關於 my trip 公司 ，我們在網路上蒐集到這些相關的討論、資訊與評價

Here I go again😅
上個post未講到，離開TVB之後，as a backup plan，我喺中大收讀Sustainable & Environmental Design建築碩士學位，同時間亦喺一間建築公司實習。重返校園內心都有掙扎，因為主修建築嘅人都知道呢一科係好金，but you gotta do what you need to do。我讀得都算幾好成績，但係事隔10 年要重新pick up絕對有困難。

我喺HKTV嘅的經歷係好滿足，係我演藝生涯中，第一次真正得到作為artist需要嘅照顧。見返好多TVB 台前幕後並肩作戰嘅舊同事，亦被安排做男一，一套劇接一套，而第一套劇嘅對手係影帝影后。過到新環境，有監製話喺舊公司好想同我合作，都覺得我可造性高。台前幕後都有好多溝通，個感覺係大家都有一團火，想創新同製作高質素嘅節目俾大家睇。因為咁我嘅演技有機會突破， it sharpened my skills, and definitely reignited my passion. 不過開心嘅時間過得好快，眨下眼就兩年，跟住大家都知道發生乜嘢事啦。 坦白講，呢次嘅感覺係由更高嘅位一腳𨅝咗落嚟，不過係我自己嘅選擇，因為加入HKTV時都知道會有呢個可能性，所以繼續向前行，無諗過返轉頭。

我決定要靠自己向外發展，向幕後製作埋手，因為呢一個係我鍾意做戲之外，入行嘅初心。起初係圈內朋友介紹由低做起，慢慢身邊有好多伯樂睇到我嘅潛質，鼓勵我開自己公司 - 製作廣告，event，電影。一開公司就已經接到幾個國際性嘅大型廣告同events，但壓力好大，因為我真係零back up。幾經辛苦終於搵到自己嘅世界，生存嘅空間。

試過接到國際品牌幾百萬嘅event 喺海外舉行，單人去開會。原先係同另一間香港製作公司一齊合作，心態係希望謙虛迎接新嘅挑戰，但第一次見面已經感覺好有敵意，因為對方可能覺得我搶生意。開完會諗住會有緊密合作，所以同對方進一步傾計了解， 但對方無緣無故話自己本來做電影行業但無做係因為「你老豆喺呢行」。估唔到離開香港，喺唔同範疇工作，都可以聽到呢種咁ridiculous嘅說話。係咪大家都以為我無咗老豆唔得？為咗big picture，唔希望又再次因為人士複雜而影響我團隊嘅努力，所以我同客戶提出獨自製作呢個event。

Business trip完成後，我同Camille同團隊分享都覺得好愕然，講都冇人信。當時只係女朋友嘅Camille知道當時我好需要人手，就辭職加入公司，付出所有做好呢個project，嗰次贏盡口碑。之後同我地合作過嘅每一位客戶，至今仍然係好朋友。我地嘅motto係將心比己，關係用錢都買唔到，it’s not always about the money。亦學識一定要放下身段，要生存就要豁出去。

曠闊咗視野同人事圈子，心態亦成熟咗，所以毫無保留介紹唔同嘅人去唔同嘅崗位，而佢哋喺呢行都做得唔錯，因為我了解呢一行係好需要其他人嘅扶持。

近呢兩年，有機會參與多咗幕前嘅工作，拍「男排女將」係HKTV拍「四年B班」嘅舊同事推薦我飾演黃金sir呢個角色。我亦好認真去做足功課，感恩大家對黃金sir嘅愛護。開頭有啲緊張，因為好耐無拍劇，希望自己可以發揮得好，希望可以為團隊同拍檔add value。因為呢幾年幕後嘅工作，自然反應係要照顧大家，所以同台前幕後嘅團隊，尤其係一班年輕人都傾得好投契。

Life is a marathon, I’m still giving my all to my career and this industry. 感謝大家對我嘅付出，感恩入行18年真心對待我嘅人。曾經傷害過我，當面多次say no 嘅人，我都要多謝佢地，因為我學識自愛、自強。呢一行嘅路真係非常之難，無論你來自任何嘅背景，成功唔係必然，都要付出好大嘅努力同堅持。
You must maintain a very balanced mental state and stay sane. I truly appreciate all the ups and downs in my life. I will keep striving. And may God continue to be my guidance, allowing me to persevere and protect the people I love with His love ❤️

「地獄空」攝影集即將在八月中元節前出版，由知名設計師與攝影家黃子欽設計，內附在下二位高徒精美繪製符咒、心經版畫書籤、愣嚴咒牌、尊勝咒語...等，感恩十方大德助印，希望疫情退散，平安喜樂，後記如下：

野放台灣五十餘年，貪狼獨坐，三方四正殺破狼格局，少年多舛，白手起家，隨展覽雲遊四海，如閒雲野鶴常持各類底片機流連廢墟、山川、宮廟忘返，遂設幻影堂自詡堂主，一日三省「凡所有相皆是虛妄」，常宅於暗房沖片放大通宵、鍾情黑白世界之單純，彩色照片俗世繽紛花俏做作甜美甚至比現實更現實故少拍也。知天命之年有餘，了悟人生一瞬、眨眼即逝，雖非仙人，亦無道骨，初聞離垢地生清淨心，但離華嚴「不動地」尚遠，待修持也。
2017年盛暑拍畢《巨神連線》，心律不整差點心肌梗塞向閻羅王報到，意識死神隨伺在側，人生苦短，如何了生脫死、盡斷煩惱、無所罣礙、遠離顛倒……總不得解，蒙釋迦摩尼佛開示飆淚三晝夜，聞佛法數載始知自我渺如塵埃，甚感慚愧。閒暇乃參訪名寺古剎，禮敬焚香佛陀菩薩羅漢諸神天仙王爺媽娘，台灣宮廟千奇百怪、宗派錯綜複雜（佛教、道教、一貫道、天主教、基督教、齋教、回教＆大同教、儒教鑾堂、天帝教＆天德教、慈惠堂＆勝安宮、軒轅教、道院、理教、萬國道德會、會靈山……）、神棍橫行（依人不依法、偶像崇拜、斂財、邪淫），因歷史變遷、社會動盪、政治鬥爭、意識形態等因素導致佛道混雜，但地獄造景稀少，後專注拍攝各殿閻王、判官、陰司、獄卒、七爺、八爺乃至一切罪人，各寺造景巧妙、耐人尋味，意境乖張溢於言表，造型扭曲非常人所能塑也，然匠心獨運、自成一格，專研西方藝術數十載方知真誠樸拙最美，絲毫不輸喬托（Giotto di Bondone，1267～1337）乃至米開朗基羅（Michelangelo Di lodovico Buonarroti Simoni 1475 ~ 1564）矣。

創立於1986年的石門金剛宮風景優美可眺望北濱，雖主祀四面佛，儒釋道眾神尊也不含糊，可過七星橋解厄、繞行五百黝黑羅漢敲鑼印心、跪拜亞洲最大臥佛涅槃像，安太歲自不在話下，甲子太歲爺雙眼長出手掌印象甚深，1994年經閻羅王指示廟公建造一條肚內設極樂世界及陰曹地府之神龍，行走暗黑通道觸動感應機關，只見面容猙獰受刑者呼天搶地喊冤、身邊盡是血肉糢糊殘肢敗屍腦漿塗地，十殿閻羅各司其職、威儀攝人。新北市林口區青嶺湖北文紫祥宮包公廟則以壁面彩塑地獄浮雕獨步全台，粉嫩色彩搭配卡漫風格，尤為造型簡直恐怖到可愛透頂，該廟主祀森羅殿閻羅天子包拯（包青天），陽世冤屈者可至此參拜祭解，求破懸案者眾，逢中元普渡皆以紙紮船渡亡魂至彼岸，全台唯一閻羅天子巨像籌備中，四周環繞墓地，適合修不淨觀也。台灣首尊彰化八卦山大佛旁南天宮（1971）地府則是首座電動地府，規模精小但驚嚇度破表，略顯破敗但五光十色仍蠻凶悍，出自已故台南大道長金登富之作，而電動神明起始可追溯至1960年代北港朝天宮。倒是嘉義水上鄉白人牙膏觀光工廠「戴相府」、「將軍府」設置十殿地府出乎意料之外，乾淨亮麗、ㄧ殿ㄧ間、簡單樸實。由高雄蓮潭龍虎塔龍口入內可見全臺唯一交趾陶地獄牆面，尊尊栩栩如生，續入龍身乃進聞聲救苦白衣觀音大士三十三化身浮雕隧道，造型設色甚為古錐。高雄大岡山超峰寺入口處「西方三聖蓮池海會」（阿彌陀佛、觀世音菩薩、大勢至菩薩巨像）旁設靜態十殿閻羅（1970年代初），雖略為陳舊然韻味猶存，續往上行可抵「證菩提道－釋迦如來應化事迹」雕塑園區，一攬世尊畢生精華。如來年邁時，琉璃國王為報長期被釋迦族輕蔑之傲慢心，世尊雖三次單獨伽跌坐 阻擋大軍進攻之路，但因緣果報無法逆轉，昔日婢女所生王子瞋恨無以復加，還是滅了祖國。自持神通第一目犍連不忍無辜百姓慘遭屠殺，遂以缽盛救度五百族人，最終卻化為血水，佛言神通廣大仍不敵千百劫業力，因緣果報屢試不爽。其母死後墜入餓鬼道飢餓難耐，目犍連遂展神通救渡，但所食尚未入口皆化為赤火，佛陀囑咐農曆七月十五日僧眾解安居自恣日，於盆中設甘露美食供養十方僧眾，因此超度亡母。後世「盂蘭盆法會」乃至「水懺法會」、「瑜珈焰口法會 」皆為消業障、斷塵垢之超渡儀軌，既渡亡魂也自懺悔。

台南麻豆代天府規模宏大、造型豔麗，不但可遊十八層地獄尚可逛天堂（1979年興建，1983年開放)，燈光絢爛、聲響駭人，獨自漫步宛如觀落陰、地獄走一回。先過「心頭山」、入「清心池」、進「陰陽界」、抵「交簿廳」、達「鬼門關」、遊「補經所」、探「枉死城」、行「奈何橋」，至ㄧ殿泰廣王照「孽鏡台」現造惡原形，睹抱柱、火床等小地獄。二殿楚江王開「陰查簿 」判案定奪，觀糞尿泥、餓鬼、舞池、寒冰、膿血、鞭韃、舌犁、劍葉、戟腹拋接、砧截……等小地獄。三殿宋帝王刑罰為倒吊、銅鐵刮臉、挖眼、搗樁、倒烤、吸血、穿肋、抽筋、蛆蛀等小地獄……兼遊「四生（胎、卵、濕、化）回魂府」。四殿五官王掌管腰斬、拔舌、沸湯、刺嘴、剝皮、箭樹、車崩、射眼……等十六小地獄。隨五殿森羅王豋「望鄉臺」回眸親人最終眼後觀擊膝、誅心、刀山、飛刀火石……小地獄。六殿卞城王別稱「大叫喚大地獄」，轄火牛、虎啖、噬腎、鉗嘴含鍼、釘喉、磨摧、砍頭……等小地獄。七殿泰山王為「熱惱大地獄」，窺烙手指、抽腸、頂石蹲身、油釜滾烹、割舌穿腮……等十六小地獄。八殿都市王掌管「大熱惱大地獄」兼火狗、鐵汁、鐵蛇、鋸劈斷肢、釘板、灸脊、鐵丸、磅秤……等小地獄。九殿平等王直轄十八層「阿鼻大地獄」，直透地心、內中陰森、不見五指、滿溢地漿，皆為極犯，另轄紫赤毒蛇鑽孔、夾頂、鐵鴉、針雨、蜂蠍……等小地獄。至十殿輪轉王上「觀生臺」、「轉劫所八司」（查驗司 、稽善司 、考過司 、恩怨司 、壽命司 、支配司、掌劫司 、授生司）後至「孟婆亭」飲「醧忘湯」忘盡前塵往事，依前世功德過金、銀、玉、石、木、竹六種橋樑至「轉輪臺（紫河車）」入六道輪迴轉生投胎。據《十八泥犁經》記載，人過世後七七四十九天為「中陰生」，經閻羅王審判善惡業力判定去留或懲罰百千萬劫，犯五逆重罪則墮入「無間地獄（阿鼻地獄）」永劫不復。地藏王乃幽冥教主，統轄十殿閻羅，逢三曹普渡便在各殿設「講道所」超度尚存善根之鬼魂。

人類居於五趣（阿修羅、人、傍生、餓鬼、地獄）雜居地五濁惡世之堪忍世界，犯十惡業（殺生、偷盜、邪淫、妄語、兩舌、惡口、綺語、貪慾、嗔恚、愚痴）者必墮三趣惡道。如何出「三界」（欲界、色界、無色界）二十八天？凡人無此意識，別說能破「十二因緣」（無明、行、識、名色、六入、觸、受、愛、取、有、生、老死）還滅門，更別想斷除「四聖諦」（苦、集、滅、道）集地八十一品見惑與八十八使思惑（五利使-身見、邊見、邪見、見取見、戒禁取見、五鈍使-貪、瞋、癡、慢、疑），了悟「五蘊」（色、受、想、行、識）本空、「十二入」（眼、耳、鼻、舌、意、色、聲、香、味、觸、法）空、「十八界」空，破俱生我執與分別我執、法執甚至空執，生十一處「善心所」（信、精進、慚、愧、無貪、無瞋、無痴、輕安、不放逸、行捨、不害），降二十六處「惡心所」（貪、瞋、癡、慢、疑、惡見、忿、恨、覆、惱、嫉、慳、誑、諂、害、憍、無慚、無愧、掉舉、惛沉、不信、懈怠、放逸、失念、散亂、不正知），須知善根斷盡則陷永劫輪迴、無垠轉世之苦。

地獄可能空滅嗎？若地獄空乏人間多鬼怪，地獄淨空世間何嘗非淨土？若能證空性何處現地獄？

地獄曠古來便廣泛流傳各部族間，老死生滅為自然運行之基礎、宇宙意識之核心，然今文明昌盛如咱城邦並非慾望消弭之所，惡性所及實無可根除，礙於憲法國家法律社會軍隊企業公司學校家庭團體之層層束縛不亞於十八層，乃遁於壓抑、束己情懷，暗埋心底、日久貪嗔痴慢疑怨噌會疊穢。而六塵未熄，心多妄念，妖魔鬼怪魑魅魍魎孤魂閃靈出沒於荒郊乃至人間，會靈於曠野密林以增性靈乃出世高人修煉之舉，我等凡人擅闖宛如迪士尼般之人造地獄，三魂七魄尚不足以出竅，驚邪恐怖淒厲猙獰倒滿足了自以為是的慚愧，豈不謬哉？

病毒肆虐年半有餘，全球確診者逼近一億八千萬，枉死者近四百萬，堪比戰爭規模，望眾生發慈悲心、令往生者安息、善待其他物種、平等有情眾生。地獄本空，唯妄念生起一切羨慕嫉妒恨而地獄現前。盡以此書作為世界新冷戰獨裁者、超限戰者、暗網駭客、陰險狡猾冷嘲熱諷落井下石者之良知備忘錄矣。

姚瑞中寫於2021年端午節

Postscript

I have been living recklessly in Taiwan for more than fifty years. According to Zi Wei Dou Shu (Purple Star Astrology), Tan Lang is the sole star in my house of Self. This star, which represents xxx, forms an equilateral triangle with that star Qi Sha and Po Jun on the square chart and constitutes a Sha Po Lang pattern. The pattern indicates a kind of turbulence and change, a life of wandering with ups and downs and it tells a lot about my life. After my ill-fated youth, I started from scratch and traveled around the world with exhibitions that I participated. Like a flaneur, I wandered around ruins, nature, and temples with every type of film camera obliviously. Thus, I founded the Hall of Illusion and claimed to be the master of the hall. Several times a day, I pondered a quote from the Diamond Sutra, “Everything with form is unreal.” In addition, I usually stayed in the darkroom developing film and enlarging those negatives overnight. However, I treasured the simplicity of the black and white world. The earthly, gaudy, garish, phony and pleasing qualities within colored photos make the images even more realistic than the real world. It is not my cup of tea, so I seldom took colored photos. In Confucian thought, the age of fifty marks the stage knowing the mandate of Heaven. I am now at my fifties and realize how ephemeral human life is. However, I am not an immortal, nor having sagelike characteristics. I just learned that the stage of stainless (the second bhūmi) and develop a pure mind that is free from doubt and defilement. However, I’m still far from the immovable state and need to practice.

In the summer of 2017, after filming the work Incarnation, I experienced a severe heart rhythm problem which almost triggered myocardial infarction and could have killed me. Consequently, I realized that death was waiting for me and the life is too short to figure out how I can liberate myself from the cycle of Birth and Death. I couldn’t comprehend how to be free from all afflictions and worries and how to avoid delusive ideas. I wept for three days and nights after being enlightened by Shakyamuni Buddha. Up to the moment, I felt ashamed that I failed to realize that the self is as insignificant as dust after these years learning and practicing Buddhism. Since then, I have visited famous temples and monasteries in my spare time, worshiping Buddha, Bodhisattvas, arhats, and all the deities and immortals. Taiwan’s temples are myriad with a enormous number of sects, including Buddhism, Taoism, Yiguandao, Catholicism, Christianity, Chinese religions of fasting, Islam& Baháʼí Faith, Confucianism, Tiandiism& Tian-De Teachings, Xiwangmu cult, Yellow Emperor Sect, Precosmic Salvationism, Liism, World Wide Ethical Society, séance cult, etc. Some people even claim that they can mediate communication between the deities or spirits of the dead with human beings, having their believer rely on themselves instead of the orthodox dharma or dogma and pay excessive respect and admiration for the mediums or objects, accumulating wealth through such an unfair means or even harassing their believer sexually. Due to Taiwan’s historical changes, social turbulence, political struggles, and ideological issues, Buddhism and Taoism are somehow mixed. However, there are few emphases on the concept of the hell. As I took photographs of Yama of each court, judges, wardens of the underworld, jailers, General Fan and Hsieh (the ghost escorts) and all sinners, I found few temples cleverly created hellish scenes that are intriguing, exaggerating, and extraordinary. However, the creations are unparalleled unique. I have been studying Western arts for decades and then I came to realize that simplicity makes the most beautiful works of art. These hellish scenes can even compete with works of Giotto di Bondone (1267-1337) and Michelangelo Di lodovico Buonarroti Simoni (1475-1564).

Jingang Temple Shimen District, founded in 1986, overlooks the beautiful North shore. Although the temple is mainly dedicated to Phra Phrom (the Thai representation of Mahabrahma), spirits of Confucianism, Buddhism, and Taoism can also be founded in the temple. The worshipper can go cross the Seven Star bridge to relieve bad luck, walk along the five hundred arhat statues and knock on the gong to affirm one’s Buddha nature. Furthermore, the worshipper can also prostrate themself before Asia’s largest statue of Buddha in Nirvana (the Reclining Buddha statue) and pacify the Taoist Tai Sui deity of the year. I was impressed by the Jia-Zi Tai Sui General that a pair of palms grow out of his eyes. In 1994, the biō-kong (the person taking charge of the temporal affairs of a temple) received a divine inspiration from Yama (the King of Hell) that he had to build a sacred hall in the shape of a divine dragon, with the interior designed according to the World of Ultimate Bliss and the Underworld. When the visitor walks in the dark hallway, they will see the tortured people (dioramas, of course) scrunching their faces and crying bitterly and loudly in excessive grief as the visitor triggers the mechanism. One will even find them in the midst of flesh, body liquid and blood, mutilated limbs, and rotten corpses. While each of the ten Yamas are focusing on their own duties, showing their sacred dignity that collect visitors’ attention. The Baogong Temple in Linkou District, New Taipei City exclusively features colorful depiction of hellish scenes in relief in Taiwan. With its pastel shades and cartoon-like style, the relief is both grotesque and adorable at the same time. This temple is dedicated to Bao Zhen (also known as Justice Bao) representing the incarnation of Yama. Living people who have been treated unjustly can come worshipping Bao Gong and receive exorcism. Therefore, many people come here for seeking to solve unsolved cases. In Zhongyuan Festival (the ghost festival), the temple will burn the Zhizha (paper craft) boat to ferry the ghosts to the other shore, which is the shore of enlightenment. The only giant statue of Yama in Taiwan is still in the making. The temple is surrounded by a cemetery, suitable for meditating on the loathsomeness and impurity. Nantian Temple (1971), located next to the Eight Trigram Mountains Buddha in Changhua, features the first animatronic underworld. Despite the small size, the animatronic underworld is intensely shocking. Though it’s slightly worn, the colorful dioramas are still brutally ferocious. The creator was the late venerable Dao Zhang (Taoist priest) Jing Deng-fu while the origin of animatronic deities can be traced back to the 1960s Beigang Chaotian Temple. On the contrary, the Whiteman Toothpaste Tourism Factory in Shuishang Township, Chiayi, features ten Yamas with individual booth. The place is unexpectedly clean and polished yet keeps a simple and modest tone. Then, the Dragon Pagoda of the Dragon and Tiger Pagodas at Lotus Lake in Zuoying, Kaohsiung, holds the only relief of hellish scenes made of Kochin ceramic. All the figures are vivid and life-like. If one goes further into the pagoda, they will see a relief tunnel of the thirty-three incarnations of the white-robed form of Guanyin (Avalokiteśvara) on a white lotus, with a lovely and interesting design. Another Hall of Yama is built in the 1970s next to the entrance of Dagangshan Chaofeng Temple, located in the Alian District of Kaohsiung. Visitors will also see three statues of the Three Holy Ones of the Western Pureland (Amitābha, Avalokiteśvara, Mahāsthāmaprāpta) which assemble at a lotus pond. Although the hellish scene looks somewhat antiquated, you may still find its previous charm. If one goes further, they will reach the sculptural garden of “Attaining the Bodhi Way: the Incarnation of Sakyamuni Buddha,” where the visitor can see the essence of Bhagavato’s (meaning the Blessed one, one of the common epithets for Buddha) life. When Tathāgata (another epithet for Buddha) was old, the king of Kosala wanted to avenge the arrogance of the tribe of Shakyas who had long despised him, regarding him as a son of a maiden. Although Buddha has sat in lotus position alone three times to stop the army from attacking his tribe. However, one can never reverse the cause and following karma. The prince born of a maiden was so furious that he eventually destroyed his homeland. Maudgalyāyana (one of the Buddha’s closest disciples), who is said to have had supernatural abilities that surpassed the other disciples, could not bear to see the slaughter of innocent people. Thus, he saved five hundred people of his tribe with a pātra (an eating utensil of Buddhist monks). Unfortunately, everything he did was in vain, those who were saved eventually turned into a puddle of blood. The Buddha said that the supernatural abilities cannot surpass the power of karma. The cause and effect work all the time. When Maudgalyāyana’s mother fell into the path of hungry ghost, he used his supernatural abilities to save his mother from hunger. However, all the food turned into fire before being fed to his mother. Later, the Buddha commanded the monks to put nectar and dishes in a basin on the 15th day of the seventh month in the lunar calendar for the monks from all directions to free his mother from reincarnation. In later times, the Ullambana Dharma Service, the Compassionate Samadhi Water Repentance, and the Yoga Collection for Feeding the Searing Mouths Dharma Service are rituals to eliminate karmic hindrance and to cease to worldly delusions. Through such practices, one can free the dead as well as confess their repentance.

Madou Daitian Temple is a magnificent and colorful temple in Tainan. Not only can the worshippers visit the eighteen levels of Hell but also the Heaven (it was built in 1979 and inaugurated in 1983) here. The lighting and sound effects are stunning and frightening. When walking alone in the space, one may feel like taking a Guan Luo Yin trip (a Taoist necromancy which leads people’s spirits to hell and communicate with the dead ones) to visit the underworld prison. Before arriving the first court of the underworld, the visitor will walk through the Mountain of Heart Summit, the Pure Heart Pond, the Frontier between the Living and the Dead Realms, the Soul Registry Hall, the Portico of Demons, the Center for Complementary Teaching of Canonical Books, the Citadel of Premature Death, and the Bridge of Vanity. When one arrives at the first court, they will see King Chin-guang, who is in charge of the court, using the Mirror of Retribution to show the earthly form of evil creatures and also witness the sub-hell of Pillar-Holding and Fire Bed, etc. At the second court, King Chu-jiang collates the register of sins the souls of the dead have committed to impose the punishments. Here, you will see the sub-hell of Excrement and Urine, Hungry Ghost, Burning Dance Floor, Ice, Pus and Blood, Whipping, Tongue-Raking, Sword Blade, Stomach-Piercing, Chopping, etc. Next, the dead at the third court, ruled by King Song-di, will receive the punishments including inversion tortures, face-skinning with steel and copper knife, eye-wrenching, pounding, blood-sucking, rib-piercing, roasting, tendon-taking, being eaten by maggots. The visitor can pay a visit to the Palace of Soul-Resuscitation for the Four Forms of Creatures (birth from an egg, birth from a womb, birth from moisture, and birth by transformation). King Wu-guan is in charge of the fourth court. There are sixteen sub-hells at the fourth court including Waist Chop, Tongue Removal, Boiling Pond, Mouth-stabbing, Skin-peeling, Sword Tree, Burning Wheels and Cart, Eye-shooting, etc. Next, at the fifth court, sinful souls are allowed to ascend the Tower of Hometown-Viewing to take a final look of their family. The visitor will witness sub-hells of Knee-striking, Heart-slicing, Blade Mountain, Flying Swords and Burning Stones, etc. The King of Bian City takes charge of the sixth court, which is also known as the “Great Hell of Screaming,” with sub-hells including Fire Cattle, Tiger-Biting, Kidney-Eating, Mouth-Poking, Throat-Nailing, Iron Mill, Decapitation, etc. The King of Tai-shan is in charge of the seventh court, the “Great Hell of Heat and Fire.” The sixteen sub-hells at this court include Finger-Searing, Bowel-Hauling, Stone-Bearing, Boiling Oil, Tongue-Removal and Cheek-Piercing, etc. Next, the King Du-shi is in charge of the eighth court, the “Great Hell of Intense Fire and Heat,” and the sub-hells including Fire Dogs, Molten Iron, Iron Snakes, Dismemberment, Steel Spikes, Burning-Marrow, Iron Ball, Scale, etc. The ninth court is ruled by the King Ping-deng. It is known as the biggest court, Avici Hell (the Hell of Incessant Suffering), which if the lowest level of the hell realm and the interior is gloomily and terrifyingly dark. Those who committed the most serious evil deed will be sent to the Avici Hell. Sub-hells such as Poisonous Snake, Brain-Removal, Crow-Gnawing, Raining Needles, Wasps and Scorpions are included at this court. After arriving the tenth court, ruled by the Great King of the Reincarnation Palace, one can visit the “Observatory of Life on earth” and the “eight bureaus of the Reincarnation Palace” (including the Bureau of Judicial Control, the Bureau of Good-Actions, the Bureau of Bad-Actions, the Bureau of Debts, Gratitude, and Vengeance, the Bureau of Longevity and Destiny, the Bureau of Familial Ties, the Bureau of the Reincarnated, and the Bureau of Birth). The sinful one will be sent to the Pavilion of Mengpo and made to drink the Soup of Forgetfulness to forget all past affairs. According to the sinful one’s merits of previous life, they will go across one of the six bridges (gold, silver, jade, stone, wood, bamboo) to the “Reincarnation-Wheel (Wheel on the Crimson River).” Finally, one is able to reborn in the six realms. According to the Aṣṭadaśa nāraka sutra ( the Eighteen Hells Sutra), after one passes away, they will enter an intermediate and transitional state between death and rebirth, known as antarābhava in Sanskrit, for forty-nine days. The being will be evaluated by Yama, who will decide if one should get reborn or get punished at the hell. Those who committed the Five Grave Offenses (killing one’s father, killing one’s mother, killing an Arhat, shedding the blood of a Buddha, and creating a schism within the community of Buddhist monks and nun who practice for attaining enlightenment.) will be sent to the Avici Hell and stay there eternally. Kṣitigarbha is the Lord of the Nether World, ruling the ten court of Hell. The lord will set up the “Hall of Teaching” at each court to salvage those sinful ones who still obtain few merits at the offering rituals.

Human beings live the Sahā world (sahāloka in Sanskrit, meaning “endurance of suffering,” a concept of mundane world in Mahāyāna Buddhism) where they share with other reincarnations (including beings of the hells, of the preta, and of malevolent nature spirits) with five turbidities (the Kalpa turbidity, the view turbidity, the affliction turbidity, the living beings turbidity, and the life turbidity). Those who commit the ten evil deeds (killing, stealing, adultery, lying, using immoral language, slandering, equivocating, coveting, anger, and false views) must fall into the three evil paths (animals, preta, and hell). However, how can one escape from the three realms/ twenty-eight heavens (including the six heavens of the desire realm, the eighteen heavens of the form realm, and the four heavens of the formless realm)? Worldly people who don’t have such an awareness cannot leave the cycle of the twelve nidanas (meaning causes or motivations), let alone eliminate the eighty-one afflictions (that have been produced due to misunderstanding regarding reality) and the eighty-eight illusions (including five afflictions of advanced practitioners, also known as five views: view of self, extreme view, evil view, view of attachment to views, and view of morality; and five unintelligent temptations: desire, anger, stupidity, arrogance, and doubt) of thought within the three realms and four Arya satyas (noble truths, including suffering, arising, ending, and path). They cannot realize that the essence of the five skandhas (referring to aggregates of clinging, including the matter of form, sensation, recognition, mental formation, and consciousness) , the twelve ayatana (meaning sense base, including six internal bases: eye, ear, nose, tongue, body, and mind and six external bases: visible objects, sound, odor, taste, touch, and mental objects), and the eighteen dhātavah (meaning compositional elements of human existence, including six consciousness, six faculties, and their objects) are the emptiness and the void. Furthermore, they cannot dispel the two reasons for clinging to the idea of the self and the attachment to elemental constructs and even believe in the two (false) tenets that that karma and nirvana are not real and that the ego and phenomena are real. As a consequence, they fail to develop the eleven wholesome mental factors (faith, energy, conscience, being ashamed, non-attachment, non-aggression, non-delusion, calmness, equanimity, conscientiousness, and non-injuriousness) and cease the sixteen unwholesome mental factors (desire, greed, anger, delusion, arrogance, doubt, wrong view, wrath, enmity, hypocrisy, vexation, jealousy, parsimony, deceit, flattery, harming, ambitiousness, stupidity, lacking of faith, idleness, being unrestrained, forgetting, distraction, non-discernment, ). One must bear in mind that once all our virtuous roots are discontinued, they will be trapped in the never-ending reincarnation and the suffering of infinite continuity.
Is it possible that the hell will be empty one day? If the beings in hell will become extinct while evil spirits inhabit the mundane world, the world could be considered as a pure land. If we could witness the nature of the void, then hell will exist no more.
Since ancient times, the concept of hell has been widely spread among all tribes. Aging, death, beginning, and end are the basis of nature and the core of cosmic consciousness. However, the prosperous civilization as our island is not a place where desire can be eliminated. It’s impossible to eradicate evil nature. Since fetters brought by the constitution, the state, the law, society, the military, corporations, schools, families, and groups are not less than the eighteen levels of hell, the mortals repress themselves, bury their feelings. Day after day, greed, anger, stupidity, arrogance, doubt, and resentment are stacking. However, since the six dust (visible objects, sound, odor, taste, touch, and mental objects) has not yet been extinguished, people in the mundane world are still full of delusions. The demons, devils, evil spirits, and the wondering dead exist in the wilderness, while only advanced practitioners with transcendent would attempt to make contact with the dead in the wasteland and forest. Worldly people like us trespass in Disneyland-like man-made hell. It is absurd and ridiculous that the hellish scenes cannot stop us from perpetrating evil deeds, but the horrific and cruel scenes yet satisfy our self-righteous shame.

The pandemic has been boiling over for more than a year and a half. The number of infected patients worldwide is nearly a hundred and eighty million, and the death toll has risen to four million, which is equivalent to a war crisis. I hope that we can all be compassionate, give peace to the dead, treat all sentient beings well and equally. The hell is innately empty; however, deluded and misleading thoughts would give rise to all jealousy and hatred and then manifest the hell before us. This book merely serves as a memorandum of conscience for dictators of the world’s new cold war, supporters of unrestrained warfare, dark web hackers, and those who are cunning and contemptuous and maltreat others when knowing they have problems.

June 2021,

Yao Jui-chung

我前几天还去鼓励我的美容顾问说他们可以检查一下自己可以拿到这礼物❤️❤️

直到昨天公司惊喜表扬才知道，
我梦寐以求的大大个Mary Kay 行李🧳
公司这一次真的真的送我啦！

我可是看了好久，流口水🤤好久啦了啦
我骨子里住着一个很爱旅游的自由灵魂啦

我可以哭吗🥺🥺 我接下来的旅行✈️
尤其 BALI 2.0 我来拍一系列我与我的行李的写真怎样🙈🙈

Few days back i still remind my beauty consultant to check if they’re on track or achieve this big luggage from company ❤️❤️

Till yesterday after surprise recognition by company only I know that I FINALLY GOT BIG BIG PINK LUGGAGE fromMary Kay🧳 After so longggg i’m eyeing on it! This time really get it FOR FREEEEEE by Mary Kay.

For so longgg i really want to get this🤤
God knows that there’s always a traveler soul in me.

Can i cry?🥺🥺 in my next vacation ✈️
Especially my next free trip to BALI 2.0, let me do some modelling with my new luggage okay?🙈🙈

#blessed
#touch
#FreeLuggage
#marykaystayblessedunit
#marykaymysg
#ilovemarykay
#thankyoumarykay
#maythemarykaybeautyconsultant
#SSDMay
#逢奖必拿
#逢游必去
#感恩

𝑭𝑼𝑳𝑳 𝑬𝑷 𝑰𝑺 𝑶𝑼𝑻 𝑵𝑶𝑾
https://lnkfi.re/WeWereSoYoung

⟢ ⟣⟢ MV 9 / 8正式上線 ⟢ ⟣⟢

你看來像是解答，我奮勇向前，卻越追越迷惘

終點之後，你只是你，我還是我

⟢ ⟣⟢ ⟣⟢ ⟣⟢ ⟣⟢ ⟣⟢ ⟣⟢ ⟣⟢ ⟣⟢
Love is more than I can say
Can’t get out
Can’t get it out of this maze
Such a mess

Love is more than you and me
Can’t get out
Can’t get it out of this maze
Such a mess


We are all alone and won’t be remembered
What they all think of me doesn't matter anymore

I am so lost in my life
Could you hold me tight?
To be my last savior

⟢ ⟣ Video ⟢ ⟣

導演 Director | 朱旻修 Min-Hsiu Chu
攝影 D.O.P | 劉哲均 Che-Chun Liu
攝大助 | 程鼎暘 Young Cheng
攝二助 | 楊子毅 Jason Yang
燈光 Gaffer | 梁敦學 Dun-Xue Liang
場務｜林政安 Zheng-An LIn
後期｜恰甘 Chagan
排版 Layout Design | 張雨晴 Yu-Ching Chang
造型 Styling｜MANDARK
化妝師 Makeup Artist｜萬芹菲 Wan
髮色設計 Hair Color｜梁晴 Jrina Liang

⟢ ⟣ Music ⟢ ⟣

作曲 COMPOSER｜梁丹郡 Mandark Liang
作詞 LYRICIST｜梁丹郡 Mandark Liang・曾國洵 AHHKUO
製作人 PRODUCER｜Everydaze・梁丹郡 Mandark Liang
配唱製作人 VOCAL PRODUCER｜Everydaze
編曲 ARRANGEMENT｜Everydaze
演唱 Vocal｜Everydaze・梁丹郡 Mandark Liang
電吉他 ELECTRIC GUITAR｜Everydaze
木吉他 ACOUSTIC GUITAR｜Everydaze
合成器 SYNTH｜Everydaze
鼓 DRUMS｜張家誠 Chia Cheng Chang
合聲 BACKING VOCAL｜Everydaze・梁丹郡 Mandark Liang
合聲編寫 BACKING VOCAL ARRANGEMENT｜梁丹郡 Mandark Liang
電貝斯 BASS｜陳建安 Jason Chen
翻譯協力 TRANSLATOR｜陳思翰 Hank Chen・何筱翠 Agnis Ho
鼓組錄音師 DRUM RECORDING ENGINEER｜張家誠 Chia Cheng Chang
人聲錄音師 VOCAL RECORDING ENGINEER｜ 吳奕宏 Wu Yi Hung
人聲錄音室 VOCAL RECORDING STUDIO｜ Playroom
人聲編輯 VOCAL EDITING｜陳以霖 Yi Lin Chen
鼓組錄音室 DRUM RECORDING STUDIO｜+x studio
混音師 MIX ENGINEER｜周已敦 Itun Chou
混音錄音室 MIXING STUDIO｜Rave Sound Studio
母帶後期工程師 MASTERING ENGINEER｜周已敦 Itun Cho
母帶後期錄音室 MASTERING STUDIO｜Rave Sound Studio
宣傳統籌 Marketing Dept.｜九踢文化 9 KICK
企劃 Marketing Executor｜梁丹郡 Mandark Liang
文案 Copywriter｜范懷心 Sandra Fan @ROOM.338
數位發行 Digital Publishing｜福祿壽音樂 FRUIT SOLD MUSIC
協力單位 Cooperation｜九踢文化 9 KICK・福祿壽音樂 FRUIT SOLD MUSIC・OOO-ing・StreetVoice 街聲・派歌 Packer・吹音樂 Blow
特別感謝 Special Thanks｜吳倬安 Leon Wu・黃培華 Sunday Huang・毛毛ㄉ快樂好朋友 HappyKawaiiFriends・呂佩蓬 PP L・王玫芸 Mei Yun Wang・梁晴 Jrina Liang・My Birds・Shigeyoshi Omura・鳥井 寛

Sponsor｜王永楠・梁豐順・蘇莉惠・張淑瓶 Ping Chang

OP｜福祿壽音樂娛樂有限公司Fruit Sold Music Co., Ltd.
SP｜Universal Music Publ. Ltd Taiwan

In memory of my baby bird: Mochi
僅以此紀念我的愛 Mochi 伴我完成這張作品


⟢ ⟣⟢⟣獨立製作・歡迎贊助⟢ ⟣⟢ ⟣
Merch 實體CD / 周邊 / Paypal 贊助 / Others
https://linktr.ee/mandark.jpg

♪ MANDARK
𝗙𝗔𝗖𝗘𝗕𝗢𝗢𝗞 https://www.facebook.com/mandarkliang
𝗜𝗡𝗦𝗧𝗔𝗚𝗥𝗔𝗠 https://www.instagram.com/mandark.jpg/
𝗦𝗣𝗢𝗧𝗜𝗙𝗬 https://reurl.cc/WEDal9
𝗕𝗔𝗡𝗗𝗖𝗔𝗠𝗣 https://mandarkravel.bandcamp.com/music

♪ Everydaze
𝗙𝗔𝗖𝗘𝗕𝗢𝗢𝗞 https://www.facebook.com/everydaze247/
𝗜𝗡𝗦𝗧𝗔𝗚𝗥𝗔𝗠 https://www.instagram.com/everydaze247/

如果有一首歌，可以替我們將旅行中的回憶與溫暖保存 那麼，
你就是彼此生命中最動人的旋律...

這次在IG搜集了約100則枕友們的影像紀錄，
把每個人的記憶片段、曾經走過的街道、看過的美景，
拼湊成這首歌的最後一塊拼圖。


這些過去留下的足跡，將會永久地保存在這支共同創造出來的MV裡。


2021 守夜人 Night Keepers 全新保溫系英文創作〈Remember〉
電影《跟你老婆去旅行》插曲


繼《五星級魚乾女》、《黑白》後，守夜人 Night Keepers 團長旭章 WIFI 再度攜手林孝謙導演共同詞曲創作影視作品，替他睽違三年執導的劇情長片《跟你老婆去旅行》製作插曲。

歌曲則延續守夜人 Night Keepers 一貫擅長的聊癒民謠風格，行進的吉他律動搭配合成器聲，緩緩鋪陳出一段傷感卻又浪漫的情懷。在躁動、焦慮的一年，讓我們乘著這首歌的翅膀，一同呼吸一大口溫暖的空氣，成為暫時被封印不能旅行的一個內心出口。
————————————————————————————


〈 Remember 〉


作詞：林孝謙 Gavin Lin
作曲：秦旭章 Wifi
編曲：川流 Flow / 秦旭章 WiFi / 笛岡俊哉 AKNIT


Autumn kisses the golden road
Changes all unchanged, cures all curable
Hug me with a smile
A smile of wisdom, my soul still hopes.

Follow your teardrops
I Dare to dream like a fool.
Tracing the moonlight
To whisper a Farewell.
Remember this day
As long as we may
Don't let yesterday lead the way.


Angel sings in the falling snow
Calms all unrest, heals our broken hearts.
Fly me to your side
Before the sunset, beyond twilight.


Blessed by the memory
I’m brave to breathe like you.
Embrace the Sunshine
We all have to say goodbye
Remember my face
And leave with grace.
Don’t let your sorrow lead the way

Remember this day
As long as we may
Don't let yesterday lead the way.



————————————————————————————

Credit list:

演唱Artist｜守夜人Night Keepers
作詞Lyrics｜林孝謙 Gavin Lin
作曲Composer｜秦旭章 WiFi
製作人Producer｜秦旭章@冰鳥工作室 WiFi @Ice Bird Studio
配唱製作人Vocal Producer｜古晧@肺腑音樂 Obadiah Ku @FeverMusic 編曲Arranger ｜川流 Flow、秦旭章 WiFi、笛岡俊哉 AKNIT
錄音師(人聲) Vocal Recording Engineer｜陳以霖@大小眼錄音室 Chen Yi Lin @Double Twin Eyes Studio
錄音師(樂器) Instrument Recording Engineer｜笛岡俊哉@AKNIT Lab AKNIT @AKNIT Lab
混音&母帶後期製作 Mixing & Mastering｜笛岡俊哉 @AKNIT Lab AKNIT @AKNIT Lab


OP：Warner Chappell Music, Hong Kong Limited Taiwan Branch
SP：Warner Chappell Music, Hong Kong Limited Taiwan Branch
OP：銀翼文創有限公司 Mr. Wing Creative admin by MUSIC BRAVO TECH. CO., LTD

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MV Credit list:
導演｜林孝X呂安弦
剪輯｜陳煜昇

影像提供｜
@cyc_sol・@ci1sin3・@sleepy_wifi ・@cloud_084・@adrian.feng・@danfjin・@zxc197502・@melodyjeremy・@joshshun・@x4u1e6_・@wei.i3・@una1021・@wendy_tsai_artist_・@zopiclonewithdrawal・@zetai_wu・@insurman20172018・@foodeat_travel_life・@live_certificate・@___xioh___・@chouchou_mh_・@aaaannnnyu・@obadiahkh・@uglyboy1228・@monchang0629・@joey_november・@pengritchie・@milatalk_music・@ray.chen.481415・@yiwen_bass・@_hhhappythings_・@megumi_fuifui・@geseleyeh・@hhhou_cony



特別感謝｜ 江翊寧、解孟儒、詹謹嘉、劉人鳳

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【 Night Keepers守夜人官方社群 】

FB: https://www.facebook.com/NightKeepers/
IG:https://www.instagram.com/nightkeepers2019/
YouTube:https://www.youtube.com/channel/UCOlupgA2QVdAljxtJCoP6Hg



【關於守夜人樂團】
入圍 2020第31屆金曲獎的Night Keepers守夜人，是少數擁有不同身份使命的創作演唱組合。時而涉足電玩，時而出版圖文詩集，有時只是用音樂表達一個失眠人對這世界的種種期待、躲藏、痛苦與觀察，持續以跨界合作方式推出作品。樂團將這樣的精神在現場演出時，以帶有感染力的演出讓聽眾放鬆與產生自然的互動為名。

守夜人期望能扮演「療癒使者」，用音樂、文字、影像、設計、live 演出與聽眾互相交流。並透過人工智慧軟體「聊天機器人」，與聽眾在睡前互相記錄、交換自己空虛、痛苦、孤獨的故事，藉此達到一種「團體治療」的效果，讓每個人都有機會成為彼此的守護者(Keepers)。


#跟你老婆去旅行 #插曲 #守夜人

昨晚在台北跨年晚會演唱了一小段這首歌。好久沒唱了，在台上突然很有感觸。。。
I study here, I work here, I cry here and I laugh here with her. Now I am here to pursue my dream when I was abandoned by my motherland... This city is full of my memories. Thanks Taipei & Happy new year 2021!

【臺北之旅 Trip To Taipei】Youtube高清版 : https://youtu.be/uNCWPFHe78M

數位音樂下載 Online Music Download【臺北之旅 Trip To Taipei】：https://lnk.to/3I55P5eM

我搭車 從桃園機場到台北的路上一直都不敢抬頭
自從畢業了之後 那麼多年第一次回到第二個鄉愁
在這裡回憶太濃 那時候過的太窮
只有妳這個傻瓜 願意陪我吃泡麵啃菜頭
朋友都笑我 幹嘛躲在台灣延畢打工
做音樂難出頭 要做就不要在那邊哭窮
妳騎車載著我 到各大唱片公司投DEMO
承受的冷眼嘲笑 妳說是他們白癡加耳聾

只有妳會懂我 只有妳會陪著我
就算我的音樂別人永遠都聽不懂
我的作品 妳四處播送 驕傲地炫耀著妳的男友
雖然我知道 那些豬頭都只是假笑應酬
妳經常瞞著我說 公司的便當還剩很多
其實我都懂 妳不過想讓我吃飯能抬頭
陽明山上 那停車房三坪的閣樓
那是我們 狹小又貧困的嚴冬

在台北街頭 停停走走 不變的高樓
最熟悉的路口 殘留妳的笑妳的沉默
在台北街頭 行人匆匆 誰都帶不走
甜蜜苦澀都經過
那都是屬於妳我 曾經的擁有

成功的男人失敗的男人 背後都有個女人
連個生日蛋糕都買不起 那都是我的無能
我告訴自己 不能放棄 因為至少還有妳
要揚眉吐氣 別再讓妳爸爸媽媽弟弟瞧不起
搬到了台北車站旁邊的危樓 頂樓加蓋夏天都超熱
冬天鐵皮變冰格 客運開過都會有餘震
我錄音寫歌 妳躺著看海賊王就快樂
泡麵加滷蛋 猜拳洗碗今晚妳又輸了

再搬到紅燈區 那裏房租都比較便宜
因為隔壁有 輻射發電工廠竊水等危機
我們用DV 拍攝紀錄生活的點點滴滴
我寫的歌曲 妳是唯一能背熟歌詞的歌迷
贏了短片比賽 拿了獎金想帶妳去旅行
妳卻買了Keyboard軟體 要我繼續努力前進
當我被大馬警方通緝 妳阻擋著媒體
告訴我 這個難關一定會撐過去

在台北街頭 停停走走 不變的高樓
最熟悉的路口 殘留妳的笑妳的沉默
在台北街頭 行人匆匆 誰都帶不走
甜蜜苦澀都經過
那都是屬於妳我 曾經的擁有


過去再多的磨難苦頭 只有妳懂我
感謝妳陪著我一起走過 那些年的落魄

在台北街頭 停停走走 不變的高樓
最熟悉的路口 殘留妳的笑妳的沉默
在台北街頭 行人匆匆 誰都帶不走
甜蜜苦澀都經過
那都是屬於妳我 曾經的擁有

說好了不會食言 要一起直到永遠
許下了愛情誓約 怎樣都不會改變
在離開前的那一夜 我們都哭紅了雙眼
桃園機場留下的淚 卻成了永遠的道別

謝謝妳給我的一切 希望妳現在過得很好
You are my angel

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Unboxing【亞洲通才專輯開箱】Youtube高清版：https://bit.ly/39Hq6n2
欲網購黃明志最新實體專輯《亞洲通才》及歷年專輯和周邊商品請到。

Purchase Namewee Latest 《Asian Polymath》 , Others Music Albums & Merchandises Please log in to https://namewee4896.com/

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Namewee 黃明志 Official Facebook Fan Page:
https://www.facebook.com/namewee/

Namewee YouTube Channel Link:
http://www.youtube.com/user/namewee

#Namewee #黃明志 #臺北之旅