLorenMagazine/
And you can also check my linkedin:
https://www.linkedin.com/.../b%C3%A0-d%C3%AC-nulo-nhung.../
On May 30, 2019, I decided to announce the cut of advertisement. After a while, I think that was the best decision I ever made. I feel like I have just dropped a heavy stone from my shoulder, when I no longer have to care about the satisfaction of the advertisers and the reaction of the member in the page. Not having to think about content, schedule posts, then have to worry about any cmt partner, etc. time for your personal life. Although I had previously refused a few parties because their content did not fit the page, I am now more comfortable choosing the ones I really want to work with without much responsibility between the two parties. I feel free and feel that the page is my own, no longer dependent on anyone else. A win-win situation is from now on, set up.
WHAT IS GIVE BACK?
The page stands today is also largely thanks to support of viewers, and fans.. Although this is not the page with the largest number of likes, it still has a fairly wide coverage for many people. If you notice, in recent times there have been a number of posts I asked about startups in Vietnam as well as a lot of work topics. Surprisingly, there are a lot of viewers and fans on the page who are either starting a business or doing business in a certain area. My page started operating in 2017, so far there must be many viewers who are starting to step onto working life. I know there was a high school student took first steps in uni life, and now has been working for a company( I was still keeping an inbox of a viewer asked me about my fav idols, till she dropped me a professional message for work collaborating enquiry :)).
So in order to continue with viewers through the new page of their lives, I left placing advertisement and replaced it with new activity “Media Support”.
"Media support" simply means that if someone contacted me with the desire to make their products more popular, I will ask them to send documents and information related to that product. If I finds that the product is really good and has good quality (and meets other specific conditions), she will support the product's marketing aspect.
I will not accept money, but may require some benefits, depending on the conditions and capabilities of both parties because I will use my reputation to ensure the quality of the product. This work will be of a long-term nature. It may not sound like a lot, but this is what I want to do to support businesses, especially startups, to spread the quality products of people to the community. From here I will call those of you who have your own business “BO- Business Owner”.
There are temporarily two ways for me to provide media support to BO:
1. For fast-moving consumer entertaining goods (such as food, clothing, cosmetics, movies, etc.) who wants the media support, BO can let me try their products. After that, I will write a honest review and do not make any corrections at the discretion of the business (unless it is a fact). Of course, before posting, I will ask if the BO wants to post this review, if you do not want to post, I will not post.
However, whether my review or the comment section has more criticism than praise, please, BO, do not let that falter, choose ideas that contribute to improve your products. Even though after I have finished media support, sometimes I will inbox to check on your situation.
2. For startups, to get me for media support, you should mail me, including: media plan, introduction about the business, orientation and mission of the business. Maybe I will ask for more information to clarify, and we will discuss with each other to think of the best way to communicate to viewers.
I do not require money.
The reason why I made that decision was for all businesses, big or small, would be fair and equal. It all depends on the quality and my preference. There is no longer, a reason I have to cancel this one because others are stronger in financial power. No more feeling the pressure of money. If the product deserves to be known more widely, I will support it.
And the biggest requirement that I want, is that I hope big or small businesses, if I have trusted and selected the media support aunt, will do your best.
This is the second step in my new activity, the job group is the first step.
Then, if any of you wonder how to support me, you can do the following:
- Support my future products because I have many future projects.
- Support for the business especially of viewer’s business which will later be supported on the page.
- Support my current products or page / group.
This page and viewers have supported me a lot recently. Now the page is no longer raising me, I will raise it and share it to everyone.
Actually, if I am asked what I will do in the next 5 years, she still doesn't know. But I know what to do in the next 3 years, and that's okay for the time being.
__________
My email is: badinulo@gmail.com, the subject of the email is the company name so I can easily find it.
Nhung Loren (pronounced Ñung Loren)

即使我本來就是不支持動物園 跟大水族館這樣利用動物來賺錢的地方，但我可以了解也許這樣可以讓大家有機會看到野生的動物，但在國外有很多是以照顧跟收留一些受傷生病的動物為主，讓大家去樂捐，也讓小朋友們有機會可以看到一些不同動物，而不是只有賺錢

我可以理解這是一個商業的場所，但既然這樣，他們應該要更有愛給他們更多的空間跟棲息的環境，來對待這些可愛的動物們。讓他們更健康快樂的生活著

When in transportation an estimated 70% die due to stress (they actually make their system stop breathing) which is one of the biggest reasons I do not support aquariums. But I am also aware some of the animals are saved but being put into tiny tanks, to me doesn’t feel like saving them. To fish that are locked up stress is the number one killer. Fish are very sensitive, when they feel threatened (by vibrations, earthquakes, tapping on glass or flash from your cameras) they start to freak out and hit the glass.

That is why I am disgusted because they let WAY TOO MANY people in when they aren’t able supervise. The tanks are too small and that causes animals depression because it’s too different to their natural habitat. So please if you choose to go, be respectful. Do it for the animals that have no choice already but to be there.

For those who don’t know me. I am an animal lover and I always will be. I choose not to consume meat purely because I wouldn’t want another stronger species one day to eat my family and I believe in karma. But that does not mean I think you all should become vegetarian. I believe it has to come from your heart and I respect everyone’s choices. For anyone to say otherwise, maybe think again.

他們的痛苦值得人類的娛樂嗎？

#loveandrespectallofearthscreatures

ps just because I’m in a picture with oysters doesn’t mean I eat them. My friends are allowed to eat whatever they want and take pictures of whatever they want. If you think that’s wrong then you aren’t as democratic as you think you are.

【水世界】的前製設定與現場劇照

WATERWORLD (1995)
In celebration of today’s anniversary of this wet mess/epic. Let’s celebrate the hard work this crew put into bringing this world to life. Water movies are never easy but when it comes to this movie anytime you bring it up and a crew member from it is in earshot, the stories pour out. Not always bad, I know a AC that said he had a blast, he loved the boat rides out and all the camaraderie the crew had to have to get thru it. To all the crew that helped bring WATERWORLD to life, We salute you and thanks for the memories. I personally enjoy this hot mess of a movie, it’s one of the last ones of its kind...done practically...in a way.
let’s take a deepest of dives into WATERWORLD

The director, Kevin Reynolds, knew there would be problems before production had even started, “During pre-production. Because having never shot on water to that extent before, I didn’t really realise what I was in for. I talked to Spielberg about it because he’d gone to do Jaws, and I remember, he said to me, “Oh, I would never shoot another picture on water”.
“When we were doing the budget for the picture, and the head of the studio, Sid Sheinberg, we were talking about it and I said, “Steven told me that on Jaws the schedule for the picture was 55 days, and they ended up shooting a 155 days”. Because of the water. And he sat there for a moment and he said, “You know, I’m not sure about the days, but I do know they went a hundred percent over budget”. And so, Universal knew the potential problems of shooting on water. It’s monstrous.”
The film began with a projected budget of $100 million which had reportedly increased to $175 million by the end of production. The principle photography had overrun for at least thirty days more than originally planned due to one major decision.

Whereas today they would film in water tanks with partially built sets, employing green screens to fake the locations, back in 1995 they decided to build everything full size and shoot out on the ocean.

This causes extra logistical problems on top of those that already come with making a major action blockbuster. Cast and crew have to be transported to sets. The camera boats and sets float out of position and will have to be reset between takes taking up valuable production time.

The first draft of Waterworld was written by Peter Radar, a Harvard graduate who wanted to break into the film business. His contact in the film industry was Brad Kevoy, an assistant to the legendary director Roger Corman.

Roger Corman is best known for making films very quickly on a small budget. He also liked to give young talent a chance to direct and write their own films. Brad informed Peter that if he could write a Mad Max rip off, he would arrange to finance and let him direct the picture.

Radar came back and pitched the idea for what would become Waterworld. Kevoy took one look at him and said,

“Are you out of your mind? This would cost us three million dollars to make this movie!”
So Radar kept hold of the idea and decided to re-write the script but, this time, going wild. He wrote what he wanted to see on-screen, limited only by his imagination, not a real world production budget.

He managed to get the newly written script shown to a pair of producers with whom he had made contact with. They loved it and ironically they passed it onto Larry Gordon. He shared the enthusiasm saying it had the kind of cinematic possibilities he was looking for. A deal was signed on Christmas Eve of 1989.

As further script rewrites progressed, it became clear that Waterworld was too big for the Larry Gordon’s production company to undertake by themselves. In February 1992, a deal was signed with Universal Pictures to co-produce and co-finance the film. This was now six years after the first draft had been written.

Universal had signed director Kevin Reynolds to Waterworld. Whilst he was finishing his latest film, Rapa Nui, pre-production for Waterworld was already underway.

The decision was taken that the largest set for the film, known as the atoll, would be built full size. The atoll was the primary location for film and in the story served as the location for a small population of survivors.

The logic behind this decision was due to the high percentage of live action filming required in this location, as well as a huge action set piece. No sound stage would be big enough to incorporate this number of scenes and it was crucial that we see the mariner sail his boat into the atoll, turn around and set out again. A full-size construction was the only way to go as the use of miniature and special effects would be impractical.

The next problem was deciding where to build this huge set. After much research, Kawaihae Harbour in Hawaii was chosen as the location. The atoll could be constructed in the harbour and rotated when needed thus allowing for open sea in the background. Later towards the end of principle photography, the atoll could be towed out into the open sea for the filming of the big action sequences which would be impractical to shoot in an enclosed harbour.

Director Kevin Reynolds also discussed the possibility of using the same water tank as James Cameron’s The Abyss, which had filmed there around five years ago,

“We had even entertained the notion of shooting at that big nuclear reactor facility where they had shot The Abyss, to use it for our underwater tank. But we found it in such a state of disrepair that economically it just wasn’t feasible. We didn’t have as much underwater work as they did. Most of The Abyss is interiors and underwater and model work, ours is mostly surface exterior.”

The production company had originally envisioned building the atoll by linking approximately one hundred boats together and building upon this foundation, just like the characters in the film. The production crew set out to search Hawaii and get hold of as many boats as possible.

During this search, a unique boat in Honolulu caught their attention. Upon further investigation, they discovered it was built by Navitech, a subsidiary of the famous aircraft production company, Lockheed.

They approached Lockheed with the strange request of figuring out how they could build the foundations of the atoll. Lockheed found the request unusual but didn’t shy away from the challenging. They agreed to design the atoll foundation and Navitech would construct it.

Meanwhile, an 11ft miniature model of the atoll was sent out to a model ship testing facility in San Diego. Scaled wave tanks are used to determine the effects of the open sea on large scale miniature models of new untested ship designs. This would help determine what would happen with the unusual design of the atoll when it was out of the harbour.

The atoll, when finished, was approximately ¼ mile in circumference. It took three months to construct and is rumoured to cost around $22 million. As the atoll would be used out on the open sea, it required a seafaring license. Nothing like this had been done before and after much deliberation, it was eventually classed as an unmanned vessel. This meant that all cast and crew would have to vacate the set whilst it was towed into position. By the end of production, the atoll was towed out to sea a total of five times.

Shooting out on the open sea presented a series of logistical problem as Reynolds describes,

“We had an entire navy, basically – I mean, this atoll was positioned about a mile off-shore in Hawaii, it was anchored to the bottom of the ocean so it could rotate. What you don’t think about are things like, you’re shooting on this atoll to maintain this notion that there’s no dry land, you always have to shoot out to sea. Away from the land. So we chose a location where we had about a 180 degree view of open water. Nevertheless, any time when you’re shooting, there could be a ship appear in the background, or something like that, and you had to make a choice. Do I hold up the shot, wait for the ship to move out, or do we shoot and say we’re going to incur this additional cost in post-production of trying to remove the ship from the background.

And at that time, CGI was not at the point it is now, it was a bigger deal. And so, even though if you’re shooting across the atoll and you’re shooting out onto open water, when you turn around and do the reverses, for the action, you had to rotate the entire atoll, so that you’re still shooting out to open water. Those are the kinds of things that people don’t realise.

Or something as simple as – if you’re shooting a scene between two boats, and you’re trying to shoot The Mariner on his craft, another boat or whatever, you’ve got a camera boat shooting his boat, and then the other boat in the background. Well, when you’re on open water things tend to drift apart. So you have to send lines down from each of those boats to the bottom, to anchor them so that they somewhat stay in frame. When you’ve got a simple shot on land, you set up the camera position, you put people in front of the camera and then you put background in there. But when you’re on water, everything’s constantly moving apart, drifting apart, so you have to try to hold things down somewhat.

And these are simple things that you don’t really realise when you’re looking at it on film. But logistically, it’s crazy. And each day you shoot on the atoll with all those extras, we had to transport those people from dry land out to the location and so you’re getting hundreds of people through wardrobe and everything, and you’re putting them on boats, transporting them out to the atoll, and trying to get everybody in position to do a shot. And then when you break for lunch, you have to put everybody on boats and take them back in to feed them.”

The final size of the atoll was determined by the size of the Mariners boat, the trimaran. The dimensions for the trimaran were finalised very early on in pre-production, allowing all other vehicles and sets to be sized accordingly.

Production required two trimarans boats which are so called because they have three hulls. The first was based on the standard trimaran blueprint and built for speed but also had to accommodate a secret crew below decks.

During wide and aerial shots it would have to look like Costner himself was piloting the boat. In reality, a trained crew could monitor and perform the real sailing of the boat utilising specially built controls and television monitors below deck.

The second trimaran was the trawler boat which could transform into the racer through the use of special practical effects rigs. Both of these boats were constructed in France by Jeanneau. Normally this type of vessel requires a year to construct but production needed two boats in five months!

Normally once the boat had been constructed, Jeammeau would deliver it on the deck of a freighter, requiring a delivery time of around a month. This delay was unacceptable and so the trimarans were dismantled into sections and taken by a 747 air freighter to the dock Hawaii. Upon arrival, a further month was required to reassemble the boat and get them prepared for filming.

sets recreating the inside of the tanker were built using forced perspective in a huge 1000ft long warehouse which had an adjoining 2000ft field. In this field, they built the set of the oil tankers deck, again constructed using forced perspective. Using the forced perspective trick, the 500ft long set could be constructed to give the impression that it was really twice as long.

There’s more to a film than just it’s sets and filming locations. Over two thousand costumes had to be created with many of the lead actors costumes being replicated many times over due to wear and tear.

This is not an uncommon practice for film production, but due to the unique look of the people and the world they inhabit, it did create some headaches. One costume was created with so many fish scales the wardrobe department had to search the entire island of Hawaii looking for anyone who could supply in the huge quantity required.

Makeup had to use waterproof cosmetics, especially on the stunt players. As everyone had a sun burnt look, a three-sided tanning booth was setup. The extras numbering in their hundreds, with ages ranging from six to sixty-five, passed through the booth like a production line to receive their spray tan. The extras then moved onto costume before finally having their hair fixed and becoming ready for the day.

In some scenes, extras were actually painted plywood cutouts to help enhance the number of extras on the set. This can easily be seen in one particular shot on board the Deez super tanker.

Filming on the water is not only a difficult and time-consuming process but also very dangerous. It’s been reported that Jeanne Tripplehorn and Tina Majorino nearly drowned on their first day of filming.

Waterworld’s star Kevin Costner reported having a near-death experience when filming a scene in which the mariner ties himself to his catamaran to survive a storm. The pounding water caused him to black out and nearly drown.

Unbeknownst to most of the crew, Kevin Costner’s stunt double was riding his jet ski across 40 miles of open ocean between his home on Maui and the film’s set on the Big Island. When he didn’t show up for work one day, the production team phoned his wife, who informed them he had already left for work. The stunt double’s jet ski had run out of gas halfway through his “commute” and a storm had swept him farther out to sea. It took a helicopter most of the day to find him. The stunt doubles name was Laird Hamilton.

As well as the logistical problems of creating a film of this scale and on water, they also had to deal with the press who seemed intent on wanting the film to fail. Director Kevin Reynolds discusses the situation,

“It was huge, we were constantly fighting – people wanted to have bad press. That was more exciting to them than the good news. I guess the most egregious example of that that I recall was that the publicist told me that one day…we’d been out the day before and we were doing a shot where we sent two cameras up on a mast of the trimaran and we wanted to do a shot where they tilled down from the horizon down to the deck below. We’re out there, we’re anchored, we’re setting the shot up and a swell comes in, and I look over and the mast is sort of bending.

And I turned to the boatmaster and I said, “Bruno, is this safe?”. And he looks up the mast and he goes, “No”. So I said, “Okay, well, we have to get out as I can’t have two guys fall off from 40 feet up”. So, we had to break out of the set-up, and go back in a shoot something else and we lost another half-day.

Anyway, the next day the publicist is sitting in his office and he gets this call from some journalist in the States and he goes, “Okay. Don’t lie to me – I’ve had this confirmed from two different people. I want the facts, and I want to hear about the accident yesterday, we had two cameramen fall off the mast and were killed”.

And, he goes, “What are you talking about?”. And he goes, “Don’t lie to me, don’t cover this up, we know this has happened”. It didn’t happen! People were so hungry for bad news because it was much more exciting than…they just said it, and you know, it hurt us.”
Upon release, the press seemed to be disappointed that the film wasn’t the massive failure they were hoping it to be. Universal Studios told Kevin Reynolds that one critic came out of an early screening in New York and in a disappointed tone said,

“Well, it didn’t suck.”

It is true that during principle photography the slave colony set sank and had to be retrieved. However due to bad press, the rumour became much bigger and to this day when you mention the sinking set, most people assume it was the huge atoll.

During production, press nicknamed the film “Kevin’s Gate” and “Fishtar”, referring to 1980’s box office failures Heaven’s Gate and Ishtar. Heaven’s Gate failed so badly it led to the sale of United Artists Studio and has become synonymous with failure in Hollywood.

As well as the exaggerated set problems and other various production rumours, there were also difficulties with the script. In a risky move, the film was green lit and moved into production without a finalised script.

The final total is a reportedly thirty-six rewrites. One of the writers involved was Joss Whedon. Joss had worked on many scripts before becoming a director having being at the helm of both The Avengers and the sequel Avengers: Age Of Ultron. He described his experience on Waterworld as,

“Seven weeks of hell”
Everything came to a head just three weeks before the end of principle photography. Kevin Reynolds who was an old friend of Kevin Costner allegedly walked off set or was fired. There was no official statement on what happened.

When Reynolds left the production this event caused many changes to be made. Composer Mark Isham had already composed approximately two-thirds of the film’s score by the time Reynolds left and that event ultimately caused him to leave production. As Mark describes in this interview excerpt,

“Kevin Reynolds quit the film, which left me working for Kevin Costner, who listened to what I had written and wanted a completely different point of view. He basically made a completely different film — he re-cut the entire film, and in his meeting with me he expressed that he wanted a completely different approach to the score. And I said, “oh let me demonstrate that I can give that to you”, so I presented him with a demo of my approach to his approach, and he rejected that and fired me. What I find a lot in these big films, because the production schedules are so insane, that the directors have very little time to actually concentrate on the music.”
Rumours report that Costner took control of production. He directed the last few weeks of principle photography and edited the final cut of the film that was released in cinemas.

Reynolds discusses his surprise at discovering that one of the most famous scenes from what is known as the extended version, was left on the cutting room floor,

“…it would have differed from what you saw on the screen to some extent, and one of the things I’ve always been perplexed by in the version that was released, theatrically, although subsequently the longer version included it, and the reason that I did the film, was that at the very end of the picture, at the very end of the script, there’s a scene when they finally reach dry land and The Mariner’s sailing off and he leaves the two women behind, and in the script they’re standing up on this high point and they’re watching him sail away, and the little girl stumbles on something.
And they look down and clear the grass away and that’s this plaque. And it says, “Here, near this spot, 1953, Tenzing Norgay and Edmund Hillary first set foot on the summit of Everest”. And that was in script and I was like, “Oh, of course! Wow, the highest point on the planet! That would have been dry land!”. And we got it! We shot that. And they left it out of the picture. And I’m like, “Whaaat?!”. It’s like the Statue of Liberty moment in Planet of the Apes. And I was like, “Why would you leave that out?”

Written by John Abbitt | Follow John on twitter @UKFilmNerd

If any the crew cares to share any of their experiences on it please comment.
Thanks for reading
If you want more deep dives visit
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▶ Download / Stream link : https://fanlink.to/fduF

👑Fly By Midnight
http://facebook.com/FlyByMidnightMusic​
http://instagram.com/FlyByMidnight​
http://twitter.com/FlyByMidnight​
http://soundcloud.com/FlyByMidnight​
http://FlyByMidnight.com

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Lyrics:

I remember us alone
我記得我們單獨在一起的時候
Tasting you like alcohol
我品嘗你的滋味 如同烈酒
I know for me it was always you
我知道 陪在我身邊的只會是你
Madison and 34
麥迪森街 三十四號
Watched you close that yellow door
我看著你關上那黃色的房門
And go
離開
I should have said
我早應該說

Turn around, turn around, let’s get back to it
轉過身來 讓我們回到原點
I should have said
我早應該說
I was wrong all along, I put you through it
是我錯了 我對你太過分了
I can’t undo it
我已經無法挽回了

But I could call your phone just to hear your voice
但我只想打你的電話 聽聽你的聲音
I could drive to you yeah but what’s the point
我可以開車去找你 但意義何在
I still think of you cause I’ve got no choice
我依舊想著你 因為我別無選擇
I still think of you cause I’ve got no choice
我依舊想著你 因為我別無選擇
I could run away but I won’t get far
我可以跑著離開 但我不會走遠
Meet somebody new let her break my heart
去遇見某個人 任由她讓我心碎
I still think of you cause I’ve got no choice
我依舊想著你 因為我別無選擇
I still think of you, I still think of you
我依舊想著你 依舊想著你

Missing you in figure eight
在第八張照片裡想念你
Tears me down it’s way too late
任我崩潰 已經太遲了
I know
我知道

That you already moved on
你已經遠走高飛
You wеre gone beforе I knew it
你已經走了 我才明白
Just to come back like a song
回來吧 就像歌裡唱的
On and on in my head
在我的腦海裡盤旋
I can’t lose it
我不能失去
I can’t undo it
我無法挽回

But I could call your phone just to hear your voice
但我只想打你的電話 聽聽你的聲音
I could drive to you yeah but what’s the point
我可以開車去找你 但意義何在
I still think of you cause I’ve got no choice
我依舊想著你 因為我別無選擇
I still think of you cause I’ve got no choice
我依舊想著你 因為我別無選擇
I could run away but I won’t get far
我可以跑著離開 但我不會走遠
Meet somebody new let her break my heart
去遇見某個人 任由她讓我心碎
I still think of you cause I’ve got no choice
我依舊想著你 因為我別無選擇
I still think of you, I still think of you
我依舊想著你 依舊想著你

No matter what I try to do I never get away from you
無論我做什麼事都無法逃離你
And even if I wanted to the only other choice is you
即使我想過 可選項的另一端還是你

I could call your phone just to hear your voice
我只想打你的電話 聽聽你的聲音
I could drive to you yeah but what’s the point
我可以開車去找你 但意義何在
I still think of you cause I’ve got no choice
我依舊想著你 因為我別無選擇
I still think of you cause I’ve got no choice
我依舊想著你 因為我別無選擇
I could run away but I won’t get far
我可以跑著離開 但我不會走遠
Meet somebody new let her break my heart
去遇見某個人 任由她讓我心碎
I still think of you cause I’ve got no choice
我依舊想著你 因為我別無選擇
I still think of you, I still think of you
我依舊想著你 依舊想著你

歌詞翻譯: 本尼托先生

#FlyByMidnight​ #NoChoice​ #Lyrics

Here's all the food, instaworthy spots, and stories from the Japanese grandmothers who taught me their local recipes.

The tour I joined was led by local English-speaking guides. Please feel free to reach out to them (in English or Japanese) if you would like to join.
・Sushi making, Chureito and Nishiura Walking Course
spbw5dc9@utopia.ocn.ne.jp ← led by Miss Fukasawa

・Houtou Rustic Cooking Studio
htsushima0224@gmail.com ←　led by Mr. Tsushima

・Mt. Fuji Yamanashi Guide-Interpreters Association 　　　　
info@fygia-japan.com (If you have any questions about local guides)

Hey guys, just wanted to let you know that if you are around Lake Kawaguchi or Fuji-Yoshida in Yamanashi, these tours are a great way to give back to the places you visit. All the tours I joined were hand-picked by local guides who live in this area, and a lot of the food used ingredients produced directly by local farmers. If you give any of these tours please let me know! Seeing new placesl is even better if you can leave a lighter footprint behind. Happy Travels!


- - - - - - - - D I S C O U N T S !!! - - - - - - - -
https://go.italki.com/kemushichan ← Japanese Learning on iTalki!

Click this for a discounted language lesson with the teacher of your choice. (You get a discount, and I get a commission!)

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JAPANESE STATIONERY
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- - - - - - - - S U B S C R I B E - - - - - - - -
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Me: https://www.youtube.com/user/kemushichan

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Send me messages or whatever you want via the address below!:

Yummy Japan - KemushiChan
〒150-0022 東京都渋谷区恵比寿南2-1-2 R・K・F恵比寿ビル5F

Yummy Japan - KemushiChan
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Tokyo, 150-0022, Japan


Business Inquiries:
Hello@KemushiChan.com
　
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Hi! My name is Loretta, a girl from the U.S. who moved to Japan! I'm here on the MEXT scholarship program as a graduate student, studying to get a Masters in Business Administration. Here are some answers to common questions:

1. Do I Speak Japanese? Yep! I was taught formally in High School and have been speaking now for over 15 years.
2. What are you studying? I'm a recent grad of Yokohama National University's "Masters of Business Administration" Program
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- - - - - - - -　♬M U S I C I N T H I S V I D E O♬ - - - - - - - -
Featuring Music from the YouTube Audio Library♪

#japan2020 #mtfuji #japanesefood

(´,,•ω•,,｀)わわっプラベのご参加ありがとうございました！

(´,,•ω•,,｀)急用が入るまで一緒に遊んでもらえて嬉しいです！

(๑´╹‸╹`๑) あっ他のプラベに入ってますね…

(๑´╹‸╹`๑) それって本当に「急用」って言うんでしょうか…

ヾ(๑╹◡╹)ﾉ” まぁまた遊んで下さい！

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主に他のゲームをやる配信サイト。ツイッターじゃないっつーの
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Contact to this server
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ヨージ先生の呟きが読めるのはツイッターだけ！
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~~~~~ 日本語 / Japanese ~~~~~

?‍♂️...ご挨拶

初めまして。ヨージです。アメリカに住んでいる純日本人です。


?...配信について

気分に合わせてレギュラーマッチやリーグマッチ、サーモンランにレーティングプライベートマッチをやります。
人数が多ければ交代などしていきます。


?...フレンドコード

SW-3516-9899-0870
* チャットには書かないで下さいな。
* フレンド申請を送ったら”必ず”Switchで使っているお名前を教えて下さい！
* すみませんが、名前が変わってて誰か分からない方と、人数合わせが必要なリグマやプラベを事前報告（最低1試合分前）無しで抜ける方は即解除です。次やる時にまた送って下さい。


?...レーティングプラベについて

裏で動いている専用のツールを使い、可能な限り実力差をなくしてチーム分けを行うプラベです。

* 初参加の方にはチャットで質問をしますのでお答え下さい。
* いずれかのルールのウデマエがB-以上の方、あるいはガチルールが理解できる方限定です。
* 人数が多い場合は体力制にします。いわゆる負け抜けの観戦交代制です。
名前の後ろに「†DRYH」が付いてる方は交代しにくくなります。
チャンネルメンバーシップを持ってる方は交代は不要です！
* 参加者全員がレプリカ系を除く全武器を持っている場合、ランダムブキで試合を行うことも可能です。
詳細は下記の「コマンド」を参照にして下さい。

以上に同意できたら参加お願いします。


?...パスワード

1069
* チャットには書かないで下さいな。


?…コマンド

以下のカギカッコの中のコマンドを入れるとNightbotが反応します。カギカッコ自体は除きます。ビックリマークは半角で入力して下さい。
またbotの仕様上、同じコマンドは最低でも5秒間に1回しか使えないので、しばらく待っても出なかった場合は再びコマンドを入れて下さい。

「!ブキ」
ランダムでブキが選ばれます。
ランダムブキのプラベ時には試合前にこのコマンドを入力して、出たブキを使って下さい。

「!シューター」「!ブラスター」「!ローラー」「!フデ」「!チャージャー」「!スコープ有り」「!スコープ無し」「!スロッシャー」「!スピナー」「!マニューバー」「!シェルター」
（†DRYHメンバーとチャンネルメンバーのみ）
それぞれのカテゴリーの中からランダムでブキが選ばれます。ランダムブキプラベでは使用しません。ナワバリなどでお好みでどうぞ。

「!本音」「(´・へ・`)」（チャンネルメンバー専用の絵文字）
心の声が漏れます。

「!敗因」（†DRYHメンバーとチャンネルメンバーのみ）
試合に負けた後の言い訳ができます。

「(´；Д；`)」（チャンネルメンバー専用の絵文字）
は、話すことがない・・・


?...ルール

* 暴言・煽りはそっちの自由。だが、裁くのはこっちの自由だ。
* 現在遊んでいるのと別のモードをやりたい or やらないのかと聞くのはお辞めなさい。こちらで進行します。
* 回線落ちなどで他人に迷惑を掛けたら謝りましょう！幼稚園で習いましたよね。
* 試合中の回線落ちが1回発生した方は、次回の枠までの参加を却下する可能性があります。
* 英語圏リスナーさんのチャットの翻訳は受け付けておりません。
例外として、伝える必要がある内容だと判断した場合は自発的に翻訳します。
* 不良ではないのでタイマンはしません。大人なのでかくれんぼもしません。


?...禁止事項

ここに書かれていないことでも一度注意されたら辞めてもらえると助かります。

* 放置や意図的な回線切断
* 裏部屋の作成・やり取り
* 他プレイヤーに対する指示・文句
* 自分や他人の個人情報の開示
* 個人的なネガティブな話
* リスナー同士の他人が混ざれない会話
* 似た・同じ内容の発言の繰り返し
* 宣伝・売名行為
* その他公序良俗に反する発言


それでは、健闘を祈る❗️

~~~~~~~ English / 英語 ~~~~~~~

?‍♂️...Greeting

Hello. My name is Youji. I'm full Japanese who living in U.S. Nice to meet you.


?...About Stream

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?...My Friend Code

SW-3516-9899-0870
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?...About Rating Private

It’s special private battles that makes no rank gaps between the both team as possible.

* I'll ask you a question on the chat if you are first time playing this.
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* We may play random weapons private if all of us have all weapons except replicas. Check commands below for the detail.

Join me if you can accept above.


?...Password

1069
* Do not write this password on the chat.


?…Commands

You may use these commands inside “” to Nightbot to react you. The same command can be used only once in 5 sec. Try again if you can get a reaction.

“!weapon”
The weapon will be randomly chosen. Use that weapon when we play random weapons private.

“!japan”
It tells you the local time in Japan.

“!quote”
The bot will give you a random quote from CoD series.


?...Rules

* It’s your choice to disrespect others or squidbagging, but it’s my choice to punish you.
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* If you disconnect once, then I might ask you not to play again until the next stream.


?... Prohibitions

Please watch out your actions even it’s not wrote on here if I warned you.

* AFK while playing the game / Disconnect on purpose
* Telling others what to do
* Telling your or others’ personal information
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* Posting the same or similar message over and over
* Advertising
* Any other inappropriate talks


Have a good luck❗️

~~~~~~~~~~

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