Egypt’s Suez Canal: a maritime choke point
The 400-meter long, 220,000-ton MV [motor vessel ( )] Ever Given, classed as a so-called “megaship,” veered ( ) off course during a gale-force ( ) duststorm ( ).
The 59-meter-wide Taiwan-run, Panama-flagged vessel became stuck ( ) near the southern end of the Suez Canal, diagonally ( ) blocking the man-made ( ) waterway ( ) that connects the Mediterranean with the Red Sea.
Opened 150 years ago, Egypt’s Suez Canal has been regularly expanded ( ) and modernized, and it is today capable of ( ) accommodating ( ) some of the world’s largest supertankers ( ), handling roughly 10 percent of international maritime trade. In 2019 around 50 ships used the canal daily, compared with three in 1869.
The majority ( ) of oil transported by sea passes through the Suez Canal, which is the fastest crossing ( ) from the North Atlantic Ocean to the Indian Ocean, but demands hefty ( ) passage tolls ( ). The journey between ports in the Persian Gulf and London, for example, is roughly halved ( ) by going through the Suez Canal compared to the alternate ( ) route via the southern tip of Africa.
Most of the cargo ( ) traveling from the Persian Gulf to Western Europe is oil. In the opposite direction, it is mostly manufactured goods and grain ( ) from Europe and North America headed to the Far East and Asia.
The latest blockage ( ) highlights ( ) the risks faced by the shipping industry as more and more vessels transit ( ) maritime choke points including the Suez and Panama canals, the Strait of Hormuz and Southeast Asia’s Malacca Strait. Those routes ( ) are also having to accommodate increasingly larger ships that are more complex ( ) to rescue, while the container-carrying capacity of vessels has doubled in the past decade.
埃及蘇伊士運河:世界海運之吭
長達四百公尺、二十二萬噸,屬於所謂「超大型船舶」的內燃機船「長賜號」,在沙塵暴的大風中偏離了航道。
這艘五十九公尺寬,由台灣企業經營、以巴拿馬為船旗國的船卡在蘇伊士運河南端附近,以斜角堵住了這條連接地中海與紅海的人造水路。
埃及的蘇伊士運河一百五十年前開航,一直定期進行擴建及現代化改造,如今能夠容納世界上最大的一些超級油輪,經手大約百分之十的國際海洋貿易。二○一九年,每天約有五十艘船通過運河,在一八六九年則為每日三艘。
大部分經海路運輸的石油都會通過蘇伊士運河,但需付高額通行費,蘇伊士運河是由北大西洋通往印度洋最快的渡口。例如,要來往波斯灣諸港及倫敦之間,經由蘇伊士運河要比繞道非洲南端的替代路線縮短了大約一半的行程。
由波斯灣運往西歐的貨品大部分為石油;而反方向的運輸,主要是將歐洲及北美洲的製成品與穀物,運往遠東及亞洲。
近日的蘇伊士運河堵塞事件確實凸顯出航運業所面臨的風險,因為有越來越多的船通過海上戰略咽喉要塞,包括蘇伊士運河、巴拿馬運河、荷莫茲海峽,以及東南亞的麻六甲海峽。這些路線還必須容納體積越來越大的船舶,體積越大,救援起來就越複雜。船舶的裝載貨櫃容量在過去十年中整整翻了一倍。
#高雄人 #學習英文 請找 #多益達人林立英文
#高中英文 #成人英文
#多益家教班 #商用英文
#國立大學外國語文學系講師
同時也有16部Youtube影片,追蹤數超過11萬的網紅Lukas Engström,也在其Youtube影片中提到,Taiwan has been an amazing place to live in for the past 10 years. But even after an entire decade, it still does not feel like home. In this video I'...
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#新刊出版 New release!!!
Voices of Photography 攝影之聲
Issue 30:美援視覺性──農復會影像專題
U.S. Aid Visuality: The JCRR Issue
本期我們重返影響台灣戰後發展至關重要的美援年代,尋索過往在台灣影像歷史視野中遺落、但卻十分關鍵的美援時期台灣視覺歷程──「農復會」的影像檔案。
成立於1948年、以推行「三七五減租」和「耕者有其田」等土地改革與農業政策聞名的農復會(中國農村復興聯合委員會,JCRR),被認為是奠定二十世紀「台灣經驗」基礎的重要推手。然而很少人留意,這一農經專業的美援機構,在1950至60年代拍攝了大量的照片、幻燈、電影,並生產各種圖像、圖表、圖冊與海報,在冷戰年代與美援宣傳機制緊密連結,深深參與了戰後「台灣(視覺)經驗」的構成,影響著我們的視覺文化發展。
冷戰與美援如何形塑台灣的影像與視覺感知?本期專題透過採集考察眾多第一手的農復會早期攝影檔案、底片、圖像、影片與文獻資料,揭載鮮為人知的美援年代視覺工作,追尋這一段逐漸隱沒的戰後台灣攝影與美援視覺性的重要經歷。
其中,李威儀考掘農復會的歷史線索與視覺文本,探查美援的攝影檔案製程、「農復會攝影組」的成員蹤跡,以及文化冷戰期間從圖像、攝影到電影中的美援視覺路徑;蔡明諺分析1951年由農復會、美國經合分署與美國新聞處共同創辦的《豐年》半月刊,從語言、歌謠與漫畫等多元的視覺表現中,重新閱讀這份戰後最具代表性的台灣農村刊物潛在的意識形態構成與政治角力;楊子樵回看多部早期農教與政策宣傳影片,析論農復會在戰後台灣發展中的言說機制與感官部署,並從陳耀圻參與農復會出資拍攝的紀錄片計畫所採取的影音策略,一探冷戰時期「前衛」紀錄影像的可能形式;黃同弘訪查農復會在1950年代為進行土地與森林調查所展開的航空攝影,解析早期台灣航攝史的源起與美援關聯,揭開多張難得一見的戰後台灣地景航照檔案。
此外,我們也尋訪生於日治時期、曾任農復會與《豐年》攝影師的楊基炘(1923-2005)的攝影檔案,首度開啟他封存逾半世紀、收藏農復會攝影底片與文件的軍用彈藥箱和相紙盒,呈現楊基炘於農復會工作期間的重要文獻,並收錄他拍攝於美援年代、從未公開的攝影遺作與文字,重新探看他稱為「時代膠囊」的視覺檔案,展現楊基炘攝影生涯更為多樣的面向,同時反思「美援攝影」複雜的歷史情愁。
本期專欄中,李立鈞延續科學攝影的探討,從十九世紀末天文攝影的觀測技術,思考可見與不可見在認識論上的交互辨證;謝佩君關注影像的遠端傳輸技術史,檢視當代數位視覺政權中的權力、知識與美學機制。「攝影書製作現場」系列則由以珂羅版印刷著稱的日本「便利堂」印刷職人帶領,分享古典印刷傳承的工藝秘技。
在本期呈現的大量影像檔案中,讀者將會發現關於美援攝影的經歷與台灣歷史中的各種視覺經驗,還有許多故事值得我們深入訪查。感謝讀者這十年來與《攝影之聲》同行,希望下個十年裡,我們繼續一起探索影像的世界。
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● 本期揭載未曾曝光的美援攝影工作底片、檔案與文件!
購書 Order | https://vopbookshop.cashier.ecpay.com.tw/
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In this issue of VOP, we revisit the era of U.S. aid, a period that was of utmost importance to Taiwan’s post-war social and economic development, and explore Taiwan’s much forgotten but crucial visual journey during this era ── the visual archives of the JCRR.
Established in 1948, the Chinese-American Joint Commission on Rural Reconstruction, or the JCRR, is widely known for the implementation of various land reform and agricultural policies, such as the “375 rent reduction” and “Land-to-the-tiller” programs. Hence, the Commission is considered an important cornerstone to laying the foundations of the “Taiwan Experience” in the 20th century. That said, very few are aware that this U.S. aid organization specializing in agricultural economics was also closely associated with the American propaganda mechanism during the Cold War, and had in its possession countless photos, slides and movies, and produced various images, charts, pamphlets and posters. All these contributed to the formation of the post-war “Taiwan (Visual) Experience”, deeply influencing the development of our visual culture.
How exactly did the Cold War and U.S. aid shape Taiwan’s image and visual perception? This issue’s special feature uncovers the little-known visual activities from the U.S. aid era by investigating the collection of JCRR’s first-hand photo files, negatives, images, films and documents, and traces this important journey of post-war Taiwan photography and U.S. aid visuality that has gradually faded from people’s minds.
Among them, Lee Wei-I examines the historical clues and visual texts of the JCRR, and explores the production of the U.S. aid photographic archives, following the traces of the members of the “JCRR Photography Unit” and the trails of U.S. aid visuals during the Cold War from images and photography to films. Tsai Ming-Yen analyzes the diverse visual manifestations, such as languages, ballads and comics, contained in the semimonthly publication Harvest, which was co-founded by the JCRR, the U.S. Economic Cooperation Administration, and the U.S. Information Service in 1951, presenting a new take on the ideological and political struggles that were hidden beneath the pages of this agricultural publication that could also be said to be the most representative publication of the post-war era. Yang Zi-Qiao looks back at the early agricultural education and propaganda films, and analyzes the discourse and sensory deployment utilized by the JCRR in the development of a post-war Taiwan and the possibilities of the “avant garde” documentary films from the Cold War period through the audio-visual strategies gleaned from director Chen Yao-Chi’s documentary project that was funded by the JCRR. At the same time, Houng Tung-Hung checks out the aerial photography taken by the JCRR in the 1950s for land and forest surveys, and uncovers the origins of Taiwan’s aerial photography with U.S. aid, giving readers a rare glimpse at post-War Taiwan’s aerial landscape photographic archives.
In addition, we will explore the photographic archives of Yang Chih-Hsin (1923-2005), a former photographer who was born during the Japanese colonial period and worked for the JCRR and Harvest, unearthing negatives and documents kept away in the ammunition and photo-paper box that had stayed sealed for more than half a century. This feature presents important files of Yang during his time with JCRR, and photographs taken and written texts produced during the U.S. aid era but were never made public. We go through the visual archives enclosed in what he called a “time capsule”, shedding light on the diversity of his photography career, while reflecting on the complex historial sentiments towards “U.S. aid photography” at the same time.
Lee Li-Chun continues the discussion on scientific photography in his column, exploring the interactive dialectics between the seen and the unseen through the observation technology of astrophotography in the late nineteenth century. Hsieh Pei-Chun focuses on the history of the technology behind remote transmission of visuals and examines the power, knowledge and aesthetics that underlies contemporary digital visual regime. Finally, this issue’s “Photobook Making Case Study” is led by the printing experts at Japan’s Benrido, a workshop that is renowned for its mastery of the collotype printing technique.
Through the large collection of photographic archives presented in this issue, readers will see that there remain many stories on the photography process in the U.S. aid era and various types of visual experiences in Taiwan’s history that are waiting to be unearthed. We thank our readers for staying with VOP for the past decade and we look forward to another ten years of exploring the world of images with you.
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Voices of Photography 攝影之聲
vopmagazine.com
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#美援 #農復會 #冷戰 #台灣 #攝影
#USAID #JCRR #ColdWar
#Taiwan #photography
#攝影之聲 #影言社
in the past decade 在 文茜的世界周報 Sisy's World News Facebook 的最佳解答
《紐約時報:美國正在進行至少需時五年的原型疫苗大計劃,抓住未來所有大流行病毒》
美國國家過敏症和傳染病研究所所長 Anthony Fauci 博士在上周二的參議院聽證會上發表重大談話。
從某種意義上說,世界因新冠病毒的疫苗而走運。一個偶然的機會,科學家們剛好花了數年時間研究冠狀病毒,這次病毒的基因序列一公佈,即準確地開發出製造 Covid 疫苗所需的疫苗。
但是,如果下一次大流行來自引起拉沙熱的病毒,或者來自蘇丹埃波拉病毒株,或者來自尼帕病毒,將會發生什麼?
美國國家過敏和傳染病研究所所長 Anthony S. Fauci 博士正在推行一項雄心勃勃且昂貴的計劃,為此類情景做好準備。
他說,美國將每年花費“數十億美元”,進行一個原型疫苗大計劃:約五年時間才能獲得第一批成果,並需要大量科學家參與。
這個想法是製造“原型”疫苗,以防止來自大約 20 個可能引發新流行病的病毒家族的病毒。
原型疫苗的使用對 Covid-19 證明是成功的研究工具,研究人員將發現每種病毒的分子結構,了解抗體必須攻擊它的位置,以及如何刺激身體,準確地製造所需的抗體。
佛奇博士說:“如果我們獲得資金,我相信我們會的,它可能會在 2022 年開始,”
他補充說,他一直在“與白宮和其他人討論”這個想法。
美國國家衛生研究院院長柯林斯博士也認為政府會分配必要的資金,且該項目“引人注目”。
“當我們開始考慮成功結束 Covid-19 大流行時,我們絕不能因此自滿,”柯林斯博士如此結語。
大部分財政支持將來自佛奇博士的研究所,但這種規模的研究需要額外的資金,而這些資金必須由國會支持。今年傳染病研究所的預算略高於60億美元。佛奇博士沒有具體說明需要多少額外資金。
未來如果監控網絡檢測到一種新病毒從動物傳染給人類,那麼按照邏輯,科學家們可以通過快速製造原型疫苗對爆發中的人,進行免疫阻止它。
如果病毒可以在世界大流行傳播前阻止,原型疫苗更廣泛地部署,才能建立更安全的世界。
“研究的重點是試圖限制對疫情的溢出,”斯克里普斯研究所疫苗研究員兼免疫學和微生物學系主任丹尼斯伯頓博士說。
原型疫苗項目是美國國家過敏和傳染病研究所疫苗研究中心副主任 Barney Graham 博士的創意。他於 2017 年 2 月在研究所主任的私人會議上,提出此想法。
年復一年,病毒從威脅要變成大流行病,格雷厄姆博士說:2009 年的 H1N1 豬流感,2012 年的基孔肯雅熱,2013 年的 MERS,2014 年的埃波拉病毒,2016 年的寨卡病毒。每次科學家都爭先恐後地試圖製造疫苗.
他們唯一的成功都只是部分成功,埃波拉疫苗有助於控制流行病,但對其他埃波拉病毒株無效。
在疫苗可以製造或測試之前,其他流行病已經減弱。
“我們累了,”格雷厄姆博士說。
研究人員在過去十年中開發了新的基因工具,可以改變這種現象。目前的生物科技技術允許科學家查看病毒的分子結構,分離阻斷病毒的抗體,並找出它們結合的位置。
結果可能是為更精確地針對病原體的新疫苗進行“結構的設計”。
當佛奇在 2017 年聽到 Graham 博士的演講時,Fauci 博士受到了啟發。佛博士說:“這讓我和執行委員會的其他人感到非常高興且可行。”
https://www.nytimes.com/2021/07/25/health/fauci-prototype-vaccines.html?referringSource=articleShare
The prototype vaccines project is the brainchild of Dr. Barney Graham, deputy director of the Vaccine Research Center at the National Institute of Allergy and Infectious Diseases. He presented the idea in February of 2017 at a private meeting of institute directors.
Year after year, viruses had threatened to turn into pandemics, Dr. Graham said: the H1N1 swine flu in 2009, Chikungunya in 2012, MERS in 2013, Ebola in 2014, Zika in 2016. Each time scientists scrambled to try to make a vaccine. Their only success was a partial one, with an Ebola vaccine that helped control the epidemic but would not work against other Ebola strains. The other epidemics waned before the vaccines could be made or tested.
“We were tired,” Dr. Graham said.
But researchers had new tools developed over the past decade that could make a big difference. They allowed scientists to view molecular structures of viruses, isolate antibodies that block the viruses and find out where they bind. The result was an ability to do “structure-based design” for new vaccines that target the pathogen more precisely.
When he heard Dr. Graham’s pitch in 2017, Dr. Fauci was inspired. “It struck me and others in the executive committee as something that is really doable,” Dr. Fauci said.
in the past decade 在 Lukas Engström Youtube 的最佳貼文
Taiwan has been an amazing place to live in for the past 10 years. But even after an entire decade, it still does not feel like home. In this video I'm talking about my personal mindset towards Taiwan and why I haven't been able to "feel like home" here in Taiwan, although many of my foreign friends seem to be able to do this without a problem. Should also warn you that there will be a few tears towards the end of this video 😭.
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in the past decade 在 果籽 Youtube 的最讚貼文
After getting its Michelin star back in January, The Chairman claimed the top spot for Asia’s 50 Best Restaurants 2021 – a first for a Hong Kong restaurant – just two months later. Tucked away in a small side road at the back of the bustling Central district, the modern classic Cantonese eatery is owned by Danny Yip, a low-key veteran restaurateur who has managed to stay out of the limelight until recent years. “Food is always our centre of attention. Because whenever we struggle to take care of everything else, we always consider: how much time can we actually spend in the kitchen during the year? We want to put all our energy on our food, especially during the first few years,” Yip says.
Little Meg, a top food influencer with over 159,000 followers on Instagram and one of the Tokyo guides featured in Netflix’s foodie docuseries “Ugly Delicious”, is one of the most frequent regulars of The Chairman. She has dined at the small restaurant at least 37 times within nine months since June last year. “Chinese cuisine used to lack certain finesse, but The Chairman has successfully filled the gaps over the past decade. For instance, Chinese dishes were often cooked with stock or a lot of sauces, but The Chairman decided not to go down the same route. They establish their own flavors with their own techniques,” Little Meg says.
https://hk.appledaily.com/feature/20210425/FPYKPZGVFBGOHDRJMLX523UOGM/
影片:
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in the past decade 在 English Island英語島 Youtube 的最佳貼文
About Chatterbox Island English Podcast:
從「話題式」的角度出發,以日常對話的方式,與主持人Elise聊一些生活中的趣事,輕鬆練習英文聽力!
Have you ever read any self-help books? Do you find them helpful? Over the past decade, the self-improvement industry has become a multi-billion-dollar industry. Why are people so hooked on self-help books and videos?
In this episode, we're gonna talk about some common critics about self-help books and why you probably don't need them!
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Waiting by Ghostrifter Official https://soundcloud.com/ghostrifter-of...
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in the past decade 在 10 Companies We Lost In The Last Decade - YouTube 的推薦與評價
From 2010 to 2019, the retail apocalypse and changing tastes killed off many iconic companies. We lost Payless ShoeSource, Borders, Wow Air, ... ... <看更多>
in the past decade 在 Over the past/last decade or during the past/last decade 的推薦與評價
Over and during are both acceptable. The past decade means the previous 10 years from today. The last decade means the last nominal decade (eg ... ... <看更多>
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