關於 naxs future ，我們在網路上蒐集到這些相關的討論、資訊與評價

AFTERLIFE網路來生: ev20f1 — VR

VR版將展出於 臺中國家歌劇院 National Taichung Theater - 2021 LAB X《面向未來—共感聯覺》虛擬實境展覽/忘我廳
展覽期間：2021/04/20(二)～2021/05/02(日)
播放時間：12:00-20:30 免費體驗
詳細資訊：https://www.npac-ntt.org/program/events/c-RX1IZLgO5Wd

AFTERLIFE是由臺灣新媒體藝術團隊NAXS Corp.(涅所開發)發起、並與臺灣實驗電子聲音創作者Meuko!Meuko!共同策畫、製作的線上實驗展演空間，以「網路多人連線系統」與「遊戲引擎即時3D環境」為技術核心，在數位空間中建構9層獨特的虛擬空間，邀請來自臺灣、亞洲、美國共17組演出者、藝術家共同參與，建構一個持續演化、生長的虛擬展演空間。

線上遊戲版本持續開放中。
📍http://afterlife.zone

AFTERLIFE網路來生: ev20f1 — VR
From today, April 20 to May 2, AFTERLIFE VR is available in Taiwan National Taichung Theater, «UNVEIL FUTURE» VR exhibition.
Meanwhile, you can still access the online game version through your browser.
📍http://afterlife.zone (Firefox/Chrome/Brave)

——— ARTISTS ———
▪️LIVE :
Alice Hui-Sheng Chang張惠笙 + Dutch E Germ
NONEYE
破地獄 Scattered Purgatory
Meuko! Meuko!
Software2050 寂寞軟體2050
落差草原 WWWW / Prairie WWWW
Alex Zhang Hungtai 張宏泰
Doggo taxi

▪️VIDEO Screening :
Asian Dope Boys 陳天灼 Tianzhuo Chen : TRANCE - Behind The Scenes

▪️DJ Mixes :
ASJ
Leevisa
Wanton Witch
Mars89
Sonia Calico
33EMYBW
Hyph11E
Gabber Modus Operandi

——— PRODUCTION TEAM ———
Produced by : NAXS corp.
Curation : NAXS corp. , Meuko! Meuko!
Technical Director : Yi Kuo
Art Director : Han-Yu Feng
Music Director : Meuko
CGI Visual Design & excution : Han-Yu Feng, eg.lio, Yi Kuo
Scene Design : Han-Yu Feng, eg.lio
Programmer : Yi Kuo, Kuok Pan Wong
Graphic Design : Han-Yu Feng
Live Cinematographer : Yeh Che
Video editing / postproduction : Yeh Che, eg.lio,P0n
Sound Mastering : P0n
Special Thanks : Unsound Festival 🇵🇱

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#VR
#MMO
#OnlineGame
#網路來生
#ev20f1
#台中國家歌劇院
#NationalTaichungTheater

🌐AFTERLIFE網路來生 — Online to Offline 從在線到離線

與 Naxs corp涅所開發共同策劃的AFTERLIFE(網路來生)，今年十月時首次登場於波蘭電子音樂節 Unsound Festival網路在線虛擬音樂祭，11月開始至2021/01/17，在台北空總臺灣當代文化實驗場 C-LAB 科技媒體實驗平台 新企劃360 Dome的環景沈浸式線下體驗。第一次做Ambisonics球型全景聲音工程設計很有趣，AFTERLIFE網路來生這次會有八個場景，我負責三個場景分別是中陰身通道、量子演算、荒原。歡迎來體驗。

FUTURE VISION LAB
戰情大樓前廣場
播放時間：11.01 - 01.17
NAXS Corp.—AFTERLIFE 每週四 19:45、20:05
全資訊ℹ️：http://lihi1.cc/YDTJv

— AFTERLIFE網路來生 —
是由台灣新媒體藝術團隊NAXS CORP(涅所開發)發起、並與台灣實驗電子聲音創作者Meuko!Meuko!共同策畫、製作的線上展演計畫，以「網路多人連線系統」與「基於Unity遊戲引擎的即時3D環境」為技術核心，在原生數位空間中建構一個持續演化、生長的虛擬展演介面。AFTERLIFE以「網路來生」為支點，自亞洲的宗教、生死觀、科技泛靈論提煉想像空間，邀請觀眾進入NAXS團隊創造的九層虛擬場景，在後感染的時空之下，探查網路科技社會中的訊息神話、數位身體的生死輪迴。


[Eng] /

AFTERLIFE網路來生 — Online to Offline
Beside our online MMO playground premiered by Unsound2020, AFTERLIFE now is presented in 360 dome format at 空總臺灣當代文化實驗場 C-LAB Taipei until 2021/1/17
Every Thursday 19:45, 20:05
ℹ️：http://lihi1.cc/YDTJv

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AFTERLIFE網路來生:ev20f1 is an online MMO game, an experimental space. Initiated by Taiwan-based new-media art group NAXS corp. and co-curated with experimental music producer Meuko! Meuko!, AFTERLIFE is an experiment to open an interspace between post-human myths and animism cosmology, to reinvestigate the life, death and rebirth of our digital bodies.

Sound design by Noneye, Meuko, Software2050

#網路來生 #360Dome
#ambisonics #VRdome #Audiovisual

Coming this Fall 2020! 🐉🐲🌟☄️🌏

Immerse yourself in the world of「鬼島Ghost Island」- a collaboration project by Meuko Meuko & NAXS corp. - will come alive as an online digital presentation including 3D digital scanning of Taiwanese street scenes, temple sound collection, memories of temples and much more to be experienced via as an online network, physical VR devices as well as offline performances.

Stay tuned and read on the story behind「鬼島Ghost Island」and its production concept:

(Dreamscape)

The fog, snow, streets … everything had only altered slightly from my memory yet I perceived this world as one that might be a couple years, or even a few centuries, into the future. I was amongst a group of futuristically dressed children, school dropouts turned street dwellers, who had just run away from their homes, and I seemed to be one of them, wearing dark sailor clothes, with black hair just past my shoulders.

We had been hiding for quite a while in the white stairwell of a newly built building, uninhabited since its completion. The children set up a den in the stairwell, equipped with a TV and video games. I had somehow become their leader, directing the others where to safely spend their nights. These children were not afraid of the darkness in this world.

One young girl even managed to communicate with rabbits living in the snow. She often hid in a corner of the stairwell, listening to an old yellow cassette player. The girl believed the sound she heard was a gift from the ancestors – music had vanished in this world, you see. She would listen to recorded lectures and pray in the temple left by her predecessors.

Eventually the hideout was discovered by the building’s construction workers when the children were returning from their scavenging mission, so we were forced to leave and seek new shelter. Once again we retreated along the bustling streets, where neon lights were beaming everywhere, and creeping smog rendered peoples’ faces lost and helpless. Elder street vendors were selling every last bit of their wares, hawking outmoded objects of their forefathers. Finally we arranged some cardboard boxes in an alley, just for one night’s sojourn. We knew it was still a long road ahead. That night felt like a year.

Another morning we were driven out from previous night’s hideout, as we had become accustomed to, and while out scouring the streets for food the girl stumbled upon a forgotten temple. A dense fog hovered in the air, as if the place was high up in the clouds. The temple was too crammed with dark painted bronze figures of canine deities for her to even find a way in. She sensed from these figures, a time of strife and warfare harkening back thousands of years, a time when mankind destroyed the earthly body of Buddha and the Gods. These sacred bodies had subsequently been sold and dispersed throughout the world for thousands of years. This temple had become the haven for these anthropomorphized animal figures since then.

Realizing she had in fact lost consciousness, the girl awoke to find the temple floating among the clouds, an island in the sky. Only then did it dawn upon her that humanity will inevitably return to its primal state among the ancient forests, and that the temple suspended in the heavens contained the ghosts of humanity.

@ The Ghost Island