關於 intonation violin ，我們在網路上蒐集到這些相關的討論、資訊與評價

LA Opus Review:

Mr. Huang’s solo entry, only five measures in, sounded vigorously authoritative without any audible gear-change from the slow opening.[...] Fine though this was, the Allegro giocoso Finale was even more memorable, dancingly airborne from start to finish, but with Mr. Huang’s perfectly focused intonation never compromised despite the speeds. The audience cheered this magnificent performance to the Terrace Theater’s rafters, and after being called back several times Mr. Huang obliged with a richly elaborated encore that had me unsuccessfully scratching my memory, but which my knowledgeable spouse informed me was The Red Violin Caprices.

Full review:
https://www.laopus.com/2019/10/ligeti-dvorak-and-tchaikovsky-open.html?m=1

Arts Management Group
Columbia Artists
Musiespaña
Long Beach Symphony

⠀
I’m often asked if I prefer playing violin or piano. I don’t think I could choose between them; they’re simply different. I enjoy the freedom to create vastly diverse atmospheres between the two instruments as well as the endless possibilities of a MIDI keyboard.
⠀
That said, where piano affords me the possibility of playing several notes simultaneously, it’s violin that allows me to express my voice more uniquely - there are more variables to manipulate sound through bowing techniques, vibrato, slides, harmonics, subtle inflections, and much more.
⠀
Before pianists come for me, I do think piano is just an expressive of an instrument. Though when you look at the fundamental sound production techniques of both instruments, you’ll notice a piano’s hammers are set to hit the piano’s strings in one direction and pitch is preset. With the violin, there are more variables involved in simply producing a note: your left hand sets the intonation (pitch), and vibrato, and your right hand is open to multiple ways of pulling the bow across the violin’s strings. I like to think of the violin as my singing voice.
⠀
Pictured: me performing a number at my solo concert ‘Relentless’, with guest singer @adriewong

Recipient of the prestigious 2015 Avery Fisher Career Grant and the 2017 Lincoln Center Award for Emerging Artists, violinist Paul Huang is considered to be one of the most distinctive artists of his generation. The Washington Post remarked that Mr. Huang "possesses a big, luscious tone, spot-on intonation and a technique that makes the most punishing string phrases feel as natural as breathing," and further proclaimed him as "an artist with the goods for a significant career". Here Paul discusses his life as a young soloist traveling around the world and the importance of music education.